| Introduction |
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xv | |
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1 | (5) |
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1 | (1) |
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2 | (2) |
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4 | (2) |
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6 | (3) |
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6 | (1) |
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A Pavane on Mr Wray's Locations |
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6 | (2) |
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8 | (1) |
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Anthony Barnett (b. 1941) |
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9 | (4) |
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9 | (1) |
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10 | (2) |
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12 | (1) |
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13 | (3) |
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13 | (2) |
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15 | (1) |
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16 | (4) |
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16 | (4) |
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Thomas A. Clark (b. 1944) |
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20 | (5) |
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``as I walked out early'' |
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20 | (1) |
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``our boat touches the bank'' |
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21 | (1) |
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``a blessing on the house'' |
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22 | (1) |
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``sit for a while on a stone'' |
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23 | (1) |
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``the shadow extends the tree'' |
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24 | (1) |
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25 | (5) |
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25 | (1) |
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Hymn to the Sacred Mushroom |
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26 | (1) |
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27 | (1) |
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28 | (1) |
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29 | (1) |
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Brian Coffey (1905--1995) |
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30 | (5) |
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30 | (5) |
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Kelvin Corcoran (b. 1956) |
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35 | (5) |
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Music of the Altai Mountains |
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35 | (2) |
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37 | (1) |
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38 | (2) |
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40 | (5) |
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40 | (3) |
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43 | (1) |
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44 | (1) |
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45 | (8) |
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45 | (1) |
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Obeah Mama Dot (her remedies) |
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46 | (1) |
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Mama Dot Warns Against an Easter Rising |
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47 | (1) |
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48 | (1) |
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49 | (1) |
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50 | (1) |
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51 | (2) |
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53 | (6) |
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Five Nocturnes, after Derek Jarman |
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53 | (2) |
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55 | (2) |
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57 | (1) |
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57 | (1) |
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58 | (1) |
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59 | (4) |
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59 | (1) |
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60 | (1) |
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Marks The English Left On The Map |
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61 | (1) |
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61 | (1) |
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Why Do You Want To Be English? |
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62 | (1) |
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63 | (12) |
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63 | (5) |
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68 | (3) |
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71 | (1) |
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Progressions of Spacetime: 1 |
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71 | (1) |
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72 | (1) |
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72 | (1) |
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73 | (1) |
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73 | (1) |
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74 | (1) |
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74 | (1) |
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75 | (5) |
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75 | (1) |
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The Burning Graves at Netherton |
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76 | (2) |
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Rules and Ranges for Ian Tyson |
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78 | (2) |
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Veronica Forrest-Thomson (1947--1975) |
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80 | (2) |
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80 | (1) |
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81 | (1) |
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82 | (3) |
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82 | (2) |
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84 | (1) |
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85 | (3) |
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85 | (1) |
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85 | (1) |
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orange birch bolete (Leccinum versipelle) from Forty Fungi |
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86 | (1) |
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86 | (2) |
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Jonathan Griffin (1908--1990) |
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88 | (4) |
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Venerating Senses Save Us |
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88 | (2) |
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90 | (1) |
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91 | (1) |
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91 | (1) |
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92 | (7) |
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For P-Celtic: found text from Machen |
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92 | (1) |
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from Building: The New London Hospital |
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93 | (1) |
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93 | (1) |
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94 | (1) |
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94 | (1) |
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95 | (1) |
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96 | (1) |
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96 | (1) |
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96 | (1) |
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Shepherd's Calendar cont'd. |
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97 | (1) |
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97 | (1) |
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98 | (1) |
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99 | (6) |
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Device: One Law for the Lion & the Fox |
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99 | (1) |
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from A Robin Hood Book: XXI-XXIV |
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100 | (4) |
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104 | (1) |
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105 | (4) |
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105 | (1) |
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106 | (3) |
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109 | (4) |
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109 | (1) |
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110 | (1) |
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110 | (1) |
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111 | (2) |
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113 | (3) |
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113 | (1) |
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113 | (1) |
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The Size of This Universe |
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114 | (2) |
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116 | (6) |
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116 | (1) |
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116 | (2) |
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118 | (2) |
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120 | (2) |
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Amryl Johnson (b. c. 1960) |
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122 | (4) |
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from Rainbow Dragon Triology: Oil on Troubled Waters (The People's Calypso) |
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122 | (4) |
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Linton Kwesi Johnson (b. 1952) |
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126 | (3) |
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126 | (3) |
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129 | (5) |
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100 Differences Between Poetry and Prose |
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129 | (1) |
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130 | (1) |
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130 | (1) |
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opting for early retirement |
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131 | (2) |
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First Poster Poem against the Criminal Injustice Bill |
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133 | (1) |
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134 | (4) |
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A Path Marked with Breadcrumbs |
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134 | (1) |
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135 | (1) |
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136 | (2) |
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138 | (2) |
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138 | (1) |
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138 | (1) |
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139 | (1) |
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Category Mistakes in Biochemistry |
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139 | (1) |
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Barry MacSweeney (b. 1948) |
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140 | (10) |
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140 | (1) |
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140 | (1) |
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141 | (1) |
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142 | (4) |
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146 | (1) |
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The Shells Her Auburn Hair Did Show |
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147 | (1) |
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148 | (2) |
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150 | (3) |
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150 | (3) |
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153 | (5) |
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153 | (1) |
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153 | (1) |
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South Bound: Facing North |
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154 | (1) |
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155 | (3) |
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Eric Mottram (1924--1995) |
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158 | (5) |
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158 | (2) |
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160 | (3) |
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163 | (3) |
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163 | (3) |
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166 | (4) |
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166 | (2) |
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168 | (1) |
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169 | (1) |
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170 | (5) |
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The Oracle of the Drowned |
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170 | (1) |
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``u'', ``je'', ``r'', ``r'', ``im'', ``a'', ``finally'' |
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171 | (1) |
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172 | (1) |
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173 | (2) |
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Maggie O'Sullivan (b. 1951) |
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175 | (9) |
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A Lesson from the Cockered |
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175 | (1) |
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2nd Lesson from the Cockerel |
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175 | (1) |
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Narrative Charm for Ibbotroyd |
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176 | (1) |
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176 | (2) |
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178 | (6) |
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184 | (6) |
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The Devil's Destroying Angel Exploded |
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184 | (1) |
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185 | (1) |
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186 | (1) |
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187 | (3) |
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190 | (8) |
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from Songs for the Sleepless |
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190 | (1) |
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191 | (1) |
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192 | (6) |
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198 | (7) |
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Future Models May Have Infra-Red Sensors |
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198 | (1) |
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That More Simple Natural Time Tone Distortion |
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199 | (3) |
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202 | (2) |
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204 | (1) |
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205 | (6) |
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205 | (6) |
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211 | (4) |
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211 | (1) |
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211 | (1) |
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from Seven Strangely Exciting Lies |
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i Take Two of these Tablets Tonight and in the Morning Go on Living |
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212 | (1) |
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213 | (1) |
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213 | (2) |
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215 | (3) |
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at the Stanley Spencer exhibition |
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215 | (1) |
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215 | (1) |
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215 | (3) |
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218 | (5) |
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218 | (1) |
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219 | (3) |
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222 | (1) |
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223 | (8) |
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223 | (8) |
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231 | (4) |
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`This Curious Involvement, A Dominant Species' |
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231 | (1) |
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During War, The Timeless Air |
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232 | (1) |
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`From Escomb, County Durham': July 1990 |
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232 | (1) |
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233 | (1) |
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``shadow of the gable-end'' |
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234 | (1) |
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235 | (3) |
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235 | (1) |
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236 | (1) |
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237 | (1) |
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Robert Sheppard (b. 1955) |
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238 | (5) |
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from Empty Diaries/Twentieth Century Blues 24 |
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238 | (1) |
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Empty Diary 1936: The Proletarian News |
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238 | (1) |
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239 | (1) |
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239 | (1) |
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240 | (1) |
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240 | (1) |
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241 | (2) |
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243 | (3) |
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The First English Wildcat |
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243 | (1) |
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243 | (1) |
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244 | (1) |
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245 | (1) |
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246 | (4) |
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246 | (1) |
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247 | (1) |
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world's oldest comedian is dead |
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248 | (1) |
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249 | (1) |
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250 | (2) |
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Acrospirical Meanderings in a Tongue of the Time |
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250 | (1) |
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``It Is Difficult to Exaggerate the Importance of Mushrooms as Food'' |
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251 | (1) |
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252 | (5) |
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Residues: Thronging the Heart |
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252 | (3) |
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255 | (1) |
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256 | (1) |
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Catherine Walsh (b. 1964) |
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257 | (7) |
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257 | (1) |
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258 | (4) |
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262 | (2) |
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Benjamin Zephaniah (b. 1958) |
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264 | (3) |
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264 | (1) |
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264 | (3) |
| Biobibliographies |
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267 | |