Psychology at the Movies

by
Edition: 1st
Format: Paperback
Pub. Date: 2012-04-09
Publisher(s): Wiley-Blackwell
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Summary

Psychology at the Movies explores the insights to be gained by applying various psychological lenses to popular films including cinematic depictions of human behavior, the psychology of filmmakers, and the impact of viewing movies. Uses the widest range of psychological approaches to explore movies, the people who make them, and the people who watch them Written in an accessible style with vivid examples from a diverse group of popular films, such as The Silence of the Lambs, The Wizard of Oz, Star Wars, Taxi Driver, Good Will Hunting, and A Beautiful Mind Brings together psychology, film studies, mass communication, and cultural studies to provide an interdisciplinary perspective Features an extensive bibliography for further exploration of various research fields

Author Biography

Skip Dine Young is a Professor of Psychology at Hanover College in Indiana. He is a licensed clinical psychologist with interests in popular culture, narrative psychology and human development.

Table of Contents

List of Illustrations and Figuresp. xi
Acknowledgmentsp. xiii
Introduction-The Many Sides of Psychology and the Many Faces of the Moviesp. 3
Goals of Psychology at the Moviesp. 6
Story, Entertainment and Art in the Moviesp. 9
A Liberal Use of Psychologyp. 10
A Symbolic Framework for the Psychology of Filmp. 12
Organization of Psychology at the Moviesp. 14
Further Readingp. 16
The Search for Meaning-Psychological Interpretations in the Moviesp. 19
Human Behavior in the Moviesp. 21
Unconscious Conflict in the Moviesp. 24
Archetypes in the Moviesp. 28
Ideology in the Moviesp. 30
Spectators in the Moviesp. 33
Closing Shots: The Boons and Banes of Interpretationp. 37
Further Readingp. 39
Psychology, Psychotherapy and Psycho-Psychologists and Their Patients in the Moviesp. 43
Representations of Psychological Disordersp. 44
Representations of Psychologists and Psychological Treatmentp. 49
Closing Shots: The Impact of Representations of Psychologyp. 55
Further Readingp. 60
Crazy Genius-The Psychology of Filmmakersp. 63
Psychobiography and Filmmakersp. 64
Auteurs: Profiles of Directorsp. 65
Star-Gazing: Profiles of Actorsp. 69
Psychology for Filmmakers: The Case of Woody Allenp. 73
Closing Shots: Evaluating Psychobiographyp. 76
Further Readingp. 77
Picturing the Audience-Psychological Profiles of Moviegoersp. 81
Movie Audiences through the Yearsp. 83
The Movies People Watchp. 85
The Movies People Likep. 88
Closing Shots: The Viewers behind the Numbersp. 91
Further Readingp. 91
The Cinematic Moment-Emotions and the Comprehension of Moviesp. 95
Cognitive Psychology and the Moviesp. 96
The Perception of Moviesp. 97
The Narrative Comprehension of Moviesp. 99
The Emotional Comprehension of Moviesp. 101
Bram Functioning and the Moviesp. 107
Closing Shots: An Unlikely Partnershipp. 109
Further Readingp. 110
Reflecting on the Screen-The Reception of Moviesp. 113
Viewer Enjoyment of Moviesp. 115
Viewer Interpretations of Moviesp. 120
Closing Shorts: The Challenges of Audience Responsep. 126
Further Readingp. 127
The Movies Made Me Do It-The Effects of Filmp. 131
Effects on Behaviorp. 133
Effects on Thoughts and Emotionsp. 139
Propaganda and Effects on Culturep. 143
Closing Shots: The Great Debate over Media Effectsp. 145
Further Readingp. 149
Movies as Equipment for Living-The Functions of Filmp. 153
Professional Functions of Moviesp. 155
General Functions of Movies in Everyday Lifep. 159
Personal Functions of Movies in Everyday Lifep. 161
Closing Shots: Seeing Movies from a Different Anglep. 168
Further Readingp. 169
Conclusion-Putting the Pieces Togetherp. 173
An Appeal for Interdisciplinarityp. 177
Movies as Artp. 179
Mental Health Professionals in Top Box Office Grossing Movies, 1990-1999p. 181
Three Top 50 Lists of Acclaimed Moviesp. 183
Emotionally Arousing Movie Scenesp. 187
Therapeutic Moviesp. 139
Endnotesp. 191
Bibliographyp. 219
Filmographyp. 239
Indexp. 249
Table of Contents provided by Ingram. All Rights Reserved.

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