Summary
The ideal text for college instrumental students and an invaluable reference for practicing teachers, this book covers every critical area in the professional life of band and orchestra teachers at the beginning and secondary levels. Author Lynn G. Cooper shares the experience and knowledge he has gained from more than 40 years of teaching instrumental music and music education. This second edition is significantly expanded and updated, including major new sections on advocacy, technology, and the challenges of teaching middle school students. Also included are additional student assessment strategies, updated Suggested Band Literature Lists, and more examples of effective warm-up and technique-building literature for rehearsals. A plethora of forms, sample letters, charts, and lists of suggested literature round out this enlightening text. Sample course syllabi and additional supplemental resources are available online.
Author Biography
Dr. Lynn G. Cooper retired in 2007 as Chair of the Music Department and Professor of Music at Asbury University in Wilmore, Kentucky. During his twenty-two year career at Asbury University he conducted the Concert Band and taught courses in conducting and instrumental music education. He lives in Wilmore, Kentucky.
Dr. Lynn G. Cooper retired in 2007 as Chair of the Music Department and Professor of Music at Asbury University in Wilmore, Kentucky. During his twenty-two year career at Asbury University he conducted the Concert Band and taught courses in conducting and instrumental music education.
Prior to his appointment at Asbury University he taught in the public schools of Michigan for nineteen years. The last fourteen of those years were spent developing an outstanding band program at Ypsilanti High School. He also founded and conducted the Ypsilanti Community Band, an excellent adult concert ensemble.
Dr. Cooper is an active adjudicator, clinician, guest conductor, and author. A frequent presenter at professional conferences, Dr. Cooper has given clinic-lectures at state, regional, and national conferences throughout the United States. He presented at the MENC National Conference, the Texas Bandmasters Association Conference, and the Midwest International Band and Orchestra Clinic.
He served on the Board of Directors of the Kentucky Music Educators Association (KMEA) for sixteen years, including a two-year term as President. He was awarded the Distinguished Service Award from the KMEA in 2009. Dr. Cooper serves as Chair of the KMEA Band Music Selection Committee. He also serves on the Board of Advisors of the Center for Music Education at Sam Houston State University in Texas.
Dr. Cooper received his Bachelor of Music and Master of Music degrees from The University of Michigan, and his Doctor of Education degree from the University of Kentucky.
Dr. Lynn G. Cooper retired in 2007 as Chair of the Music Department and Professor of Music at Asbury University in Wilmore, Kentucky. During his twenty-two year career at Asbury University he conducted the Concert Band and taught courses in conducting and instrumental music education.
Prior to his appointment at Asbury University he taught in the public schools of Michigan for nineteen years. The last fourteen of those years were spent developing an outstanding band program at Ypsilanti High School. He also founded and conducted the Ypsilanti Community Band, an excellent adult concert ensemble.
Dr. Cooper is an active adjudicator, clinician, guest conductor, and author. A frequent presenter at professional conferences, Dr. Cooper has given clinic-lectures at state, regional, and national conferences throughout the United States. He presented at the MENC National Conference, the Texas Bandmasters Association Conference, and the Midwest International Band and Orchestra Clinic.
He served on the Board of Directors of the Kentucky Music Educators Association (KMEA) for sixteen years, including a two-year term as President. He was awarded the Distinguished Service Award from the KMEA in 2009. Dr. Cooper serves as Chair of the KMEA Band Music Selection Committee. He also serves on the Board of Advisors of the Center for Music Education at Sam Houston State University in Texas.
Dr. Cooper received his Bachelor of Music and Master of Music degrees from The University of Michigan, and his Doctor of Education degree from the University of Kentucky.
Table of Contents
Introduction and Acknowledgements . . . . . . . . . . . . . .xi
PART I: THE BEGINNING PROGRAM
Chapter One: Laying the Foundation . . . . . . . . . . . . . . . . . 3.
Roles and Goals . 3
Five Principles . 14
Instructional Groupings . 16
Instrumentation . . . . . . . . . . . . . . . . . . . . . . . . . .18
Chapter Two: Recruiting and Retaining Beginning Students . . 23
Recruitment Strategies . 23
Communication . . . . . . . . . . . . . . . . . . . . . . . .24
Data Gathering . . 28
Activities and Resources . 29
Aptitude Testing . 36
Student Retention . . . . . . . . . . . . . . . . . . . . . . . . .38
Chapter Three: Planning for Success . . 43
Materials . . 43
The First Lessons . . 46
Lesson Plans . 49
Teaching Middle School Students . . . . . . . . . . . . . . . . .56
Student Assessment . . . . . . . . . . . . . . . . . . . . . . . .57
Teacher Self-Evaluation . . . . . . . . . . . . . . . . . . . . . .63
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PART II: THE SECONDARY PROGRAM
Chapter Four: Building a Curriculum . 69. Program Balance . . 69
The Instrumental Program . 69
The Total Secondary Music Program . . . . . . . . . . . . .71
What to Teach . . 72
Non-Performance Courses . 72
Concert Ensembles . . 72
Other Ensembles . . 75
Marching Band . . . . . . . . . . . . . . . . . . . . . .75
Jazz Ensemble . 76
Pep Band . . 80
Chamber Ensembles . 81
String Ensembles . . 82
Community Bands and Orchestras . . 82
Course Descriptions . . 83
Sequential Instruction . . . . . . . . . . . . . . . . . . . . .86
Scheduling Issues . . 87
Chapter Five: Selecting Literature and Organizing the Music Library . . 95
“ Good” Music . . 95
A Good Match . . 96
The Search . 96
The Selection . . 99
A Core Repertoire . 100
The Band and Orchestra Library . . 108
Music Purchases . 108
Music Library Organization . 111
Large Ensemble Music . . 112
Solo and Ensemble Music . . . . . . . . . . . . . . . . 115
Music Library Facilitation . 117
Summary . . 121
Teaching Band and Orchestra Lynn Cooper
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Chapter Six: Running Effective Rehearsals . . . . . . . . . . . . . 125
Quality Rehearsals . . 125
A Success Plan . 126
The Daily Plan— Rehearsal Content . 128
Warm-up Strategies . . . . . . . . . . . . . . . . . . . . . 128
Ensemble Intonation . 131
Technique Building in the Ensemble . 132
Problem-Solving Time . 134
Ensemble Sight-Reading . 136
Rehearsal Closure . . . . . . . . . . . . . . . . . . . . . . 137
Rehearsal Environment . . . . . . . . . . . . . . . . . . . . . 138
Teaching Ensemble Sight-Reading . 140
Importance . . 140
Skill Development . 140
Suggestions . . 141
Final Thoughts on Sight-Reading . . . . . . . . . . . . . . 143
Chapter Seven: Performances and Programming . . . . . . . . . . 147. The Performance Schedule . . 147. Concert Logistics and Concerns . 150
Reminders for Conductors . . 154
Audience Development . . . . . . . . . . . . . . . . . . . . . 154
Programs and Ushers . . . . . . . . . . . . . . . . . . . . . . 157
Summary . . 169
Chapter Eight: Considering Some Core Issues . 173. Motivation and Discipline . 173
The Problem . 173
Some Solutions . . 176
Enhancing the Learning Environment . . . . . . . . . . . . 179
Major Events . . 181
Festivals and Contests . 181
Festival Hosting . . . . . . . . . . . . . . . . . . . . . . . 184
Suggestions for Festival Performances . 194
Ensemble Tours . . . . . . . . . . . . . . . . . . . . . . . 195
Competition for Music Groups . . . . . . . . . . . . . . . . . 207
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Chapter Nine: Organizing and Administering the Program . . . . . 213
Program Organization . 213
Band and Orchestra Handbooks . . 214
Forms and Files . . . . . . . . . . . . . . . . . . . . . . . 220
Music Student Files . . . . . . . . . . . . . . . . . . . . . 230
Student Awards Program . . 230
Facilities and Equipment . . . . . . . . . . . . . . . . . . . . 231