Preface to the Third Edition |
|
xxvii | |
Acknowledgments |
|
xxxiii | |
Introduction |
|
xxxvii | |
|
Walt Whitman (1819--1892) |
|
|
1 | (29) |
|
|
3 | (1) |
|
|
4 | (14) |
|
|
4 | (9) |
|
|
13 | (5) |
|
|
18 | (4) |
|
I Saw in Louisiana a Live-Oak Growing |
|
|
22 | (1) |
|
|
22 | (1) |
|
|
23 | (1) |
|
By the Bivouac's Fitful Flame |
|
|
23 | (1) |
|
When Lilacs Last in the Dooryard Bloom'd |
|
|
23 | (7) |
|
Emily Dickinson (1830--1886) |
|
|
30 | (11) |
|
49 (``I never lost as much but twice'') |
|
|
32 | (1) |
|
214 (``I taste a liquor never brewed---'') |
|
|
33 | (1) |
|
249 (``Wild Nights---Wild Nights!'') |
|
|
33 | (1) |
|
258 (``There's a certain Slant of light'') |
|
|
34 | (1) |
|
280 (``I felt a Funeral, in my Brain'') |
|
|
34 | (1) |
|
303 (``The Soul selects her own Society---'') |
|
|
35 | (1) |
|
328 (``A Bird came down the Walk---'') |
|
|
35 | (1) |
|
341 (``After great pain, a formal feeling comes---'') |
|
|
36 | (1) |
|
435 (``Much Madness is divinest Sense---'') |
|
|
36 | (1) |
|
465 (``I heard a Fly buzz---when I died---'') |
|
|
36 | (1) |
|
585 (``I like to see it lap the Miles---'') |
|
|
37 | (1) |
|
632 (``The Brain---is wider than the Sky---'') |
|
|
38 | (1) |
|
657 (``I dwell in Possibility---'') |
|
|
38 | (1) |
|
712 (``Because I could not stop for Death---'') |
|
|
38 | (1) |
|
754 (``My Life had stood---a Loaded Gun---'') |
|
|
39 | (1) |
|
986 (``A narrow Fellow in the Grass'') |
|
|
40 | (1) |
|
1129 (``Tell all the Truth but tell it slant'') |
|
|
40 | (1) |
|
1732 (``My life closed twice before its close---'') |
|
|
41 | (1) |
|
Thomas Hardy (1840--1928) |
|
|
41 | (22) |
|
|
44 | (1) |
|
|
44 | (1) |
|
|
45 | (1) |
|
|
45 | (2) |
|
I (``Wintertime nighs;'') |
|
|
45 | (1) |
|
II (``When the clouds' swoln bosoms echo back the shouts of the many and strong'') |
|
|
46 | (1) |
|
|
47 | (1) |
|
|
48 | (1) |
|
|
48 | (1) |
|
|
49 | (1) |
|
|
49 | (1) |
|
|
50 | (1) |
|
|
51 | (1) |
|
|
51 | (2) |
|
The Convergence of the Twain |
|
|
53 | (1) |
|
|
54 | (3) |
|
|
54 | (1) |
|
|
55 | (1) |
|
|
56 | (1) |
|
|
57 | (1) |
|
|
57 | (1) |
|
|
58 | (1) |
|
|
58 | (1) |
|
In Time of `The Breaking of Nations' |
|
|
59 | (1) |
|
For Life I Had Never Cared Greatly |
|
|
59 | (1) |
|
I Looked Up from My Writing |
|
|
60 | (1) |
|
|
61 | (1) |
|
|
62 | (1) |
|
|
62 | (1) |
|
|
63 | (1) |
|
Gerard Manley Hopkins (1844--1889) |
|
|
63 | (19) |
|
|
66 | (1) |
|
The Wreck of the Deutschland |
|
|
67 | (9) |
|
|
76 | (1) |
|
[As Kingfishers Catch Fire, Dragonflies Draw Flame] |
|
|
76 | (1) |
|
|
77 | (1) |
|
|
77 | (1) |
|
|
78 | (1) |
|
|
78 | (1) |
|
|
79 | (1) |
|
[I Wake and Feel the Fell of Dark, Not Day] |
|
|
79 | (1) |
|
[No Worst, There Is None. Pitched Past Pitch of Grief] |
|
|
80 | (1) |
|
|
80 | (1) |
|
|
81 | (1) |
|
Spelt from Sibyl's Leaves |
|
|
81 | (1) |
|
[Thou Art Indeed Just, Lord, If I Contend] |
|
|
82 | (1) |
|
A. E. Housman (1859--1936) |
|
|
82 | (8) |
|
[Loveliest of Trees, the Cherry Now] |
|
|
84 | (1) |
|
[When I Was One-and Twenty] |
|
|
84 | (1) |
|
To an Athlete Dying Young |
|
|
85 | (1) |
|
|
86 | (1) |
|
[On Wenlock Edge the Wood's in Trouble] |
|
|
87 | (1) |
|
[With Rue My Heart Is Laden] |
|
|
87 | (1) |
|
[Terence, This Is Stupid Stuff] |
|
|
88 | (1) |
|
|
89 | (1) |
|
Epitaph on an Army of Mercenaries |
|
|
90 | (1) |
|
[They Say My Verse Is Sad: No Wonder] |
|
|
90 | (1) |
|
William Butler Yeats (1865--1939) |
|
|
90 | (54) |
|
To the Rose upon the Rood of Time |
|
|
94 | (1) |
|
The Lake Isle of Innisfree |
|
|
94 | (1) |
|
|
95 | (1) |
|
|
95 | (1) |
|
|
96 | (1) |
|
To Ireland in the Coming Times |
|
|
96 | (1) |
|
|
97 | (1) |
|
The Song of the Wandering Aengus |
|
|
98 | (1) |
|
|
99 | (1) |
|
He Wishes for the Cloths of Heaven |
|
|
100 | (1) |
|
|
100 | (1) |
|
|
101 | (1) |
|
The Fascination of What's Difficult |
|
|
101 | (1) |
|
|
102 | (1) |
|
|
102 | (1) |
|
|
102 | (1) |
|
|
103 | (1) |
|
|
104 | (1) |
|
|
105 | (2) |
|
|
107 | (1) |
|
In Memory of Major Robert Gregory |
|
|
108 | (2) |
|
An Irish Airman Foresees His Death |
|
|
110 | (1) |
|
|
111 | (1) |
|
|
112 | (2) |
|
To Be Carved on a Stone at Thoor Ballylee |
|
|
114 | (1) |
|
Nineteen Hundred and Nineteen |
|
|
114 | (4) |
|
|
118 | (1) |
|
|
118 | (5) |
|
|
123 | (1) |
|
|
124 | (2) |
|
In Memory of Eva Gore-Booth and Con Markievicz |
|
|
126 | (1) |
|
A Dialogue of Self and Soul |
|
|
127 | (2) |
|
|
129 | (1) |
|
Crazy Jane Talks with the Bishop |
|
|
130 | (1) |
|
|
131 | (2) |
|
|
133 | (1) |
|
|
134 | (1) |
|
|
135 | (1) |
|
|
136 | (1) |
|
|
137 | (1) |
|
|
137 | (1) |
|
|
138 | (3) |
|
|
141 | (1) |
|
The Circus Animals' Desertion |
|
|
142 | (1) |
|
|
143 | (1) |
|
Rudyard Kipling (1865--1930) |
|
|
144 | (13) |
|
|
145 | (1) |
|
|
146 | (1) |
|
|
147 | (1) |
|
Harp Song of the Dane Women |
|
|
148 | (1) |
|
|
148 | (1) |
|
The Way through the Woods |
|
|
149 | (1) |
|
|
150 | (6) |
|
|
156 | (1) |
|
Edgar Lee Masters (1868--1950) |
|
|
157 | (5) |
|
|
158 | (4) |
|
|
158 | (1) |
|
|
159 | (1) |
|
|
159 | (1) |
|
|
160 | (1) |
|
|
160 | (1) |
|
|
161 | (1) |
|
|
161 | (1) |
|
Edwin Arlington Robinson (1869--1935) |
|
|
162 | (9) |
|
|
163 | (1) |
|
|
163 | (1) |
|
|
164 | (1) |
|
|
164 | (1) |
|
|
165 | (1) |
|
|
166 | (1) |
|
|
167 | (1) |
|
|
167 | (1) |
|
|
168 | (1) |
|
|
169 | (1) |
|
|
169 | (2) |
|
|
171 | (1) |
|
James Weldon Johnson (1871--1938) |
|
|
171 | (5) |
|
O Black and Unknown Bards |
|
|
172 | (1) |
|
|
173 | (1) |
|
VI. Sunset in the Tropics |
|
|
173 | (1) |
|
|
174 | (2) |
|
Gertrude Stein (1874--1946) |
|
|
176 | (22) |
|
|
178 | (2) |
|
|
180 | (5) |
|
|
180 | (1) |
|
A carafe, that is a blind glass. |
|
|
180 | (1) |
|
|
180 | (1) |
|
|
181 | (1) |
|
A little bit of a tumbler. |
|
|
181 | (1) |
|
|
181 | (1) |
|
|
181 | (1) |
|
|
181 | (1) |
|
|
182 | (1) |
|
|
182 | (1) |
|
|
182 | (1) |
|
|
182 | (1) |
|
|
183 | (1) |
|
|
184 | (1) |
|
|
184 | (1) |
|
|
184 | (1) |
|
|
184 | (1) |
|
|
184 | (1) |
|
|
184 | (1) |
|
|
184 | (1) |
|
|
185 | (1) |
|
|
186 | (1) |
|
|
186 | (1) |
|
|
186 | (8) |
|
Idem the Same. A Valentine to Sherwood Anderson |
|
|
194 | (3) |
|
|
197 | (1) |
|
|
197 | (1) |
|
|
197 | (1) |
|
|
198 | (3) |
|
|
198 | (1) |
|
|
199 | (1) |
|
|
200 | (1) |
|
|
200 | (1) |
|
|
200 | (1) |
|
Robert Frost (1874--1963) |
|
|
201 | (25) |
|
|
203 | (1) |
|
|
204 | (3) |
|
|
207 | (1) |
|
|
208 | (1) |
|
|
209 | (1) |
|
An Old Man's Winter Night |
|
|
210 | (1) |
|
|
210 | (1) |
|
|
211 | (1) |
|
|
211 | (2) |
|
|
213 | (1) |
|
|
213 | (1) |
|
|
214 | (1) |
|
|
214 | (1) |
|
Stopping by Woods on a Snowy Evening |
|
|
214 | (1) |
|
For Once, Then, Something |
|
|
215 | (1) |
|
|
215 | (1) |
|
The Need of Being Versed in Country Things |
|
|
216 | (1) |
|
|
217 | (1) |
|
Acquainted with the Night |
|
|
217 | (1) |
|
|
218 | (2) |
|
|
220 | (1) |
|
Neither Out Far nor In Deep |
|
|
220 | (1) |
|
|
221 | (1) |
|
|
221 | (1) |
|
|
222 | (1) |
|
|
222 | (1) |
|
|
223 | (1) |
|
Never Again Would Birds' Song Be the Same |
|
|
223 | (1) |
|
|
224 | (1) |
|
|
224 | (2) |
|
Carl Sandburg (1878--1967) |
|
|
226 | (4) |
|
|
227 | (1) |
|
|
228 | (1) |
|
|
228 | (1) |
|
|
228 | (1) |
|
|
229 | (1) |
|
|
229 | (1) |
|
Edward Thomas (1878--1917) |
|
|
230 | (5) |
|
|
231 | (1) |
|
|
231 | (1) |
|
|
232 | (1) |
|
|
232 | (1) |
|
|
233 | (1) |
|
|
233 | (1) |
|
|
234 | (1) |
|
Wallace Stevens (1879--1955) |
|
|
235 | (33) |
|
|
237 | (3) |
|
Peter Quince at the Clavier |
|
|
240 | (2) |
|
Disillusionment of Ten O'Clock |
|
|
242 | (1) |
|
|
243 | (1) |
|
The Worms at Heaven's Gate |
|
|
244 | (1) |
|
Thirteen Ways of Looking at a Blackbird |
|
|
244 | (2) |
|
|
246 | (1) |
|
|
246 | (1) |
|
|
247 | (1) |
|
|
247 | (1) |
|
|
248 | (1) |
|
|
248 | (1) |
|
The Idea of Order at Key West |
|
|
249 | (1) |
|
A Postcard from the Volcano |
|
|
250 | (1) |
|
The Man with the Blue Guitar |
|
|
251 | (1) |
|
I (``The man bent over his guitar'') |
|
|
251 | (1) |
|
XXII (``Poetry is the subject of the poem'') |
|
|
251 | (1) |
|
A Rabbit as King of the Ghosts |
|
|
252 | (1) |
|
|
252 | (1) |
|
|
253 | (1) |
|
|
254 | (1) |
|
|
255 | (1) |
|
Notes toward a Supreme Fiction |
|
|
256 | (2) |
|
I.I (``Begin, ephebe, by perceiving the idea'') |
|
|
256 | (1) |
|
II.V (``On a blue island in a sky-wide water'') |
|
|
256 | (1) |
|
III.III (``A lasting visage in a lasting bush'') |
|
|
257 | (1) |
|
|
258 | (1) |
|
|
258 | (2) |
|
I (``This is where the serpent lives, the bodiless.'') |
|
|
258 | (1) |
|
II (``Farewell to an idea . . . A cabin stands'') |
|
|
259 | (1) |
|
III (``Farewell to an idea . . . The mother's face'') |
|
|
260 | (1) |
|
|
260 | (1) |
|
An Ordinary Evening in New Haven |
|
|
261 | (1) |
|
XXX (``The last leaf that is going to fall has fallen.'') |
|
|
261 | (1) |
|
|
261 | (1) |
|
|
261 | (1) |
|
To an Old Philosopher in Rome |
|
|
262 | (2) |
|
The Poem That Took the Place of a Mountain |
|
|
264 | (1) |
|
|
265 | (1) |
|
The River of Rivers in Connecticut |
|
|
265 | (1) |
|
The Plain Sense of Things |
|
|
266 | (1) |
|
Reality Is an Activity of the Most August Imagination |
|
|
267 | (1) |
|
|
267 | (1) |
|
|
268 | (15) |
|
|
269 | (4) |
|
I (``Spawn of Fantasies'') |
|
|
269 | (1) |
|
|
270 | (1) |
|
III (``We might have coupled'') |
|
|
270 | (1) |
|
XIII (``Come to me There is something'') |
|
|
270 | (1) |
|
|
271 | (1) |
|
XXVI (``Shedding our petty pruderies'') |
|
|
271 | (1) |
|
XXIX (``Evolution fall foul of'') |
|
|
272 | (1) |
|
|
273 | (1) |
|
|
274 | (1) |
|
Anglo-Mongrels and the Rose |
|
|
275 | (6) |
|
|
275 | (6) |
|
|
281 | (1) |
|
|
282 | (1) |
|
William Carlos Williams (1883--1963) |
|
|
283 | (35) |
|
|
286 | (1) |
|
|
286 | (2) |
|
|
288 | (1) |
|
Sympathetic Portrait of a Child |
|
|
288 | (1) |
|
|
289 | (1) |
|
|
290 | (1) |
|
The Widow's Lament in Springtime |
|
|
290 | (1) |
|
|
291 | (1) |
|
|
291 | (1) |
|
|
292 | (1) |
|
|
293 | (1) |
|
|
294 | (1) |
|
|
295 | (1) |
|
|
295 | (1) |
|
|
296 | (1) |
|
|
297 | (1) |
|
|
298 | (1) |
|
The Last Words of My English Grandmother |
|
|
299 | (1) |
|
|
300 | (1) |
|
Burning the Christmas Greens |
|
|
300 | (2) |
|
|
302 | (5) |
|
|
302 | (2) |
|
Book I. The Delineaments of the Giants |
|
|
304 | (1) |
|
From I (``Paterson lies in the valley under the Passaic Falls'') |
|
|
304 | (3) |
|
From III (``Thought clambers up'') |
|
|
307 | (1) |
|
|
307 | (3) |
|
|
310 | (1) |
|
II. Landscape with the Fall of Icarus |
|
|
310 | (1) |
|
|
310 | (1) |
|
Asphodel, That Greeny Flower |
|
|
311 | (7) |
|
|
311 | (7) |
|
Elinor Wylie (1885--1928) |
|
|
318 | (3) |
|
|
318 | (2) |
|
|
320 | (1) |
|
|
320 | (1) |
|
D. H. Lawrence (1885--1930) |
|
|
321 | (24) |
|
|
323 | (1) |
|
|
324 | (2) |
|
|
326 | (1) |
|
|
326 | (1) |
|
|
327 | (1) |
|
|
327 | (1) |
|
|
328 | (1) |
|
|
328 | (1) |
|
|
329 | (1) |
|
|
329 | (2) |
|
|
331 | (1) |
|
|
331 | (2) |
|
|
333 | (2) |
|
|
335 | (3) |
|
|
338 | (1) |
|
|
338 | (1) |
|
|
339 | (1) |
|
Andraitx---Pomegranate Flowers |
|
|
339 | (1) |
|
|
340 | (1) |
|
|
341 | (1) |
|
|
341 | (1) |
|
|
342 | (3) |
|
|
345 | (42) |
|
|
349 | (1) |
|
|
350 | (1) |
|
|
350 | (1) |
|
|
351 | (1) |
|
In a Station of the Metro |
|
|
351 | (1) |
|
The River-Merchant's Wife: A Letter |
|
|
352 | (1) |
|
Lament of the Frontier Guard |
|
|
353 | (1) |
|
|
353 | (1) |
|
|
354 | (12) |
|
|
354 | (8) |
|
|
362 | (4) |
|
|
366 | (21) |
|
I (``And then went down to the ship'') |
|
|
368 | (2) |
|
II (``Hang it all, Robert Browning'') |
|
|
370 | (4) |
|
VII (``Eleanor [she spoiled in a British climate]'') |
|
|
374 | (4) |
|
From XIV (``The slough of unamiable liars'') |
|
|
378 | (1) |
|
|
378 | (2) |
|
LXXXI (``Zeus lies in Ceres' bosom'') |
|
|
380 | (5) |
|
|
385 | (2) |
|
CXX (``I have tried to write Paradise'') |
|
|
387 | (1) |
|
Siegfried Sassoon (1886--1967) |
|
|
387 | (6) |
|
|
388 | (1) |
|
|
389 | (1) |
|
|
389 | (1) |
|
|
390 | (1) |
|
|
390 | (1) |
|
Repression of War Experience |
|
|
391 | (1) |
|
|
392 | (1) |
|
On Passing the New Menin Gate |
|
|
392 | (1) |
|
|
393 | (21) |
|
|
395 | (1) |
|
|
395 | (1) |
|
|
395 | (1) |
|
|
396 | (1) |
|
|
396 | (1) |
|
|
397 | (1) |
|
|
398 | (1) |
|
|
398 | (2) |
|
|
400 | (1) |
|
|
401 | (4) |
|
[1] (``An incident here and there'') |
|
|
401 | (1) |
|
[4] (``There is a spell, for instance'') |
|
|
402 | (2) |
|
[6] (``In me [the worm] clearly'') |
|
|
404 | (1) |
|
[39] (``We have had too much consecration'') |
|
|
405 | (1) |
|
|
405 | (9) |
|
[24] (``Every hour, every moment'') |
|
|
405 | (1) |
|
[25] (``. . . of the no need'') |
|
|
406 | (1) |
|
[26] (``One of us said, how odd'') |
|
|
406 | (1) |
|
[27] (``And yet in some very subtle way'') |
|
|
407 | (1) |
|
[28] (``I had been thinking of Gabriel'') |
|
|
407 | (1) |
|
[29] (``We have seen her'') |
|
|
408 | (1) |
|
[30] (``We see her hand in her lap'') |
|
|
409 | (1) |
|
[31] (``But none of these, none of these'') |
|
|
410 | (1) |
|
[36] (``Ah [you say], this is Holy Wisdom'') |
|
|
410 | (1) |
|
[37] (``This is a symbol of beauty [you continue]'') |
|
|
411 | (1) |
|
[38] (``O yes---you understand, I say'') |
|
|
411 | (1) |
|
[39] (``But nearer than Guardian Angel'') |
|
|
412 | (1) |
|
[40] (``This is no rune nor symbol'') |
|
|
413 | (1) |
|
[41] (``She carried a book, either to imply'') |
|
|
413 | (1) |
|
Robinson Jeffers (1887--1962) |
|
|
414 | (6) |
|
Shine, Perishing Republic |
|
|
415 | (1) |
|
|
416 | (1) |
|
|
416 | (1) |
|
|
417 | (1) |
|
|
418 | (1) |
|
|
418 | (1) |
|
|
419 | (1) |
|
|
420 | (1) |
|
|
420 | (5) |
|
Ballad of Hector in Hades |
|
|
421 | (1) |
|
|
422 | (1) |
|
|
423 | (1) |
|
|
424 | (1) |
|
Edith Sitwell (1887--1964) |
|
|
425 | (5) |
|
|
426 | (2) |
|
|
426 | (1) |
|
|
427 | (1) |
|
|
428 | (1) |
|
The Poet Laments the Coming of Old Age |
|
|
429 | (1) |
|
Marianne Moore (1887--1972) |
|
|
430 | (25) |
|
|
433 | (1) |
|
|
433 | (1) |
|
|
434 | (2) |
|
|
436 | (1) |
|
In the Days of Prismatic Colour |
|
|
437 | (1) |
|
|
438 | (1) |
|
|
439 | (1) |
|
|
440 | (1) |
|
|
441 | (5) |
|
|
446 | (1) |
|
|
446 | (2) |
|
|
448 | (3) |
|
|
451 | (1) |
|
|
452 | (1) |
|
He ``Digesteth Harde Yron'' |
|
|
453 | (2) |
|
John Crowe Ransom (1888--1974) |
|
|
455 | (5) |
|
Bells for John Whiteside's Daughter |
|
|
456 | (1) |
|
|
457 | (1) |
|
|
457 | (1) |
|
|
458 | (1) |
|
|
459 | (1) |
|
|
460 | (35) |
|
The Love Song of J. Alfred Prufrock |
|
|
463 | (3) |
|
|
466 | (2) |
|
|
468 | (1) |
|
Sweeney among the Nightingales |
|
|
469 | (1) |
|
|
470 | (2) |
|
|
472 | (15) |
|
|
487 | (1) |
|
|
488 | (7) |
|
|
495 | (3) |
|
|
496 | (1) |
|
|
496 | (1) |
|
|
497 | (1) |
|
|
498 | (1) |
|
Claude McKay (1890--1948) |
|
|
498 | (6) |
|
A Midnight Woman to the Bobby |
|
|
500 | (1) |
|
|
501 | (1) |
|
|
501 | (1) |
|
|
502 | (1) |
|
|
502 | (1) |
|
|
503 | (1) |
|
|
503 | (1) |
|
|
503 | (1) |
|
Isaac Rosenberg (1890--1918) |
|
|
504 | (5) |
|
|
505 | (1) |
|
Break of Day in the Trenches |
|
|
505 | (1) |
|
|
506 | (1) |
|
Returning, We Hear the Larks |
|
|
506 | (1) |
|
|
507 | (2) |
|
Edna St. Vincent Millay (1892--1950) |
|
|
509 | (5) |
|
|
510 | (1) |
|
|
510 | (1) |
|
|
511 | (1) |
|
|
511 | (1) |
|
[I, Being Born a Woman and Distressed] |
|
|
512 | (1) |
|
[Gazing upon Him Now, Severe and Dead] |
|
|
512 | (1) |
|
[Love Is Not All: It Is Not Meat nor Drink] |
|
|
512 | (1) |
|
|
513 | (1) |
|
|
513 | (1) |
|
Archibald MacLeish (1892--1982) |
|
|
514 | (3) |
|
|
515 | (1) |
|
|
516 | (1) |
|
|
516 | (1) |
|
Hugh MacDiarmid (1892--1978) |
|
|
517 | (6) |
|
The Sauchs in the Reuch Heuch Hauch |
|
|
519 | (1) |
|
|
520 | (1) |
|
Cloudburst and Soaring Moon |
|
|
520 | (1) |
|
|
521 | (1) |
|
|
521 | (1) |
|
Another Epitaph on an Army of Mercenaries |
|
|
522 | (1) |
|
British Leftish Poetry, 1930--40 |
|
|
522 | (1) |
|
Wilfred Owen (1893--1918) |
|
|
523 | (12) |
|
|
525 | (1) |
|
|
525 | (1) |
|
|
526 | (1) |
|
|
527 | (1) |
|
|
528 | (1) |
|
|
529 | (1) |
|
|
530 | (1) |
|
|
531 | (1) |
|
|
532 | (1) |
|
|
532 | (2) |
|
|
534 | (1) |
|
Dorothy Parker (1893--1967) |
|
|
535 | (2) |
|
|
536 | (1) |
|
|
536 | (1) |
|
|
536 | (1) |
|
|
537 | (1) |
|
|
537 | (1) |
|
Charles Reznikoff (1894--1976) |
|
|
537 | (8) |
|
[On Brooklyn Bridge I Saw a Man Drop Dead.] |
|
|
538 | (1) |
|
[The Shopgirls Leave Their Work] |
|
|
538 | (1) |
|
[I Walked through the Lonely Marsh] |
|
|
538 | (1) |
|
[It Had Long Been Dark, though Still an Hour Before Supper-Time.] |
|
|
539 | (1) |
|
[Walk about the Subway Station] |
|
|
539 | (1) |
|
|
540 | (1) |
|
|
540 | (1) |
|
|
540 | (2) |
|
|
542 | (1) |
|
From Early History of a Writer |
|
|
542 | (1) |
|
|
543 | (2) |
|
|
543 | (2) |
|
E. E. Cummings (1894--1962) |
|
|
545 | (11) |
|
|
546 | (1) |
|
|
547 | (1) |
|
|
547 | (1) |
|
[the Cambridge ladies who live in furnished souls] |
|
|
548 | (1) |
|
[i was sitting in mcsorley's] |
|
|
549 | (1) |
|
[''next to of course god america i] |
|
|
550 | (1) |
|
|
550 | (1) |
|
[i sing of Olaf glad and big] |
|
|
551 | (1) |
|
|
552 | (1) |
|
|
552 | (1) |
|
[anyone lived in a pretty how town] |
|
|
553 | (1) |
|
[my father moved through dooms of love] |
|
|
554 | (2) |
|
[pity this busy monster, manunkind] |
|
|
556 | (1) |
|
|
556 | (6) |
|
|
558 | (1) |
|
|
558 | (1) |
|
|
559 | (1) |
|
|
559 | (1) |
|
|
560 | (1) |
|
|
560 | (1) |
|
|
561 | (1) |
|
Robert Graves (1895--1985) |
|
|
562 | (7) |
|
|
563 | (1) |
|
|
563 | (1) |
|
|
564 | (1) |
|
|
565 | (1) |
|
To Juan at the Winter Solstice |
|
|
566 | (1) |
|
|
567 | (1) |
|
|
568 | (1) |
|
|
569 | (11) |
|
|
570 | (5) |
|
Part 4. King Pellam's Launde (lines 1--41) |
|
|
570 | (2) |
|
Part 7. The Five Unmistakable Marks (lines 283--422) |
|
|
572 | (3) |
|
|
575 | (5) |
|
|
575 | (5) |
|
Austin Clarke (1896--1974) |
|
|
580 | (7) |
|
|
581 | (1) |
|
|
582 | (5) |
|
Louise Bogan (1897--1970) |
|
|
587 | (3) |
|
|
587 | (1) |
|
|
588 | (1) |
|
|
588 | (1) |
|
|
589 | (1) |
|
|
589 | (1) |
|
|
590 | (1) |
|
Melvin Tolson (1898--1966) |
|
|
590 | (14) |
|
|
592 | (12) |
|
|
592 | (2) |
|
|
594 | (4) |
|
|
598 | (2) |
|
|
600 | (4) |
|
|
604 | (45) |
|
|
607 | (1) |
|
|
607 | (1) |
|
|
608 | (1) |
|
|
609 | (1) |
|
|
609 | (4) |
|
|
613 | (34) |
|
|
647 | (1) |
|
|
647 | (2) |
|
|
649 | (6) |
|
|
649 | (1) |
|
Ode to the Confederate Dead |
|
|
650 | (2) |
|
|
652 | (3) |
|
Basil Bunting (1900--1985) |
|
|
655 | (6) |
|
On the Fly-Leaf of Pound's Cantos |
|
|
656 | (1) |
|
|
656 | (4) |
|
I (``Brag, sweet tenor bull'') |
|
|
656 | (4) |
|
What the Chairman Told Tom |
|
|
660 | (1) |
|
Yvor Winters (1900--1968) |
|
|
661 | (4) |
|
|
662 | (1) |
|
By the Road to the Air-Base |
|
|
663 | (1) |
|
|
663 | (2) |
|
Laura Riding (1901--1991) |
|
|
665 | (4) |
|
|
666 | (1) |
|
|
666 | (1) |
|
|
667 | (1) |
|
|
667 | (1) |
|
|
668 | (1) |
|
|
669 | (1) |
|
Sterling Brown (1901--1989) |
|
|
669 | (15) |
|
|
671 | (2) |
|
|
673 | (1) |
|
|
674 | (1) |
|
|
675 | (2) |
|
|
677 | (2) |
|
|
679 | (1) |
|
|
680 | (2) |
|
|
682 | (1) |
|
|
683 | (1) |
|
Langston Hughes (1902--1967) |
|
|
684 | (21) |
|
The Negro Speaks of Rivers |
|
|
687 | (1) |
|
|
688 | (1) |
|
|
688 | (1) |
|
|
689 | (1) |
|
|
689 | (1) |
|
|
690 | (1) |
|
|
690 | (1) |
|
|
691 | (1) |
|
Gal's Cry for a Dying Lover |
|
|
691 | (1) |
|
|
692 | (1) |
|
|
692 | (1) |
|
|
693 | (1) |
|
|
693 | (1) |
|
|
694 | (2) |
|
|
696 | (1) |
|
|
697 | (1) |
|
|
697 | (1) |
|
|
698 | (1) |
|
|
699 | (1) |
|
|
699 | (1) |
|
Montage of a Dream Deferred |
|
|
700 | (5) |
|
|
700 | (1) |
|
|
701 | (1) |
|
|
701 | (1) |
|
|
702 | (1) |
|
|
702 | (1) |
|
|
703 | (1) |
|
|
703 | (1) |
|
|
704 | (1) |
|
|
704 | (1) |
|
Stevie Smith (1902--1971) |
|
|
705 | (11) |
|
|
706 | (1) |
|
|
707 | (1) |
|
Souvenir de Monsieur Poop |
|
|
707 | (1) |
|
|
708 | (1) |
|
|
709 | (1) |
|
|
710 | (1) |
|
Thoughts about the Person from Porlock |
|
|
711 | (1) |
|
|
712 | (1) |
|
|
713 | (1) |
|
|
714 | (1) |
|
|
715 | (1) |
|
Lorine Niedecker (1903--1970) |
|
|
716 | (10) |
|
[Well, Spring Overflows the Land] |
|
|
717 | (1) |
|
|
717 | (1) |
|
[What Horror to Awake at Night] |
|
|
717 | (1) |
|
|
718 | (1) |
|
|
718 | (1) |
|
|
719 | (1) |
|
|
719 | (1) |
|
|
719 | (1) |
|
|
720 | (6) |
|
Countee Cullen (1903--1946) |
|
|
726 | (6) |
|
|
727 | (1) |
|
|
727 | (1) |
|
|
728 | (1) |
|
|
728 | (1) |
|
|
729 | (3) |
|
Louis Zukofsky (1904--1978) |
|
|
732 | (8) |
|
|
733 | (5) |
|
|
733 | (1) |
|
First Movement: ``And out of olde bokes, in good feith'' |
|
|
734 | (2) |
|
Fifth Movement: Autobiography |
|
|
736 | (2) |
|
|
738 | (2) |
|
Richard Eberhart (b. 1904) |
|
|
740 | (2) |
|
|
740 | (1) |
|
The Fury of Aerial Bombardment |
|
|
741 | (1) |
|
C. Day Lewis (1904--1972) |
|
|
742 | (3) |
|
|
743 | (1) |
|
|
744 | (1) |
|
|
744 | (1) |
|
Patrick Kavanagh (1904--1967) |
|
|
745 | (6) |
|
Inniskeen Road: July Evening |
|
|
746 | (1) |
|
|
746 | (3) |
|
I (``Clay is the word and clay is the flesh'') |
|
|
746 | (3) |
|
|
749 | (1) |
|
|
749 | (1) |
|
Come Dance with Kitty Stobling |
|
|
749 | (1) |
|
|
750 | (1) |
|
Robert Penn Warren (1905--1989) |
|
|
751 | (7) |
|
|
752 | (1) |
|
Where the Slow Fig's Purple Sloth |
|
|
753 | (1) |
|
|
754 | (1) |
|
I. Was Not the Lost Dauphin |
|
|
754 | (1) |
|
There's a Grandfather's Clock in the Hall |
|
|
755 | (1) |
|
|
756 | (1) |
|
|
757 | (1) |
|
|
757 | (1) |
|
|
758 | (7) |
|
The War against the Trees |
|
|
759 | (1) |
|
|
760 | (1) |
|
|
760 | (3) |
|
|
763 | (1) |
|
|
763 | (1) |
|
|
763 | (1) |
|
|
764 | (1) |
|
Kenneth Rexroth (1905--1982) |
|
|
765 | (9) |
|
|
766 | (1) |
|
|
767 | (1) |
|
|
767 | (1) |
|
|
768 | (1) |
|
|
769 | (1) |
|
|
770 | (1) |
|
The Love Poems of Marichiko |
|
|
771 | (3) |
|
IV (``You ask me what I thought about'') |
|
|
771 | (1) |
|
VII (``Making love with you'') |
|
|
772 | (1) |
|
|
772 | (1) |
|
XXV (``Your tongue thrums and moves'') |
|
|
772 | (1) |
|
XXVII (``As I came from the'') |
|
|
772 | (1) |
|
XXXI (``Some day in six inches of'') |
|
|
772 | (1) |
|
XXXII (``I hold your head tight between'') |
|
|
773 | (1) |
|
XXXIII (``I cannot forget'') |
|
|
773 | (1) |
|
XXXIV (``Every morning, I'') |
|
|
773 | (1) |
|
LVIII (``Half in a dream'') |
|
|
773 | (1) |
|
LIX (``I hate this shadow of a ghost'') |
|
|
773 | (1) |
|
LX (``Chilled through, I wake up'') |
|
|
774 | (1) |
|
John Betjeman (1906--1984) |
|
|
774 | (7) |
|
The Arrest of Oscar Wilde at the Cadogan Hotel |
|
|
775 | (1) |
|
|
776 | (1) |
|
An Incident in the Early Life of Ebenezer Jones, Poet, 1828 |
|
|
777 | (2) |
|
|
779 | (1) |
|
|
780 | (1) |
|
William Empson (1906--1984) |
|
|
781 | (2) |
|
|
781 | (1) |
|
|
782 | (1) |
|
|
783 | (1) |
|
|
783 | (34) |
|
|
787 | (1) |
|
|
787 | (1) |
|
|
788 | (1) |
|
|
789 | (1) |
|
|
789 | (1) |
|
|
790 | (1) |
|
|
791 | (2) |
|
As I Walked Out One Evening |
|
|
793 | (2) |
|
|
795 | (1) |
|
XIV (``Yes, we are going to suffer, now; the sky'') |
|
|
795 | (1) |
|
XVII (``They are and suffer; that is all they do:'') |
|
|
795 | (1) |
|
XVIII (``Far from the heart of culture he was used:'') |
|
|
796 | (1) |
|
|
796 | (1) |
|
|
797 | (1) |
|
|
798 | (2) |
|
|
800 | (1) |
|
|
801 | (2) |
|
In Memory of Sigmund Freud |
|
|
803 | (3) |
|
|
806 | (2) |
|
|
808 | (2) |
|
|
810 | (1) |
|
|
810 | (1) |
|
|
811 | (3) |
|
|
814 | (1) |
|
|
815 | (2) |
|
|
817 | (5) |
|
|
817 | (1) |
|
|
818 | (1) |
|
|
819 | (2) |
|
|
821 | (1) |
|
Louis MacNeice (1907--1963) |
|
|
822 | (11) |
|
|
823 | (1) |
|
|
823 | (4) |
|
|
827 | (1) |
|
|
827 | (1) |
|
The Sunlight on the Garden |
|
|
828 | (1) |
|
|
829 | (1) |
|
|
830 | (1) |
|
|
831 | (1) |
|
|
832 | (1) |
|
|
832 | (1) |
|
George Oppen (1908--1984) |
|
|
833 | (8) |
|
|
834 | (1) |
|
|
835 | (1) |
|
|
835 | (1) |
|
|
835 | (1) |
|
|
836 | (1) |
|
|
836 | (5) |
|
|
836 | (4) |
|
|
840 | (1) |
|
Theodore Roethke (1908--1963) |
|
|
841 | (14) |
|
|
842 | (1) |
|
|
842 | (1) |
|
|
843 | (1) |
|
|
843 | (1) |
|
|
844 | (1) |
|
|
844 | (1) |
|
|
844 | (5) |
|
|
849 | (1) |
|
|
849 | (1) |
|
Frau Bauman, Frau Schmidt, and Frau Schwartze |
|
|
850 | (1) |
|
|
851 | (1) |
|
|
851 | (1) |
|
|
852 | (2) |
|
|
854 | (1) |
|
Stephen Spender (1909--1995) |
|
|
855 | (5) |
|
|
856 | (1) |
|
|
857 | (1) |
|
|
858 | (1) |
|
|
858 | (1) |
|
The Landscape near an Aerodrome |
|
|
859 | (1) |
|
|
860 | (1) |
|
Keith Douglas (1920--1944) |
|
|
860 | (151) |
|
|
861 | (1) |
|
Simplify Me When I'm Dead |
|
|
862 | (1) |
|
|
862 | (1) |
|
|
863 | (1) |
|
|
864 | (1) |
|
|
|
From Preface to Leaves of Grass (1855) |
|
|
865 | (5) |
|
|
|
870 | (3) |
|
|
[Letter 261: Thank You for the Surgery] 25 April 1862 |
|
|
870 | (1) |
|
[Letter 265: Will You Be My Preceptor?] 7 June 1862 |
|
|
871 | (1) |
|
[Letter 268: My Business Is Circumference] July 1862 |
|
|
872 | (1) |
|
|
873 | (4) |
|
|
[Sprung Rhythm] August 21, 1877 |
|
|
874 | (1) |
|
[Sprung Rhythm] October 5, 1878 |
|
|
874 | (2) |
|
[My Poetry Errs on the Side of Oddness] February 15, 1879 |
|
|
876 | (1) |
|
[The Current Language Heightened] August 14, 1879 |
|
|
876 | (1) |
|
The Symbolism of Poetry (1900) |
|
|
877 | (6) |
|
|
From Introduction [A General Introduction for My Work] (w. 1937) |
|
|
883 | (6) |
|
From Romanticism and Classicism (w. 1911--12) |
|
|
889 | (8) |
|
|
|
|
|
897 | (2) |
|
|
899 | (13) |
|
|
912 | (9) |
|
Feminist Manifesto (w. 1914) |
|
|
921 | (5) |
|
|
Preface to Some Imagist Poets (1915) |
|
|
926 | (2) |
|
|
|
928 | (1) |
|
|
|
928 | (11) |
|
|
From How to Read (1929, 1931) |
|
|
939 | (2) |
|
Tradition and the Individual Talent (1919) |
|
|
941 | (6) |
|
|
|
947 | (2) |
|
From The Metaphysical Poets (1921) |
|
|
949 | (5) |
|
From Prologue to Kora in Hell (1919) |
|
|
954 | (6) |
|
|
The Poetry of the Present [Preface to the American Edition of New Poems] (1919) |
|
|
960 | (4) |
|
|
The Negro Artist and the Racial Mountain (1926) |
|
|
964 | (4) |
|
|
A Letter to Harriet Monroe (1926) |
|
|
968 | (3) |
|
|
|
971 | (5) |
|
|
From Adagia (w. 1934--40?) |
|
|
972 | (3) |
|
From Miscellaneous Notebooks (w. 1948--55?) |
|
|
975 | (1) |
|
From The Noble Rider and the Sound of Words (1942) |
|
|
976 | (8) |
|
The Figure a Poem Makes (1939) |
|
|
984 | (2) |
|
|
From A Transatlantic Interview (w. 1946) |
|
|
986 | (8) |
|
|
Humility, Concentration, and Gusto (1949) |
|
|
994 | (6) |
|
|
|
1000 | (11) |
|
Selected Bibliographies |
|
1011 | (30) |
Permissions Acknowledgments |
|
1041 | (8) |
Index |
|
1049 | (84) |
Preface to the Third Edition |
|
xxxiii | |
Acknowledgments |
|
xxxix | |
Introduction |
|
xliii | |
|
Charles Olson (1910--1970) |
|
|
1 | (14) |
|
|
3 | (1) |
|
|
4 | (2) |
|
|
6 | (9) |
|
I, Maximus of Gloucester, to You |
|
|
6 | (3) |
|
|
9 | (2) |
|
Maximus, to Gloucester, Letter 19 (A Pastoral Letter |
|
|
11 | (1) |
|
Maximus to Gloucester, Letter 27 [Withheld] |
|
|
12 | (2) |
|
|
14 | (1) |
|
Elizabeth Bishop (1911--1979) |
|
|
15 | (30) |
|
|
17 | (1) |
|
|
18 | (1) |
|
|
19 | (2) |
|
|
21 | (2) |
|
|
23 | (3) |
|
|
26 | (2) |
|
Over 2000 Illustrations and a Complete Concordance |
|
|
28 | (2) |
|
|
30 | (1) |
|
|
31 | (1) |
|
|
32 | (2) |
|
|
34 | (2) |
|
|
36 | (4) |
|
|
40 | (1) |
|
|
41 | (2) |
|
|
43 | (1) |
|
|
44 | (1) |
|
|
45 | (7) |
|
|
46 | (1) |
|
|
46 | (2) |
|
|
48 | (1) |
|
Unconscious Came a Beauty |
|
|
49 | (1) |
|
Staring at the Sea on the Day of the Death of Another |
|
|
49 | (1) |
|
|
50 | (1) |
|
|
50 | (1) |
|
|
51 | (1) |
|
Robert Hayden (1913--1980) |
|
|
52 | (16) |
|
|
54 | (5) |
|
Homage to the Empress of the Blues |
|
|
59 | (1) |
|
Mourning Poem for the Queen of Sunday |
|
|
59 | (1) |
|
|
60 | (2) |
|
|
62 | (1) |
|
Night, Death, Mississippi |
|
|
62 | (2) |
|
Elegies for Paradise Valley |
|
|
64 | (3) |
|
|
67 | (1) |
|
Karl Shapiro (1913--2000) |
|
|
68 | (4) |
|
|
69 | (1) |
|
|
70 | (1) |
|
|
71 | (1) |
|
|
71 | (1) |
|
Delmore Schwartz (1913--1966) |
|
|
72 | (3) |
|
In the Naked Bed, in Plato's Cave |
|
|
73 | (1) |
|
The Heavy Bear Who Goes with Me |
|
|
74 | (1) |
|
The Mind Is an Ancient and Famous Capital |
|
|
74 | (1) |
|
Muriel Rukeyser (1913--1980) |
|
|
75 | (8) |
|
|
76 | (3) |
|
|
76 | (2) |
|
|
78 | (1) |
|
Boy with His Hair Cut Short |
|
|
79 | (1) |
|
|
80 | (1) |
|
The Conjugation of the Paramecium |
|
|
80 | (2) |
|
|
82 | (1) |
|
|
82 | (1) |
|
William Stafford (1914--1993) |
|
|
83 | (2) |
|
Traveling through the Dark |
|
|
83 | (1) |
|
|
84 | (1) |
|
For the Grave of Daniel Boone |
|
|
84 | (1) |
|
Randall Jarrell (1914--1965) |
|
|
85 | (7) |
|
|
86 | (1) |
|
The Death of the Ball Turret Gunner |
|
|
87 | (1) |
|
|
87 | (1) |
|
|
88 | (2) |
|
Thinking of the Lost World |
|
|
90 | (2) |
|
John Berryman (1914--1972) |
|
|
92 | (9) |
|
|
93 | (7) |
|
1 (``Huffy Henry hid the day'') |
|
|
93 | (1) |
|
4 (``Filling her compact & delicious body'') |
|
|
94 | |
|
14 (``Life, friends, is boring. We must not say so.'') |
|
|
14 | (81) |
|
29 (``There sat down, once, a thing on Henry's heart'') |
|
|
95 | (1) |
|
37 Three around the Old Gentleman |
|
|
95 | (1) |
|
|
96 | (1) |
|
145 (``Also I love him: me he's done no wrong'') |
|
|
97 | (1) |
|
149 (``This world is gradually becoming a place'') |
|
|
97 | (1) |
|
153 (``I'm cross with god who has wrecked this generation.'') |
|
|
98 | (1) |
|
|
98 | (1) |
|
312 (``I have moved to Dublin to have it out with you'') |
|
|
99 | (1) |
|
384 (``The marker slants, flowerless, day's almost done'') |
|
|
100 | (1) |
|
|
100 | (1) |
|
Dylan Thomas (1914--1953) |
|
|
101 | (10) |
|
The Force That through the Green Fuse Drives the Flower |
|
|
102 | (1) |
|
And Death Shall Have No Dominion |
|
|
103 | (1) |
|
The Hand That Signed the Paper |
|
|
103 | (1) |
|
When All My Five and Country Senses See |
|
|
104 | (1) |
|
|
104 | (1) |
|
The Hunchback in the Park |
|
|
105 | (1) |
|
|
106 | (1) |
|
A Refusal to Mourn the Death, by Fire, of a Child in London |
|
|
107 | (1) |
|
|
108 | (2) |
|
In My Craft or Sullen Art |
|
|
110 | (1) |
|
Do Not Go Gentle into That Good Night |
|
|
110 | (1) |
|
Judith Wright (1915--2000) |
|
|
111 | (4) |
|
|
112 | (1) |
|
|
112 | (1) |
|
|
113 | (1) |
|
|
113 | (1) |
|
|
114 | (1) |
|
|
114 | (1) |
|
|
115 | (4) |
|
|
116 | (1) |
|
|
117 | (1) |
|
Deaf-Mute in the Pear Tree |
|
|
118 | (1) |
|
Robert Lowell (1917--1977) |
|
|
119 | (21) |
|
The Quaker Graveyard in Nantucket |
|
|
121 | (4) |
|
After the Surprising Conversions |
|
|
125 | (1) |
|
|
126 | (1) |
|
|
127 | (2) |
|
|
129 | (1) |
|
Memories of West Street and Lepke |
|
|
130 | (2) |
|
``To Speak of Woe That Is in Marriage'' |
|
|
132 | (1) |
|
|
132 | (2) |
|
|
134 | (2) |
|
Waking Early Sunday Morning |
|
|
136 | (2) |
|
|
138 | (1) |
|
|
139 | (1) |
|
|
139 | (1) |
|
Gwendolyn Brooks (1917--2000) |
|
|
140 | (10) |
|
|
141 | (1) |
|
|
142 | (1) |
|
Of De Witt Williams on His Way to Lincoln Cemetery |
|
|
143 | (1) |
|
|
143 | (1) |
|
|
144 | (1) |
|
|
144 | (1) |
|
|
145 | (1) |
|
The Last Quatrain of the Ballad of Emmett Till |
|
|
145 | (1) |
|
|
145 | (1) |
|
|
146 | (2) |
|
|
148 | (2) |
|
Robert Duncan (1919--1988) |
|
|
150 | (8) |
|
Often I Am Permitted to Return to a Meadow |
|
|
151 | (1) |
|
|
152 | (1) |
|
|
153 | (1) |
|
|
153 | (1) |
|
|
154 | (2) |
|
|
156 | (1) |
|
|
156 | (1) |
|
II (``Something is taking place.'') |
|
|
156 | (1) |
|
|
157 | (1) |
|
William Meredith (b. 1919) |
|
|
158 | (4) |
|
|
159 | (1) |
|
|
160 | (1) |
|
|
161 | (1) |
|
Lawrence Ferlinghetti (b. 1919) |
|
|
162 | (5) |
|
[In Goya's Greatest Scenes We Seem to See] |
|
|
163 | (1) |
|
|
164 | (2) |
|
Retired Ballerinas, Central Park West |
|
|
166 | (1) |
|
|
167 | (11) |
|
|
168 | (1) |
|
|
169 | (1) |
|
|
170 | (2) |
|
|
172 | (1) |
|
|
173 | (1) |
|
|
174 | (1) |
|
|
175 | (2) |
|
|
177 | (1) |
|
Howard Nemerov (1920--1991) |
|
|
178 | (5) |
|
|
179 | (1) |
|
|
180 | (1) |
|
|
181 | (1) |
|
|
181 | (1) |
|
Reading Pornography in Old Age |
|
|
182 | (1) |
|
Amy Clampitt (1920--1994) |
|
|
183 | (13) |
|
|
184 | (1) |
|
|
185 | (1) |
|
A Procession at Candlemas |
|
|
186 | (4) |
|
|
190 | (3) |
|
|
193 | (1) |
|
|
194 | (2) |
|
|
196 | (6) |
|
|
196 | (1) |
|
|
197 | (1) |
|
|
197 | (1) |
|
Love Calls Us to the Things of This World |
|
|
198 | (1) |
|
|
199 | (1) |
|
|
200 | (1) |
|
|
201 | (1) |
|
|
201 | (1) |
|
Kingsley Amis (1922--1995) |
|
|
202 | (3) |
|
|
202 | (1) |
|
|
203 | (1) |
|
|
204 | (1) |
|
Donald Davie (1922--1995) |
|
|
205 | (5) |
|
|
206 | (1) |
|
|
207 | (1) |
|
|
208 | (1) |
|
|
209 | (1) |
|
(``The things he has been spared . . .'') |
|
|
209 | (1) |
|
(``Time and again he gave battle'') |
|
|
209 | (1) |
|
Philip Larkin (1922--1985) |
|
|
210 | (17) |
|
|
211 | (1) |
|
|
212 | (1) |
|
|
212 | (2) |
|
|
214 | (1) |
|
|
215 | (2) |
|
|
217 | (1) |
|
|
218 | (1) |
|
|
218 | (1) |
|
|
219 | (1) |
|
|
220 | (1) |
|
|
220 | (1) |
|
|
221 | (1) |
|
|
221 | (1) |
|
|
222 | (1) |
|
|
223 | (1) |
|
|
223 | (1) |
|
|
224 | (1) |
|
|
224 | (2) |
|
|
226 | (1) |
|
|
227 | (7) |
|
|
228 | (1) |
|
|
229 | (1) |
|
``It Out-Herods Herod. Pray You, Avoid It.'' |
|
|
230 | (1) |
|
|
231 | (2) |
|
|
233 | (1) |
|
James Dickey (1923--1997) |
|
|
234 | (6) |
|
|
235 | (1) |
|
|
236 | (1) |
|
|
237 | (1) |
|
|
238 | (2) |
|
|
240 | (3) |
|
|
240 | (1) |
|
|
241 | (1) |
|
|
242 | (1) |
|
Internal Migration: On Being on Tour |
|
|
242 | (1) |
|
For Euthanasia and Pain-Killing Drugs |
|
|
243 | (1) |
|
|
243 | (4) |
|
|
224 | (21) |
|
My Father in the Night Commanding No |
|
|
245 | (1) |
|
|
246 | (1) |
|
|
246 | (1) |
|
Denise Levertov (1923--1997) |
|
|
247 | (9) |
|
|
248 | (1) |
|
|
249 | (1) |
|
|
249 | (1) |
|
|
250 | (1) |
|
|
250 | (1) |
|
|
251 | (2) |
|
i (``By the gas-fire, kneeling'') |
|
|
251 | (1) |
|
iv (``On your hospital bed you lay'') |
|
|
252 | (1) |
|
vi (``Your eyes were the brown gold of pebbles under water.'') |
|
|
252 | (1) |
|
|
253 | (1) |
|
|
254 | (1) |
|
|
255 | (1) |
|
|
255 | (1) |
|
|
255 | (1) |
|
Richard Hugo (1923--1982) |
|
|
256 | (5) |
|
The Lady in Kicking Horse Reservoir |
|
|
257 | (1) |
|
Degrees of Gray in Philipsburg |
|
|
258 | (1) |
|
|
259 | (2) |
|
Kenneth Koch (1925--2002) |
|
|
261 | (8) |
|
|
261 | (1) |
|
|
262 | (2) |
|
|
264 | (1) |
|
|
|
265 | (2) |
|
|
265 | (2) |
|
One Train May Hide Another |
|
|
267 | (1) |
|
|
268 | (1) |
|
|
269 | (5) |
|
|
270 | (1) |
|
Our Ground Time Here Will Be Brief |
|
|
270 | (1) |
|
|
271 | (2) |
|
|
273 | (1) |
|
|
274 | (1) |
|
(``Your laugh, your scarves, the gloss of your makeup'') |
|
|
274 | (1) |
|
|
274 | (6) |
|
On the Death of Friends in Childhood |
|
|
275 | (1) |
|
|
275 | (1) |
|
|
276 | (1) |
|
|
The Tourist from Syracuse |
|
|
276 | (1) |
|
|
277 | (1) |
|
Variations on a Text by Vallejo |
|
|
278 | (1) |
|
In Memory of the Unknown Poet, Robert Boardman Vaughn |
|
|
279 | (1) |
|
Nostalgia and Complaint of the Grandparents |
|
|
279 | (1) |
|
W. D. Snodgrass (b. 1926) |
|
|
280 | (8) |
|
|
281 | (2) |
|
|
283 | (2) |
|
3 (``The child between them on the street'') |
|
|
283 | (1) |
|
8 (``I thumped on you the best I could'') |
|
|
284 | (1) |
|
|
285 | (3) |
|
A. R. Ammons (1926--2001) |
|
|
288 | (17) |
|
|
290 | (1) |
|
|
290 | (3) |
|
|
293 | (1) |
|
|
294 | (1) |
|
|
295 | (1) |
|
|
295 | (1) |
|
|
295 | (1) |
|
|
296 | (2) |
|
|
298 | (1) |
|
|
299 | (1) |
|
1 (``the chisel, chipping in'') |
|
|
299 | (1) |
|
11 (``the grooves fill with moss'') |
|
|
299 | (1) |
|
19 (``the things of earth are not objects'') |
|
|
299 | (1) |
|
|
299 | (1) |
|
|
300 | (1) |
|
|
300 | (4) |
|
2 (``garbage has to be the poem of our time because'') |
|
|
300 | (4) |
|
|
304 | (1) |
|
43 (``sometimes I get the feeling I've never'') |
|
|
304 | (1) |
|
James Merrill (1926--1995) |
|
|
305 | (20) |
|
|
307 | (2) |
|
|
309 | (2) |
|
|
311 | (2) |
|
|
313 | (5) |
|
The Changing Light at Sandover |
|
|
318 | (2) |
|
|
318 | (1) |
|
|
318 | (2) |
|
|
320 | (1) |
|
Self-Portrait in Tyvek(™) Windbreaker |
|
|
320 | (4) |
|
|
324 | (1) |
|
|
325 | (9) |
|
|
326 | (1) |
|
|
327 | (1) |
|
|
327 | (3) |
|
|
330 | (1) |
|
|
330 | (2) |
|
``I Keep to Myself Such Measures . . .'' |
|
|
332 | (1) |
|
|
332 | (1) |
|
|
333 | (1) |
|
|
333 | (1) |
|
[The Long Road of It All] |
|
|
333 | (1) |
|
|
334 | (1) |
|
Allen Ginsberg (1926--1997) |
|
|
334 | (24) |
|
|
337 | (7) |
|
A Supermarket in California |
|
|
344 | (1) |
|
|
345 | (2) |
|
|
347 | (2) |
|
|
349 | (3) |
|
|
352 | (1) |
|
|
353 | (1) |
|
|
354 | (3) |
|
|
357 | (1) |
|
|
357 | (1) |
|
|
358 | (3) |
|
|
358 | (1) |
|
Elegy for a Forest Clear-Cut by the Weyerhaeuser Company |
|
|
359 | (1) |
|
A Young Girl with a Pitcher Full of Water |
|
|
360 | (1) |
|
|
360 | (1) |
|
Frank O'Hara (1926--1966) |
|
|
361 | (9) |
|
Poem (``The eager note on my door said `Call me'') |
|
|
362 | (1) |
|
Poem (``At night Chinamen jump'') |
|
|
363 | (1) |
|
|
363 | (2) |
|
|
365 | (1) |
|
|
366 | (1) |
|
A True Account of Talking to the Sun at Fire Island |
|
|
367 | (2) |
|
|
369 | (1) |
|
|
370 | (1) |
|
|
370 | (5) |
|
Johnson's Cabinet Watched by Ants |
|
|
371 | (1) |
|
|
372 | (1) |
|
|
373 | (1) |
|
Kneeling Down to Peer into a Culvert |
|
|
374 | (1) |
|
|
375 | (1) |
|
Charles Tomlinson (b. 1927) |
|
|
375 | (6) |
|
|
376 | (1) |
|
|
377 | (1) |
|
Two Views of Two Ghost Towns |
|
|
378 | (1) |
|
|
379 | (1) |
|
|
380 | (1) |
|
|
381 | (3) |
|
|
382 | (1) |
|
After Making Love We Hear Footsteps |
|
|
382 | (1) |
|
|
383 | (1) |
|
Sheffield Ghazal 4: Driving West |
|
|
384 | (1) |
|
|
384 | (24) |
|
|
386 | (1) |
|
|
387 | (2) |
|
|
389 | (1) |
|
|
390 | (1) |
|
|
391 | (2) |
|
Farm Implements and Rutabagas in a Landscape |
|
|
393 | (1) |
|
As One Put Drunk into the Packet-Boat |
|
|
394 | (1) |
|
Self-Portrait in a Convex Mirror |
|
|
395 | (11) |
|
|
406 | (1) |
|
|
407 | (1) |
|
|
407 | (1) |
|
|
408 | (1) |
|
|
408 | (6) |
|
|
410 | (1) |
|
|
411 | (1) |
|
|
411 | (1) |
|
For the Anniversary of My Death |
|
|
412 | (1) |
|
|
412 | (1) |
|
|
413 | (1) |
|
|
414 | (1) |
|
James Wright (1927--1980) |
|
|
414 | (8) |
|
|
416 | (1) |
|
Autumn Begins in Martins Ferry, Ohio |
|
|
416 | (1) |
|
Lying in a Hammock at William Duffy's Farm in Pine Island, Minnesota |
|
|
417 | (1) |
|
|
417 | (1) |
|
|
418 | (2) |
|
In Response to a Rumor That the Oldest Whorehouse in Wheeling, West Virginia, Has Been Condemned |
|
|
420 | (1) |
|
Small Frogs Killed on the Highway |
|
|
420 | (1) |
|
A Centenary Ode: Inscribed to Little Crow, Leader of the Sioux Rebellion in Minnesota, 1862 |
|
|
421 | (1) |
|
|
422 | (5) |
|
|
423 | (1) |
|
|
424 | (1) |
|
|
424 | (2) |
|
|
426 | (1) |
|
Thomas Kinsella (b. 1928) |
|
|
427 | (4) |
|
|
427 | (2) |
|
|
429 | (1) |
|
|
429 | (1) |
|
|
430 | (1) |
|
1 (``A character, indistinct, entered'') |
|
|
430 | (1) |
|
|
431 | (7) |
|
|
432 | (1) |
|
|
433 | (1) |
|
|
433 | (2) |
|
|
435 | (1) |
|
|
435 | (1) |
|
|
435 | (1) |
|
|
436 | (1) |
|
|
436 | (1) |
|
|
437 | (1) |
|
A. K. Ramanujan (1929--1993) |
|
|
438 | (11) |
|
|
439 | (1) |
|
|
440 | (2) |
|
|
442 | (1) |
|
|
442 | (2) |
|
|
444 | (2) |
|
|
446 | (1) |
|
|
447 | (2) |
|
|
449 | (7) |
|
``Man Who Beat Up Homosexuals Reported to Have AIDS Virus'' |
|
|
449 | (6) |
|
|
455 | (1) |
|
|
456 | (28) |
|
|
459 | (1) |
|
Snapshots of a Daughter-in-Law |
|
|
459 | (4) |
|
|
463 | (1) |
|
|
464 | (1) |
|
|
465 | (1) |
|
A Valediction Forbidding Mourning |
|
|
466 | (1) |
|
|
467 | (2) |
|
|
469 | (1) |
|
|
470 | (9) |
|
|
479 | (2) |
|
|
481 | (2) |
|
|
483 | (1) |
|
|
484 | (6) |
|
|
485 | (1) |
|
|
485 | (1) |
|
|
486 | (1) |
|
|
487 | (1) |
|
|
488 | (1) |
|
|
489 | (1) |
|
|
490 | (4) |
|
|
490 | (1) |
|
|
491 | (1) |
|
|
492 | (1) |
|
Variations on a Fragment by Trumbull Stickney |
|
|
492 | (1) |
|
|
493 | (1) |
|
|
494 | (40) |
|
|
496 | (1) |
|
|
497 | (3) |
|
|
500 | (2) |
|
|
502 | (12) |
|
|
514 | (5) |
|
The Season of Phantasmal Peace |
|
|
519 | (1) |
|
|
520 | (14) |
|
1.1.1 (```This is how, one sunrise, we cut down them canoes.''') |
|
|
520 | (2) |
|
1.3.3 (``'Mais qui ca qui rivait-'ous, Philoctete?''') |
|
|
522 | (1) |
|
1.9.3 (``The Cyclone, howling because one of the lances'') |
|
|
523 | (3) |
|
1.13.2--3 (```Walk me down to the wharf.''') |
|
|
526 | (2) |
|
3.25.2--3 (``He remembered this sunburnt river with its spindly'') |
|
|
528 | (3) |
|
6.49.1--2 (``She bathed him in the brew of the root. The basin'') |
|
|
531 | (2) |
|
7.64.1 (``I sang of quiet Achille, Afolabe's son'') |
|
|
533 | (1) |
|
|
534 | (8) |
|
|
536 | (1) |
|
|
537 | (1) |
|
|
537 | (1) |
|
|
538 | (1) |
|
|
539 | (1) |
|
|
539 | (2) |
|
|
541 | (1) |
|
Kamau Brathwaite (b. 1930) |
|
|
542 | (13) |
|
|
544 | (7) |
|
|
544 | (4) |
|
|
548 | (1) |
|
|
549 | (2) |
|
|
551 | (1) |
|
|
551 | (3) |
|
|
554 | (1) |
|
Christopher Okigbo (1930?--1967) |
|
|
555 | (3) |
|
|
556 | (2) |
|
[Before You, Mother Idoto] |
|
|
556 | (1) |
|
[Dark Waters of the Beginning.] |
|
|
556 | (1) |
|
|
557 | (1) |
|
[I Am Standing above the Noontide] |
|
|
557 | (1) |
|
|
558 | (1) |
|
|
558 | (13) |
|
|
559 | (2) |
|
|
561 | (1) |
|
|
561 | (1) |
|
|
562 | (2) |
|
|
564 | (1) |
|
Second Glance at a Jaguar |
|
|
564 | (1) |
|
|
565 | (1) |
|
|
566 | (1) |
|
|
567 | (1) |
|
|
568 | (1) |
|
|
569 | (1) |
|
|
569 | (1) |
|
|
570 | (1) |
|
|
570 | (1) |
|
Okot p'Bitek (1931--1982) |
|
|
571 | (10) |
|
|
573 | (8) |
|
1. My Husband's Tongue Is Bitter |
|
|
573 | (2) |
|
2. The Woman with Whom I Share My Husband |
|
|
575 | (6) |
|
|
581 | (12) |
|
|
582 | (1) |
|
|
583 | (1) |
|
|
584 | (1) |
|
|
584 | (1) |
|
|
585 | (1) |
|
6 (``My little son, when you could command marvels'') |
|
|
585 | (1) |
|
8 (``Not as we are but as we must appear'') |
|
|
585 | (1) |
|
|
586 | (5) |
|
|
586 | (1) |
|
|
587 | (1) |
|
|
588 | (1) |
|
|
589 | (1) |
|
|
590 | (1) |
|
|
590 | (1) |
|
The Mystery of the Charity of Charles Peguy |
|
|
591 | (1) |
|
1 (``Crack of a starting-pistol. Jean Jaures'') |
|
|
591 | (1) |
|
To the High Court of Parliament |
|
|
592 | (1) |
|
|
592 | (1) |
|
CXXI (``So what is faith if it is not'') |
|
|
592 | (1) |
|
Sylvia Plath (1932--1963) |
|
|
593 | (22) |
|
|
595 | (2) |
|
|
597 | (1) |
|
|
597 | (1) |
|
|
598 | (1) |
|
|
599 | (1) |
|
|
600 | (2) |
|
|
602 | (1) |
|
|
602 | (2) |
|
The Arrival of the Bee Box |
|
|
604 | (1) |
|
|
605 | (1) |
|
|
606 | (2) |
|
|
608 | (1) |
|
|
609 | (2) |
|
|
611 | (1) |
|
|
611 | (1) |
|
|
612 | (2) |
|
|
614 | (1) |
|
|
615 | (5) |
|
|
616 | (1) |
|
Now that I Am Forever with Child |
|
|
617 | (1) |
|
|
617 | (1) |
|
From the House of Yemanja |
|
|
618 | (1) |
|
|
619 | (1) |
|
|
620 | (1) |
|
|
620 | (6) |
|
|
621 | (1) |
|
|
621 | (1) |
|
|
622 | (1) |
|
|
622 | (1) |
|
|
623 | (1) |
|
|
623 | (1) |
|
|
624 | (1) |
|
|
624 | (1) |
|
|
625 | (1) |
|
XX (``Is it you standing among the olive trees'') |
|
|
625 | (1) |
|
XXX (``There is a road through the canyon'') |
|
|
625 | (1) |
|
|
626 | (6) |
|
|
627 | (1) |
|
|
628 | (1) |
|
|
629 | (1) |
|
|
630 | (1) |
|
Dragonfly at My Windowpane |
|
|
631 | (1) |
|
|
632 | (8) |
|
|
634 | (1) |
|
A Poem for Speculative Hipsters |
|
|
635 | (1) |
|
|
635 | (1) |
|
|
636 | (1) |
|
A New Reality Is Better Than a New Movie! |
|
|
636 | (2) |
|
|
638 | (1) |
|
|
638 | (1) |
|
Y The Link Will Not Always Be ``Missing'' #40 |
|
|
638 | (1) |
|
|
639 | (1) |
|
|
639 | (1) |
|
|
640 | (12) |
|
|
642 | (1) |
|
|
643 | (1) |
|
|
643 | (1) |
|
|
644 | (4) |
|
|
648 | (1) |
|
|
648 | (3) |
|
I (``How soon we come to road's end---'') |
|
|
648 | (3) |
|
Stray Paragraphs in February, Year of the Rat |
|
|
651 | (1) |
|
|
652 | (3) |
|
|
653 | (1) |
|
|
653 | (1) |
|
|
654 | (1) |
|
|
655 | (3) |
|
|
656 | (1) |
|
|
656 | (1) |
|
|
657 | (1) |
|
|
658 | (1) |
|
Lucille Clifton (b. 1936) |
|
|
658 | (6) |
|
|
659 | (1) |
|
|
660 | (1) |
|
|
660 | (1) |
|
[i am accused of tending to the past] |
|
|
661 | (1) |
|
at the cemetery, walnut grove plantation, south carolina, 1989 |
|
|
661 | (1) |
|
|
662 | (1) |
|
|
663 | (1) |
|
|
663 | (1) |
|
|
663 | (1) |
|
the mississippi river empties into the gulf |
|
|
664 | (1) |
|
|
664 | (5) |
|
|
665 | (1) |
|
|
666 | (1) |
|
DeLiza Spend the Day in the City |
|
|
667 | (1) |
|
|
668 | (1) |
|
|
669 | (19) |
|
|
670 | (6) |
|
|
671 | (1) |
|
|
671 | (1) |
|
|
672 | (1) |
|
|
673 | (1) |
|
|
674 | (1) |
|
|
674 | (1) |
|
|
675 | (1) |
|
|
675 | (1) |
|
|
676 | (12) |
|
|
688 | (10) |
|
|
689 | (3) |
|
[Elegiac Western Imagination] |
|
|
689 | (1) |
|
|
690 | (1) |
|
|
691 | (1) |
|
|
692 | (6) |
|
Michael S. Harper (b. 1938) |
|
|
698 | (7) |
|
|
699 | (1) |
|
We Assume: On the Death of Our Son, Reuben Masai Harper |
|
|
699 | (1) |
|
|
700 | (1) |
|
|
700 | (2) |
|
|
702 | (1) |
|
Nightmare Begins Responsibility |
|
|
703 | (1) |
|
|
704 | (1) |
|
|
705 | (7) |
|
|
706 | (1) |
|
|
706 | (1) |
|
|
707 | (1) |
|
|
708 | (1) |
|
|
709 | (1) |
|
Spoons with Realistic Dead Flies on Them |
|
|
709 | (1) |
|
|
710 | (1) |
|
|
710 | (1) |
|
|
711 | (1) |
|
|
711 | (1) |
|
|
712 | (8) |
|
The Powerline Incarnation |
|
|
713 | (1) |
|
The Buladelah-Taree Holiday Song Cycle |
|
|
714 | (3) |
|
3 (``It is good to come out after driving and walk on bare grass;'') |
|
|
714 | (1) |
|
6 (``Barbecue smoke is rising at Legge's Camp; it is steaming into the midday air'') |
|
|
715 | (1) |
|
8 (``Forests and State Forests, all down off the steeper country; mosquitoes are always living in there:'') |
|
|
715 | (1) |
|
12 (``Now the sun is an applegreen blindness through the swells, a white blast on the sea face, flaking and shoaling;'') |
|
|
716 | (1) |
|
|
717 | (1) |
|
|
718 | (1) |
|
|
718 | (1) |
|
|
718 | (1) |
|
|
719 | (1) |
|
|
720 | (30) |
|
|
723 | (1) |
|
|
724 | (1) |
|
|
725 | (1) |
|
|
725 | (1) |
|
|
726 | (2) |
|
|
728 | (1) |
|
|
729 | (2) |
|
|
731 | (1) |
|
|
732 | (1) |
|
|
733 | (3) |
|
In Memoriam Francis Ledwidge |
|
|
736 | (2) |
|
|
738 | (3) |
|
VIII (``Black water. White waves. Furrows snowcapped.'') |
|
|
738 | (1) |
|
XII (``Like a convalescent, I took the hand'') |
|
|
739 | (2) |
|
|
741 | (2) |
|
|
743 | (1) |
|
|
744 | (1) |
|
|
745 | (3) |
|
|
748 | (1) |
|
|
748 | (2) |
|
|
750 | (10) |
|
|
750 | (9) |
|
If I Could Mourn Like a Mourning Dove |
|
|
759 | (1) |
|
A Coin for Joe, with the Image of a Horse; c. 350--325 BC |
|
|
760 | (1) |
|
Michael Longley (b. 1939) |
|
|
760 | (5) |
|
|
761 | (1) |
|
|
762 | (1) |
|
|
763 | (1) |
|
|
763 | (1) |
|
|
764 | (1) |
|
|
764 | (1) |
|
|
765 | (1) |
|
Margaret Atwood (b. 1939) |
|
|
765 | (9) |
|
This Is a Photograph of Me |
|
|
766 | (1) |
|
|
767 | (1) |
|
|
767 | (1) |
|
|
768 | (1) |
|
[Men with the Heads of Eagles] |
|
|
768 | (1) |
|
Footnote to the Amnesty Report on Torture |
|
|
769 | (1) |
|
|
770 | (2) |
|
|
772 | (1) |
|
Morning in the Burned House |
|
|
773 | (1) |
|
Eunice De Souza (b. 1940) |
|
|
774 | (4) |
|
|
775 | (1) |
|
|
775 | (1) |
|
|
776 | (1) |
|
|
776 | (1) |
|
For Rita's Daughter, Just Born |
|
|
776 | (1) |
|
|
777 | (1) |
|
|
778 | (7) |
|
|
779 | (1) |
|
|
780 | (2) |
|
|
782 | (1) |
|
|
783 | (1) |
|
|
784 | (1) |
|
|
785 | (3) |
|
|
785 | (1) |
|
|
786 | (1) |
|
|
787 | (1) |
|
|
788 | (1) |
|
|
788 | (1) |
|
|
788 | (10) |
|
|
789 | (4) |
|
A pause, a rose, a something on paper |
|
|
789 | (1) |
|
As for we who ``love to be astonished'' |
|
|
790 | (1) |
|
It seemed that we had hardly begun and we were already there |
|
|
791 | (2) |
|
Oxota: A Short Russian Novel |
|
|
793 | (1) |
|
|
793 | (1) |
|
|
793 | (1) |
|
|
794 | (1) |
|
[It Is the Writer's Object] |
|
|
794 | (1) |
|
[Yesterday I Saw the Sun] |
|
|
794 | (1) |
|
|
795 | (3) |
|
|
798 | (8) |
|
|
799 | (1) |
|
|
800 | (1) |
|
The Last of the Fire Kings |
|
|
801 | (1) |
|
A Disused Shed in Co. Wexford |
|
|
802 | (2) |
|
|
804 | (1) |
|
|
805 | (1) |
|
|
806 | (5) |
|
|
807 | (1) |
|
|
807 | (1) |
|
The Moment the Two Worlds Meet |
|
|
808 | (1) |
|
The Exact Moment of His Death |
|
|
808 | (1) |
|
My Father Speaks to Me from the Dead |
|
|
809 | (1) |
|
|
810 | (1) |
|
|
811 | (4) |
|
Rondeau after a Transatlantic Telephone Call |
|
|
811 | (1) |
|
|
812 | (1) |
|
13 (``No better lost than any other woman'') |
|
|
812 | (1) |
|
|
812 | (1) |
|
|
813 | (1) |
|
|
814 | (1) |
|
|
815 | (3) |
|
Leafless Trees, Chickahominy Swamp |
|
|
815 | (1) |
|
|
816 | (1) |
|
|
817 | (1) |
|
|
817 | (1) |
|
Black Silhouettes of Shrimpers |
|
|
817 | (1) |
|
|
818 | (8) |
|
|
819 | (1) |
|
|
819 | (1) |
|
|
820 | (1) |
|
|
821 | (1) |
|
|
822 | (1) |
|
|
823 | (1) |
|
|
823 | (1) |
|
|
824 | (1) |
|
|
824 | (1) |
|
|
825 | (1) |
|
|
826 | (5) |
|
|
827 | (1) |
|
|
828 | (1) |
|
Sun (``Write this. We have burned all their villages'') |
|
|
829 | (2) |
|
Michael Ondaatje (b. 1943) |
|
|
831 | (6) |
|
|
832 | (1) |
|
|
832 | (2) |
|
|
834 | (1) |
|
Driving with Dominic in the Southern Province We See Hints of the Circus |
|
|
835 | (1) |
|
|
835 | (1) |
|
(``To be buried in times of war'') |
|
|
835 | (1) |
|
|
836 | (1) |
|
vii (``The heat of explosions'') |
|
|
836 | (1) |
|
|
837 | (7) |
|
|
837 | (1) |
|
|
838 | (1) |
|
|
839 | (1) |
|
|
840 | (1) |
|
|
841 | (1) |
|
|
842 | (1) |
|
|
843 | (1) |
|
|
844 | (8) |
|
|
845 | (1) |
|
|
846 | (1) |
|
|
846 | (1) |
|
|
847 | (1) |
|
|
848 | (1) |
|
|
849 | (1) |
|
|
850 | (1) |
|
|
851 | (1) |
|
|
852 | (3) |
|
|
853 | (1) |
|
A Martian Sends a Postcard Home |
|
|
854 | (1) |
|
|
855 | (3) |
|
Elizabeth's War with the Christmas Bear |
|
|
856 | (1) |
|
|
857 | (1) |
|
|
857 | (1) |
|
Yusef Komunyakaa (b. 1947) |
|
|
858 | (6) |
|
|
859 | (1) |
|
|
860 | (1) |
|
|
861 | (1) |
|
|
862 | (1) |
|
|
863 | (1) |
|
|
864 | (11) |
|
|
865 | (1) |
|
|
866 | (1) |
|
|
867 | (1) |
|
|
868 | (3) |
|
Turn Thanks to Miss Mirry |
|
|
871 | (2) |
|
|
873 | (1) |
|
|
873 | (2) |
|
|
875 | (4) |
|
|
876 | (1) |
|
|
876 | (2) |
|
|
878 | (1) |
|
Leslie Marmon Silko (b. 1948) |
|
|
879 | (8) |
|
|
880 | (4) |
|
|
884 | (1) |
|
Toe'osh: A Laguna Coyote Story |
|
|
885 | (2) |
|
Agha Shahid Ali (1949--2001) |
|
|
887 | (11) |
|
|
889 | (1) |
|
|
889 | (1) |
|
|
890 | (1) |
|
I See Chile in My Rearview Mirror |
|
|
891 | (2) |
|
|
893 | (1) |
|
The Country without a Post Office |
|
|
894 | (2) |
|
|
896 | (2) |
|
|
898 | (7) |
|
|
899 | (2) |
|
|
901 | (2) |
|
|
903 | (1) |
|
|
904 | (1) |
|
|
905 | (4) |
|
|
906 | (1) |
|
|
906 | (1) |
|
|
907 | (1) |
|
|
908 | (1) |
|
Charles Bernstein (b. 1950) |
|
|
909 | (6) |
|
|
910 | (1) |
|
The Kiwi Bird in the Kiwi Tree |
|
|
910 | (1) |
|
From The Lives of the Toll Takers |
|
|
911 | (3) |
|
|
914 | (1) |
|
|
915 | (4) |
|
|
916 | (1) |
|
|
916 | (1) |
|
|
917 | (1) |
|
|
918 | (1) |
|
|
919 | (14) |
|
At Luca Signorelli's Resurrection of the Body |
|
|
920 | (3) |
|
|
923 | (4) |
|
The Dream of the Unified Field |
|
|
927 | (4) |
|
|
931 | (1) |
|
|
932 | (1) |
|
|
933 | (10) |
|
|
934 | (5) |
|
|
939 | (1) |
|
XI (``TV is presocial, like Man.'') |
|
|
939 | (1) |
|
|
940 | (1) |
|
Lazarus Standup: Shooting Script |
|
|
940 | (2) |
|
Stanzas, Sexes, Seductions |
|
|
942 | (1) |
|
Medbh McGuckian (b. 1950) |
|
|
943 | (4) |
|
|
944 | (1) |
|
The Dream-Language of Fergus |
|
|
945 | (1) |
|
|
946 | (1) |
|
|
946 | (1) |
|
|
947 | (1) |
|
|
947 | (5) |
|
|
948 | (2) |
|
|
950 | (1) |
|
Insomnia and the Seven Steps to Grace |
|
|
950 | (1) |
|
The Path to the Milky Way Leads through Los Angeles |
|
|
951 | (1) |
|
|
952 | (17) |
|
|
953 | (1) |
|
|
954 | (2) |
|
|
956 | (1) |
|
|
957 | (1) |
|
|
957 | (1) |
|
|
957 | (1) |
|
|
958 | (6) |
|
|
958 | (4) |
|
|
962 | (2) |
|
|
964 | (1) |
|
|
965 | (1) |
|
|
966 | (1) |
|
|
967 | (1) |
|
|
967 | (2) |
|
|
969 | (5) |
|
|
969 | (1) |
|
|
970 | (1) |
|
|
971 | (1) |
|
|
971 | (2) |
|
|
973 | (1) |
|
|
973 | (1) |
|
|
974 | (13) |
|
|
976 | (1) |
|
|
976 | (1) |
|
|
976 | (1) |
|
Agosta the Winged Man and Rasha the Black Dove |
|
|
977 | (2) |
|
|
979 | (2) |
|
|
981 | (5) |
|
|
981 | (1) |
|
|
982 | (1) |
|
|
983 | (1) |
|
The Great Palaces of Versailles |
|
|
984 | (1) |
|
|
985 | (1) |
|
After Reading Mickey in the Night Kitchen for the Third Time before Bed |
|
|
986 | (1) |
|
Claudette Colvin Goes to Work |
|
|
986 | (1) |
|
|
987 | (6) |
|
|
988 | (2) |
|
|
990 | (1) |
|
A Man Then Suddenly Stops Moving |
|
|
991 | (1) |
|
Anselmo's Moment with God |
|
|
992 | (1) |
|
The Death of Anselmo Luna |
|
|
992 | (1) |
|
|
993 | (6) |
|
|
994 | (1) |
|
|
995 | (3) |
|
|
998 | (1) |
|
|
999 | (5) |
|
|
1000 | (1) |
|
Interpretation of a Poem by Frost |
|
|
1001 | (1) |
|
The Rapture of Dry Ice Burning off Skin as the Moment of the Soul's Apotheosis |
|
|
1001 | (2) |
|
|
1003 | (1) |
|
|
1004 | (5) |
|
|
1005 | (1) |
|
|
1006 | (2) |
|
|
1008 | (1) |
|
|
1009 | (1) |
|
Lorna Dee Cervantes (b. 1954) |
|
|
1009 | (4) |
|
|
1010 | (1) |
|
|
1011 | (1) |
|
|
1011 | (1) |
|
Poema para los Californios Muertos |
|
|
1012 | (1) |
|
|
1013 | (5) |
|
|
1013 | (3) |
|
|
1016 | (1) |
|
|
1016 | (1) |
|
Chinese Quatrains (The Woman in Tomb 44) |
|
|
1017 | (1) |
|
|
1018 | (7) |
|
|
1019 | (1) |
|
|
1020 | (2) |
|
|
1022 | (1) |
|
|
1023 | (2) |
|
Carol Ann Duffy (b. 1955) |
|
|
1025 | (5) |
|
|
1026 | (1) |
|
|
1027 | (1) |
|
|
1028 | (1) |
|
|
1029 | (1) |
|
Dionisio D. Martinez (b. 1956) |
|
|
1030 | (4) |
|
|
1031 | (1) |
|
|
1032 | (1) |
|
|
1033 | (1) |
|
The Prodigal Son in His Own Words: Bees |
|
|
1034 | (1) |
|
|
1034 | (5) |
|
|
1035 | (1) |
|
Buddha and the Seven Tiger Cubs |
|
|
1036 | (1) |
|
|
1037 | (1) |
|
|
1038 | (1) |
|
|
1039 | (1) |
|
|
1039 | (6) |
|
|
1040 | (1) |
|
|
1041 | (2) |
|
|
1043 | (1) |
|
|
1044 | (1) |
|
|
1044 | (1) |
|
|
1045 | (88) |
|
|
1046 | (1) |
|
On the Amtrak from Boston to New York City |
|
|
1046 | (1) |
|
|
1047 | (2) |
|
How to Write the Great American Indian Novel |
|
|
1049 | (1) |
|
|
1050 | (3) |
|
|
|
|
1053 | (8) |
|
|
Poetic Manifesto (w. 1951) |
|
|
1061 | (6) |
|
|
The Pleasure Principle (1957) |
|
|
1067 | (2) |
|
|
From Introduction to All What Jazz (1970) |
|
|
1069 | (3) |
|
Personism: A Manifesto (w. 1959) |
|
|
1072 | (2) |
|
|
Notes Written on Finally Recording Howl (1959) |
|
|
1074 | (3) |
|
|
From The Myth of a ``Negro Literature'' (1963) |
|
|
1077 | (4) |
|
|
Some Notes on Organic Form (1965) |
|
|
1081 | (5) |
|
|
When We Dead Awaken: Writing as Re-Vision (1971) |
|
|
1086 | (10) |
|
|
Feeling into Words (w. 1974) |
|
|
1096 | (13) |
|
|
Jamaica Language (w. 1979--81) |
|
|
1109 | (2) |
|
|
|
1111 | (4) |
|
|
From Where Mirrors Are Windows: Toward an Anthology of Reflections (1989) |
|
|
1115 | (4) |
|
|
The Antilles: Fragments of Epic Memory (1992) |
|
|
1119 | (14) |
|
Selected Bibliographies |
|
1133 | (48) |
Permissions Acknowledgments |
|
1181 | (14) |
Index |
|
1195 | |