Reinventing Film Studies

by Gledhill, Christine; Williams, Linda
Format: Paperback
Pub. Date: 2000-03-27
Publisher(s): Bloomsbury Academic
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Summary

This anthology of specially-commissioned essays introduces the film student to some of the central questions and debates that have concerned the development of film studies. Written by a team of noted scholars, the collection focuses on issues that confront us today, assessing the impact onthe discipline of recent technological, cultural, and social developments; challenging received thinking, and reinventing film studies for the post-film era. In each of five thematic sections, early essays open up key problems, issues, and debates while a case study offers concrete examples of whatvarious approaches can deliver. Covering all major topics and fully up-to-date, this reader will be a key text for all serious undergraduate and graduate students who want to understand where film is going in its second century.

Author Biography

Christine Gledhill is Professor in Film Studies, at the University of Sunderland, UK.

Table of Contents

List of figures
xi
List of contributors
xiii
Introduction 1(4)
Part 1: REALLY USEFUL THEORY
Editors' introduction
5(3)
How films mean, or, from aesthetics to semiotics and half-way back again
8(10)
Geoffrey Nowell-Smith
Why theory?
18(16)
Gill Branston
Film theory and the revolt against master narratives
34(19)
Bill Nichols
Case study: interpreting Singin' in the Rain
53(23)
Steven Cohan
Who (and what) is it for?
76(24)
Tessa Perkins
Part 2: FILM AS MASS CULTURE
Editors' introduction
97(3)
Dream/Factory
100(14)
Jane M. Gaines
The publicness of cinema
114(16)
James Donald
Stephanie Hemelryk Donald
The politics of cultural address in a `transitional' cinema: a case study of Indian popular cinema
130(35)
Ravi S. Vasudevan
Reception theory and audience research: the mystery of the vampire's kiss
165(18)
Henry Jenkins
Re-examining stardom: questions of texts, bodies and performance
183(23)
Christine Geraghty
Part 3: QUESTIONS OF AESTHETICS
Editors' introduction
203(3)
After the classic, the classical and ideology: the differences of realism
206(15)
Christopher Williams
Rethinking genre
221(23)
Christine Gledhill
Judging audiences: the case of the trial movie
244(21)
Carol J. Clover
Introducing film evaluation
265(14)
Noel Carroll
`Style', posture, and idiom: Tarantino's figures of masculinity
279(21)
Sharon Willis
Part 4: THE RETURN TO HISTORY
Editors' introduction
297(3)
What is film history?, or, the Riddle of the sphinxes
300(16)
Vivan Sobchack
`Animated pictures': tale of cinema's forgotten future, after 100 years of films
316(16)
Tom Gunning
The mass production of the senses: classical cinema as vernacular modernism
332(19)
Miriam Bratu Hansen
Discipline and fun: Psycho and postmodern cinema
351(30)
Linda Williams
Part 5: CINEMA IN THE AGE OF GLOBAL MULTIMEDIA
Editors' introduction
379(2)
Film theory and spectatorship in the age of the `posts'
381(21)
Robert Stam
Ella Habiba Shohat
Digging an old well: the labor of social fantasy in a contemporary Chinese film
402(17)
Rey Chow
Facing up to Hollywood
419(19)
Ana M. Lopez
The end of cinema: multimedia and technological change
438(15)
Anne Friedberg
Index 453

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