Preface to the Seventh Edition |
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xxxiii | |
Acknowledgments |
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xliii | |
``The Persistence of English'' |
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xlvii | |
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The Romantic Period (1785-1830) |
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1 | (116) |
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1 | (21) |
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22 | (2) |
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Anna Letitia Barbauld (1743-1825) |
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24 | (8) |
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A Summer Evening's Meditation |
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24 | (3) |
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27 | (1) |
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To a Little Invisible Being Who Is Expected Soon to Become Visible |
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28 | (1) |
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29 | (2) |
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31 | (1) |
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Charlotte Smith (1749-1806) |
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32 | (3) |
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33 | (1) |
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Written at the Close of Spring |
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33 | (1) |
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33 | (1) |
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33 | (1) |
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Written in the Church-Yard at Middleton in Sussex |
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34 | (1) |
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On Being Cautioned against Walking on an Headland Overlooking the Sea, Because It Was Frequented by a Lunatic |
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34 | (1) |
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35 | (1) |
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William Blake (1757-1827) |
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35 | (56) |
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39 | (1) |
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39 | (1) |
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40 | (1) |
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40 | (1) |
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41 | (1) |
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There Is No Natural Religion [a] |
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41 | (1) |
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There Is No Natural Religion [b] |
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42 | (1) |
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Songs of Innocence and of Experience |
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43 | (1) |
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43 | (6) |
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43 | (1) |
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43 | (2) |
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45 | (1) |
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45 | (1) |
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46 | (1) |
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47 | (1) |
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47 | (1) |
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48 | (1) |
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48 | (1) |
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49 | (10) |
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49 | (1) |
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50 | (1) |
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51 | (1) |
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51 | (1) |
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52 | (1) |
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52 | (1) |
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52 | (1) |
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53 | (1) |
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54 | (1) |
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55 | (1) |
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55 | (1) |
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56 | (1) |
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56 | (1) |
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57 | (1) |
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57 | (1) |
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58 | (1) |
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58 | (1) |
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59 | (1) |
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59 | (5) |
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Visions of the Daughters of Albion |
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64 | (8) |
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The Marriage of Heaven and Hell |
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72 | (10) |
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82 | (2) |
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84 | (1) |
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Mock on, Mock on, Voltaire, Rousseau |
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84 | (1) |
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Never pain to tell thy love |
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84 | (1) |
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85 | (1) |
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85 | (1) |
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From A Vision of the Last Judgment |
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86 | (2) |
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Two Letters on Sight and Vision |
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88 | (3) |
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Mary Robinson (1758-1800) |
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91 | (8) |
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92 | (1) |
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93 | (1) |
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94 | (2) |
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96 | (2) |
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98 | (1) |
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99 | (18) |
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101 | (1) |
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102 | (3) |
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105 | (1) |
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106 | (2) |
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108 | (1) |
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109 | (5) |
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Robert Bruce's March to Bannockburn |
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114 | (1) |
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115 | (1) |
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Song: For a' that and a' that |
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116 | (1) |
THE FRENCH REVOLUTION AND THE ``SPIRIT OF THE AGE'' |
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117 | (926) |
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English Controversy About the Revolution |
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117 | (20) |
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From A Discourse on the Love of Our Country |
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118 | (3) |
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From Reflections on the Revolution in France |
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121 | (7) |
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From A Vindication of the Rights of Men |
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128 | (5) |
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133 | (4) |
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Apocalyptic Expectations by Preachers and Poets |
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137 | (24) |
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From The Three Woe-Trumpets |
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139 | (4) |
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From The Present State of Europe Compared with Antient Prophecies |
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143 | (1) |
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From the French Revolution |
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144 | (3) |
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146 | (1) |
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From Joan of Arc: An Epic Poem |
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147 | (2) |
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From Descriptive Sketches |
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149 | (4) |
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150 | (3) |
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153 | (3) |
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From Queen Mab: A Philosophical Poem |
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156 | (5) |
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Apocalypse by Imagination |
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161 | (2) |
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Mary Wollstonecraft (1759-1797) |
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163 | (46) |
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A Vindication of the Rights of Woman |
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166 | (26) |
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166 | (4) |
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The Prevailing Opinion of a Sexual Character Discussed |
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170 | (15) |
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From Chap. 4. Observations on the State of Degradation |
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185 | (7) |
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Letters Written during a Short Residence in Sweden, Norway, and Denmark |
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192 | (17) |
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192 | (1) |
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193 | (6) |
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199 | (2) |
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201 | (4) |
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205 | (4) |
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Joanna Baillie (1762-1851) |
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209 | (10) |
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210 | (7) |
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217 | (1) |
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Song: Woo'd and married and a' |
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217 | (2) |
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William Wordsworth (1770-1850) |
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219 | (164) |
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222 | (1) |
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222 | (2) |
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224 | (2) |
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Lines Written in Early Spring |
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226 | (1) |
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227 | (1) |
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228 | (1) |
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229 | (6) |
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Lines Composed a Few Miles above Tintern Abbey |
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235 | (3) |
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Preface to Lyrical Ballads (1802) |
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238 | (13) |
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[The Subject and Language of Poetry] |
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239 | (7) |
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246 | (4) |
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[``Emotion Recollected in Traquillity''] |
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250 | (1) |
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Strange fits of passion have I known |
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251 | (1) |
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She dwelt among the untrodden ways |
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252 | (1) |
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252 | (2) |
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A slumber did my spirit seal |
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254 | (1) |
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I travelled among unknown men |
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254 | (1) |
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254 | (2) |
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256 | (2) |
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258 | (1) |
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259 | (11) |
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270 | (10) |
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Resolution and Independence |
|
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280 | (4) |
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I wandered lonely as a cloud |
|
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284 | (1) |
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285 | (1) |
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Ode: Intimations of Immortality |
|
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286 | (6) |
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292 | (1) |
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293 | (1) |
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294 | (2) |
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296 | (1) |
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Composed upon Westminster Bridge, September 3, 1802 |
|
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296 | (1) |
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It is a beauteous evening |
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297 | (1) |
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297 | (1) |
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The world is too much with us |
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297 | (1) |
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298 | (1) |
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298 | (1) |
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Steamboats, Viaducts, and Railways |
|
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299 | (1) |
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Extempore Effusion upon the Death of James Hogg |
|
|
299 | (2) |
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Prospectus to The Recluse |
|
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301 | (2) |
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The Prelude, or Growth of a Poet's Mind |
|
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303 | (38) |
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Introduction, Childhood, and School-time |
|
|
305 | (14) |
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319 | (11) |
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330 | (1) |
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[Experiences at St. John's College, The ``Heroic Argument''] |
|
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330 | (4) |
|
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334 | (1) |
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[The Walks with His Terrier. The Circuit of the Lake] |
|
|
334 | (2) |
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[``The Surface of Past Time.'' The Walk Home from the Dance. The Discharged Solider] |
|
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336 | (5) |
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341 | (42) |
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341 | (2) |
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343 | (1) |
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[``The Mystery of Words''] |
|
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344 | (1) |
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345 | (1) |
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[``Human Nature Seeming Born Again''] |
|
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345 | (1) |
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346 | (2) |
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348 | (1) |
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[The Blind Beggar, Bartholomew Fair] |
|
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348 | (3) |
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Retrospect, Love of Nature leading to Love of Man |
|
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351 | (1) |
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[The Shepherd in the Mist. Man Still Subordinate to Nature] |
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351 | (3) |
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354 | (1) |
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[Paris and Orleans, Becomes a ``Patriot''] |
|
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354 | (3) |
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357 | (1) |
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[The Revolution: Paris and England] |
|
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357 | (2) |
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[The Reign of Terror, Nightmares] |
|
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359 | (1) |
|
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360 | (1) |
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[Retrospect: ``Bliss Was It in That Dawn.'' Recourse to ``Reason's Naked Self''] |
|
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360 | (3) |
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[Crisis, Breakdown, and Recovery] |
|
|
363 | (1) |
|
Imagination and Taste, how impaired and restored |
|
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364 | (8) |
|
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372 | (1) |
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[Return to ``Life's Familiar Face''] |
|
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372 | (1) |
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[Discovery of His Poetic Subject, Salisbury Plain, Sight of ``a New World''] |
|
|
373 | (4) |
|
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377 | (1) |
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[The Vision on Mount Snowdon, Fear vs. Love Resolved, Imagination] |
|
|
377 | (5) |
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[Conclusion: ``The Mind of Man''] |
|
|
382 | (1) |
|
Dorothy Wordsworth (1771-1855) |
|
|
383 | (18) |
|
From The Alfoxden Journal |
|
|
385 | (2) |
|
From The Grasmere Journals |
|
|
387 | (10) |
|
|
397 | (2) |
|
|
399 | (2) |
|
Sir Walter Scott (1771-1832) |
|
|
401 | (15) |
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402 | (11) |
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402 | (11) |
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413 | (2) |
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415 | (1) |
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|
415 | (1) |
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Samuel Taylon Coleridge (1772-1834) |
|
|
416 | (76) |
|
|
419 | (1) |
|
This Lime-Tree Bower My Prison |
|
|
420 | (2) |
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The Rime of the Ancient Mariner |
|
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422 | (17) |
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439 | (2) |
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441 | (16) |
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457 | (2) |
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459 | (3) |
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462 | (2) |
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464 | (2) |
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466 | (1) |
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467 | (1) |
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467 | (1) |
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467 | (19) |
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468 | (1) |
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[The discipline of his taste at school] |
|
|
468 | (2) |
|
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470 | (1) |
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[Comparison between the poets before and since Mr. Pope] |
|
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471 | (3) |
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474 | (1) |
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[Mr. Wordsworth's earlier poems] |
|
|
474 | (2) |
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[On fancy and imagination---the investigation of the distinction important to the fine arts] |
|
|
476 | (1) |
|
|
477 | (1) |
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[On the imagination, or esemplastic power] |
|
|
477 | (1) |
|
Occasion of the Lyrical Ballads, and the objects originally proposed---preface to the second edition---the ensuing controversy, its causes and acrimony---philosophic definitions of a poem and poetry with scholia |
|
|
478 | (5) |
|
|
483 | (1) |
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[Examination of the tenets peculiar to Mr. Wordsworth] |
|
|
483 | (1) |
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[Rustic life (above all, low and rustic life) especially unfavorable to the formation of a human diction---the best parts of language the products of philosophers, not clowns or shepherds] |
|
|
484 | (1) |
|
[The language of Milton as much the language of real life, yea, incomparably more so than that of the cottager] |
|
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484 | (2) |
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486 | (3) |
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[Fancy and Imagination in Shakespeare's Poetry] |
|
|
486 | (2) |
|
[Mechanic vs. Organic Form] |
|
|
488 | (1) |
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489 | (3) |
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|
489 | (2) |
|
|
491 | (1) |
|
Walter Savage Landor (1775-1864) |
|
|
492 | (2) |
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Mother, I cannot mind my wheel |
|
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492 | (1) |
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493 | (1) |
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493 | (1) |
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493 | (1) |
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|
494 | (15) |
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Christ's Hospital Five-and-Thirty Years Age |
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495 | (10) |
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505 | (4) |
|
William Hazlitt (1778-1830) |
|
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509 | (18) |
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510 | (3) |
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My First Acquaintance with Poets |
|
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513 | (14) |
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527 | (2) |
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Believe me, if all those endearing young charms |
|
|
527 | (1) |
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The harp that once through Tara's halls |
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527 | (1) |
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The time I've lost in wooing |
|
|
528 | (1) |
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Thomas De Quincey (1785-1859) |
|
|
529 | (22) |
|
Confessions of an English Opium-Eater |
|
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530 | (13) |
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|
530 | (1) |
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530 | (3) |
|
Introduction to the Pains of Opium |
|
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533 | (1) |
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|
533 | (2) |
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535 | (1) |
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[Opium Reveries and Dreams] |
|
|
535 | (8) |
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On the Knocking at the Gate in Macheth |
|
|
543 | (4) |
|
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547 | (4) |
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[The Literature of Knowledge and the Literature of Power] |
|
|
547 | (4) |
|
George Gordon, Lord Byron (1788-1824) |
|
|
551 | (147) |
|
Written after Swimming from Sestos to Abydos |
|
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555 | (1) |
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556 | (1) |
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They say that Hope is happiness |
|
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557 | (1) |
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557 | (1) |
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558 | (1) |
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559 | (1) |
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So, we'll go no more a roving |
|
|
560 | (1) |
|
When a man hath no freedom to fight for at home |
|
|
561 | (1) |
|
Stanzas Written on the Road between Florence and Pisa |
|
|
561 | (1) |
|
January 22nd. Missolonghi |
|
|
562 | (1) |
|
Childe Harold's Pilgrimage |
|
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563 | (1) |
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564 | (1) |
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[``Sin's Long Labyrinth''] |
|
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564 | (1) |
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565 | (17) |
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[``Once More Upon the Waters''] |
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565 | (4) |
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569 | (3) |
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572 | (3) |
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575 | (7) |
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582 | (6) |
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582 | (3) |
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585 | (3) |
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588 | (33) |
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621 | (1) |
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622 | (1) |
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623 | (28) |
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|
623 | (28) |
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651 | (21) |
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|
651 | (7) |
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658 | (14) |
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672 | (8) |
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|
672 | (8) |
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680 | (9) |
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|
680 | (9) |
|
|
689 | (1) |
|
To Leigh Hunt (Sept.-Oct. 30, 1815) |
|
|
689 | (2) |
|
To Thomas Moore (Jan. 28, 1817) |
|
|
691 | (2) |
|
To John Cam Hobhouse and Douglas Kinnaird (Jan. 19, 1819) |
|
|
693 | (2) |
|
To Douglas Kinnaird (Oct. 26, 1819) |
|
|
695 | (2) |
|
To Percy Bysshe Shelley (Apr. 26, 1821) |
|
|
697 | (1) |
|
Percy Bysshe Shelley (1792-1822) |
|
|
698 | (104) |
|
|
701 | (1) |
|
|
701 | (1) |
|
Alastor: or, The Spirit of Solitude |
|
|
702 | (18) |
|
|
720 | (3) |
|
Hymn to Intellectual Beauty |
|
|
723 | (2) |
|
|
725 | (1) |
|
Stanzas Written in Dejection---December 1818, near Naples |
|
|
726 | (1) |
|
A Song: ``Men of England'' |
|
|
727 | (1) |
|
|
728 | (1) |
|
To Sidemouth and Castlereagh |
|
|
728 | (1) |
|
The Indian Girl's Song [The Indian Serenade] |
|
|
729 | (1) |
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730 | (2) |
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732 | (31) |
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|
733 | (3) |
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|
736 | (6) |
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|
742 | (1) |
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|
742 | (4) |
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|
746 | (3) |
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|
749 | (1) |
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|
749 | (2) |
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751 | (3) |
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|
754 | (9) |
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|
763 | (2) |
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|
765 | (2) |
|
|
767 | (1) |
|
To ----- [Music, when soft voices die] |
|
|
768 | (1) |
|
The flower that smiles today |
|
|
768 | (1) |
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|
769 | (1) |
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|
769 | (3) |
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|
769 | (2) |
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|
771 | (1) |
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|
772 | (14) |
|
|
786 | (1) |
|
When the lamp is shattered |
|
|
786 | (1) |
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To Jane (The keen stars were twinkling) |
|
|
787 | (1) |
|
Lines Written in the Bay of Lerici |
|
|
788 | (1) |
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|
789 | (13) |
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|
802 | (10) |
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|
803 | (2) |
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|
805 | (2) |
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807 | (1) |
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|
807 | (1) |
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|
808 | (1) |
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|
808 | (1) |
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|
809 | (1) |
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|
810 | (1) |
|
|
810 | (1) |
|
Song [I peeled bits of straw] |
|
|
811 | (1) |
|
Felicia Dorothea Hemans (1793-1835) |
|
|
812 | (11) |
|
|
813 | (1) |
|
The Landing of the Pilgrim Fathers in New England |
|
|
814 | (1) |
|
|
815 | (2) |
|
|
817 | (1) |
|
|
818 | (5) |
|
|
823 | (80) |
|
On First Looking into Chapman's Homer |
|
|
826 | (1) |
|
|
827 | (1) |
|
|
827 | (1) |
|
On Seeing the Elgin Marbles |
|
|
828 | (1) |
|
Endymion: A Poetic Romance |
|
|
829 | (4) |
|
|
829 | (1) |
|
|
830 | (1) |
|
|
830 | (1) |
|
[The ``Pleasure Thermometer''] |
|
|
831 | (2) |
|
On Sitting Down to Read King Lear Once Again |
|
|
833 | (1) |
|
When I have fears that I may cease to be |
|
|
833 | (1) |
|
|
834 | (1) |
|
|
834 | (10) |
|
Why did I laugh tonight? No voice will tell |
|
|
844 | (1) |
|
Bright star, would I were stedfast as thou art |
|
|
845 | (1) |
|
La Belle Dame sans Merci: A Ballad |
|
|
845 | (2) |
|
|
847 | (1) |
|
|
847 | (2) |
|
|
849 | (2) |
|
|
851 | (2) |
|
|
853 | (1) |
|
|
854 | (2) |
|
|
856 | (16) |
|
|
872 | (1) |
|
The Fall of Hyperion: A Dream |
|
|
873 | (13) |
|
|
886 | (1) |
|
To Benjamin Bailey (Nov. 22, 1817) |
|
|
887 | (2) |
|
To George and Thomas Keats (Dec. 21, 27 [?], 1817) |
|
|
889 | (1) |
|
To John Hamilton Reynolds (Feb. 3, 1818) |
|
|
890 | (1) |
|
To John Taylor (Feb. 27, 1818) |
|
|
891 | (1) |
|
To John Hamilton Reynolds (May 3, 1818) |
|
|
892 | (2) |
|
To Richard Woodhouse (Oct. 27, 1818) |
|
|
894 | (2) |
|
To George and Georgiana Keats (Feb. 14-May 3, 1819) |
|
|
896 | (4) |
|
To Fanny Brawne (July 25, 1819) |
|
|
900 | (1) |
|
To Percy Bysshe Shelley (Aug. 16, 1820) |
|
|
901 | (1) |
|
To Charles Brown (Nov. 30, 1820) |
|
|
902 | (1) |
|
Mary Wollstonecraft Shelley (1797-1851) |
|
|
903 | (131) |
|
Frankenstein; or, The Modern Prometheus |
|
|
905 | (129) |
|
Letitia Elizabeth Landon (1802-1838) |
|
|
1034 | (9) |
|
|
1035 | (2) |
|
|
1037 | (3) |
|
|
1040 | (1) |
|
|
1041 | (2) |
The Victorian Age (1830-1901) |
|
1043 | (619) |
|
|
1043 | (21) |
|
|
1064 | (2) |
|
Thomas Carlyle (1795-1881) |
|
|
1066 | (53) |
|
[Carlyle's Portraits of His Contemporaries] |
|
|
1070 | (7) |
|
[Queen Victoria at Eighteen] |
|
|
1070 | (1) |
|
[Samuel Taylor Coleridge at Fifty-three] |
|
|
1070 | (4) |
|
[William Wordsworth in His Seventies] |
|
|
1074 | (2) |
|
[Alfred Tennyson at Thirty-four] |
|
|
1076 | (1) |
|
|
1077 | (26) |
|
|
1077 | (5) |
|
|
1082 | (7) |
|
|
1089 | (7) |
|
|
1096 | (7) |
|
|
1103 | (7) |
|
|
1106 | (1) |
|
|
1106 | (3) |
|
|
1109 | (1) |
|
|
1110 | (9) |
|
|
1110 | (5) |
|
|
1115 | (4) |
|
John Henry Cardinal Newman (1801-1890) |
|
|
1119 | (18) |
|
|
1121 | (7) |
|
From Discourse 5. Knowledge Its Own End |
|
|
1121 | (2) |
|
From Discourse 7. Knowledge Viewed in Relation to Professional Skill |
|
|
1123 | (5) |
|
|
1128 | (9) |
|
From Chapter 1. History of My Religious Opinions to the Year 1833 |
|
|
1128 | (7) |
|
|
1135 | (2) |
|
John Stuart Mill (1806-1873) |
|
|
1137 | (36) |
|
|
1139 | (7) |
|
|
1146 | (9) |
|
From Chapter 3. Of Individuality as One of the Elements of Well-Being |
|
|
1146 | (9) |
|
|
1155 | (11) |
|
|
1156 | (10) |
|
|
1166 | (7) |
|
From Chapter 5. A Crisis in My Mental History, One Stage Onward |
|
|
1166 | (7) |
|
Elizabeth Barrett Browing (1806-1861) |
|
|
1173 | (25) |
|
|
1174 | (4) |
|
|
1178 | (1) |
|
To George Sand: A Recognition |
|
|
1178 | (1) |
|
Sonnets from the Portuguese |
|
|
1179 | (1) |
|
21 (``Say over again, and yet once over again'') |
|
|
1179 | (1) |
|
22 (``When our two souls stand up erect and strong'') |
|
|
1179 | (1) |
|
32 (``The first time that the sun rose on thin oath'') |
|
|
1180 | (1) |
|
43 (``How do I love thee? Let me count the ways'') |
|
|
1180 | (1) |
|
|
1180 | (15) |
|
|
1180 | (1) |
|
[The Feminine Education of Aurora Leigh] |
|
|
1180 | (6) |
|
|
1186 | (1) |
|
|
1186 | (3) |
|
[Aurora's Rejection of Romeny] |
|
|
1189 | (3) |
|
|
1192 | (1) |
|
[Poets and the Present Age] |
|
|
1192 | (3) |
|
|
1195 | (3) |
|
Alfred, Lord Tennyson (1809-1892) |
|
|
1198 | (106) |
|
|
1201 | (1) |
|
|
1202 | (2) |
|
|
1204 | (4) |
|
|
1208 | (5) |
|
|
1213 | (2) |
|
|
1215 | (1) |
|
|
1216 | (1) |
|
The Epic [Morte d'Arthur] |
|
|
1217 | (2) |
|
|
1219 | (1) |
|
|
1219 | (6) |
|
|
1225 | (1) |
|
|
1225 | (1) |
|
|
1226 | (1) |
|
|
1226 | (1) |
|
|
1227 | (1) |
|
Now Sleeps the Crimson Petal |
|
|
1227 | (1) |
|
|
1228 | (1) |
|
[``The Woman's Cause Is Man's''] |
|
|
1229 | (1) |
|
From In Memoriam A. H. H. |
|
|
1230 | (50) |
|
The Charge of the Light Brigade |
|
|
1280 | (2) |
|
|
1282 | (1) |
|
|
1282 | (11) |
|
|
1293 | (11) |
|
Flower in the Crannied Wall |
|
|
1304 | (1) |
|
|
1304 | (1) |
|
Edward Fitzgerald (1809-1883) |
|
|
1304 | (14) |
|
The Rubaiyat of Omar Khayyam |
|
|
1305 | (13) |
|
Elizabeth Gaskell (1810-1865) |
|
|
1318 | (15) |
|
|
1319 | (14) |
|
Charles Dickens (1812-1870) |
|
|
1333 | (12) |
|
|
1335 | (10) |
|
Robert Browning (1812-1889) |
|
|
1345 | (73) |
|
|
1349 | (1) |
|
Soliloquy of the Spanish Cloister |
|
|
1350 | (2) |
|
|
1352 | (1) |
|
|
1353 | (2) |
|
|
1355 | (1) |
|
How They Brought the Good News from Ghent to Aix |
|
|
1356 | (2) |
|
Home-Thoughts, from Abroad |
|
|
1358 | (1) |
|
Home-Thoughts, from the Sea |
|
|
1358 | (1) |
|
The Bishop Orders His Tomb at Saint Praxed's Church |
|
|
1359 | (3) |
|
|
1362 | (1) |
|
|
1362 | (1) |
|
|
1363 | (2) |
|
|
1365 | (1) |
|
|
1365 | (2) |
|
``Childe Roland to the Dark Tower Came'' |
|
|
1367 | (6) |
|
|
1373 | (9) |
|
|
1382 | (3) |
|
|
1385 | (5) |
|
|
1390 | (2) |
|
|
1392 | (4) |
|
An Epistle Containing the Strange Medical Experience of Karshish, the Arab Physician |
|
|
1396 | (6) |
|
|
1402 | (7) |
|
|
1409 | (1) |
|
|
1410 | (3) |
|
|
1413 | (5) |
|
|
1418 | (7) |
|
I'm Happiest When Most Away |
|
|
1419 | (1) |
|
|
1420 | (1) |
|
|
1421 | (1) |
|
|
1421 | (2) |
|
|
1423 | (1) |
|
|
1424 | (1) |
|
|
1425 | (26) |
|
|
1428 | (4) |
|
[A Definition of Greatness in Art] |
|
|
1428 | (1) |
|
|
1429 | (1) |
|
From Of the Pathetic Fallacy |
|
|
1430 | (2) |
|
|
1432 | (11) |
|
[The Savageness of Gothic Architecture] |
|
|
1432 | (11) |
|
The Storm-Cloud of the Nineteenth Century |
|
|
1443 | (8) |
|
|
1443 | (8) |
|
Arthur Hugh Clough (1819-1861) |
|
|
1451 | (3) |
|
|
1452 | (1) |
|
|
1452 | (1) |
|
Say Not the Struggle Nought Availeth |
|
|
1453 | (1) |
|
|
1454 | (17) |
|
Margaret Fuller and Mary Wollstonecraft |
|
|
1456 | (5) |
|
Silly Novels by Lady Novelists |
|
|
1461 | (8) |
|
|
1469 | (2) |
|
|
1469 | (1) |
|
Chapter 1. Outside Dorlcote Mill |
|
|
1469 | (2) |
|
Matthew Arnold (1822-1888) |
|
|
1471 | (87) |
|
|
1475 | (3) |
|
|
1478 | (1) |
|
To Marguerite---Continued |
|
|
1479 | (1) |
|
|
1480 | (2) |
|
|
1482 | (2) |
|
Lines Written in Kensington Gardens |
|
|
1484 | (1) |
|
|
1485 | (7) |
|
|
1492 | (1) |
|
Stanzas from the Grande Chartreuse |
|
|
1493 | (5) |
|
|
1498 | (6) |
|
|
1504 | (10) |
|
From The Function of Criticism at the Present Time |
|
|
1514 | (14) |
|
|
1528 | (6) |
|
From Chapter 1. Sweetness and Light |
|
|
1528 | (2) |
|
From Chapter 2. Doing as One Likes |
|
|
1530 | (2) |
|
From Chapter 5. Porro Unum Est Necessarium |
|
|
1532 | (2) |
|
|
1534 | (11) |
|
|
1545 | (13) |
|
Thomas Henry Huxley (1825-1895) |
|
|
1558 | (12) |
|
|
1559 | (7) |
|
[The Values of Education in the Sciences] |
|
|
1559 | (7) |
|
Agnosticism and Christianity |
|
|
1566 | (4) |
|
|
1566 | (4) |
|
George Meredith (1828-1909) |
|
|
1570 | (3) |
|
|
1570 | (2) |
|
1 (``By this he knew she wept with waking eyes'') |
|
|
1570 | (1) |
|
2 (``It ended, and the morrow brought the task'') |
|
|
1571 | (1) |
|
17 (``At dinner, she is hostess, I am host'') |
|
|
1571 | (1) |
|
49 (``He found her by the ocean's moaning verge'') |
|
|
1572 | (1) |
|
50 (``Thus piteously Love closed what he begat'') |
|
|
1572 | (1) |
|
|
1572 | (1) |
|
Dante Gabriel Rossetti (1828-1882) |
|
|
1573 | (10) |
|
|
1574 | (4) |
|
|
1578 | (1) |
|
|
1579 | (1) |
|
|
1580 | (3) |
|
|
1580 | (1) |
|
|
1580 | (1) |
|
|
1581 | (1) |
|
|
1581 | (1) |
|
|
1581 | (1) |
|
|
1582 | (1) |
|
|
1582 | (1) |
|
Christina Rossetti (1830-1894) |
|
|
1583 | (22) |
|
Song (``She sat and sang alway'') |
|
|
1584 | (1) |
|
Song (``When I am dead, my dearest'') |
|
|
1584 | (1) |
|
|
1585 | (1) |
|
|
1585 | (1) |
|
|
1585 | (1) |
|
|
1586 | (1) |
|
|
1586 | (1) |
|
|
1587 | (1) |
|
|
1587 | (1) |
|
|
1588 | (1) |
|
|
1589 | (1) |
|
|
1589 | (12) |
|
|
1601 | (1) |
|
|
1602 | (1) |
|
|
1603 | (1) |
|
|
1603 | (1) |
|
|
1603 | (1) |
|
17 (``Something this foggy day, a something which'') |
|
|
1603 | (1) |
|
|
1604 | (1) |
|
|
1604 | (1) |
|
William Morris (1834-1896) |
|
|
1605 | (16) |
|
|
1606 | (8) |
|
The Haystack in the Floods |
|
|
1614 | (4) |
|
|
1618 | (3) |
|
Algernon Charles Swinburne (1837-1909) |
|
|
1621 | (15) |
|
Choruses from Atalanta in Calydon |
|
|
1623 | (2) |
|
When the Hounds of Spring |
|
|
1623 | (1) |
|
Before the Beginning of Years |
|
|
1624 | (1) |
|
|
1625 | (3) |
|
|
1628 | (3) |
|
|
1631 | (5) |
|
|
1636 | (12) |
|
|
1638 | (7) |
|
|
1638 | (3) |
|
|
1641 | (1) |
|
|
1642 | (3) |
|
|
1645 | (3) |
|
|
1645 | (3) |
|
Gerard Manley Hopkins (1844-1889) |
|
|
1648 | (14) |
|
|
1651 | (1) |
|
|
1651 | (1) |
|
As Kingfishers Catch Fire |
|
|
1652 | (1) |
|
|
1652 | (1) |
|
|
1652 | (1) |
|
|
1653 | (1) |
|
|
1653 | (1) |
|
|
1654 | (1) |
|
|
1654 | (1) |
|
|
1655 | (1) |
|
Spring and Fall: to a young child |
|
|
1655 | (1) |
|
|
1656 | (1) |
|
|
1657 | (1) |
|
I Wake and Feel the Fell of Dark, Not Day |
|
|
1657 | (1) |
|
That Nature Is a Heraclitean Fire |
|
|
1658 | (1) |
|
Thou Art Indeed Just, Lord |
|
|
1658 | (1) |
|
|
1659 | (3) |
LIGHT VERSE |
|
1662 | (17) |
|
|
1662 | (4) |
|
Limerick (``There was an Old Man who supposed'') |
|
|
1663 | (1) |
|
How Pleasant to Know Mr. Lear |
|
|
1663 | (1) |
|
|
1664 | (1) |
|
|
1665 | (1) |
|
Lewis Carroll (1832-1898) |
|
|
1666 | (8) |
|
|
1666 | (1) |
|
[Humpty Dumpty's Explication of Jabberwocky] |
|
|
1667 | (1) |
|
|
1668 | (2) |
|
The Walrus and the Carpenter |
|
|
1670 | (2) |
|
|
1672 | (2) |
|
|
1672 | (2) |
|
W. S. Gilbert (1836-1911) |
|
|
1674 | (5) |
|
When I, Good Friends, Was Called to the Bar |
|
|
1675 | (1) |
|
If You're Anxious for to Shine in the High Aesthetic Line |
|
|
1676 | (2) |
|
When Britain Really Ruled the Waves |
|
|
1678 | (1) |
VICTORIAN ISSUES |
|
1679 | (61) |
|
|
1679 | (17) |
|
|
1679 | (7) |
|
|
|
|
|
|
1679 | (3) |
|
Recapitulation and Conclusion |
|
|
1682 | (4) |
|
|
1686 | (4) |
|
|
|
|
|
[Natural Selection and Sexual Selection] |
|
|
1686 | (4) |
|
The Life and Letters of Thomas Henry Huxley |
|
|
1690 | (3) |
|
|
|
|
|
[The Huxley-Wilberforce Debate at Oxford] |
|
|
1690 | (3) |
|
|
1693 | (3) |
|
|
|
|
|
[The Dilemma of the Fundamentalist and Scientist] |
|
|
1694 | (2) |
|
Industrialism: Progress or Decline? |
|
|
1696 | (23) |
|
A Review of Southey's Colloquies |
|
|
1697 | (5) |
|
Thomas Babington Macaulay |
|
|
|
|
|
|
1697 | (5) |
|
|
1702 | (8) |
|
|
|
|
|
|
1710 | (1) |
|
|
|
|
|
|
1710 | (1) |
|
|
1711 | (1) |
|
|
|
|
|
|
1711 | (1) |
|
|
|
|
1712 | (2) |
|
London Labour and the London Poor |
|
|
1714 | (1) |
|
|
|
|
|
[Boy Inmate of the Casual Wards] |
|
|
1714 | (1) |
|
The ``White Slavery'' of London Match Workers |
|
|
1715 | (2) |
|
|
|
|
|
A Living Wage for Factory Girls at Crewe |
|
|
1717 | (2) |
|
|
|
|
|
The ``Woman Question'': The Victorian Debate About Gender |
|
|
1719 | (21) |
|
The Women of England: Their Social Duties and Domestic Habits |
|
|
1721 | (2) |
|
|
|
|
|
|
1721 | (2) |
|
|
1723 | (2) |
|
|
|
|
|
|
1723 | (2) |
|
|
1725 | (3) |
|
|
|
|
|
|
|
|
1728 | (4) |
|
A Woman's Thoughts about Women |
|
|
1732 | (2) |
|
|
|
|
|
|
1732 | (2) |
|
|
1734 | (4) |
|
|
|
|
|
|
1734 | (4) |
|
|
1738 | (2) |
|
|
|
|
|
[The Transformation of Women's Status between 1837 and 1897] |
|
|
1738 | (2) |
THE NINETIES |
|
1740 | (157) |
|
Michael Field (Katherine Bradley: 1846-1914; and Edith Cooper: 1862-1913) |
|
|
1742 | (4) |
|
[Maids, not to you my mind doth change] |
|
|
1742 | (1) |
|
|
1743 | (1) |
|
|
1743 | (1) |
|
[It was deep April, and the moon] |
|
|
1744 | (1) |
|
|
1744 | (1) |
|
|
1745 | (1) |
|
|
1745 | (1) |
|
William Ernest Henley (1849-1903) |
|
|
1746 | (1) |
|
|
1746 | (1) |
|
|
1747 | (1) |
|
|
1747 | (61) |
|
|
1749 | (1) |
|
|
1749 | (1) |
|
|
1750 | (1) |
|
|
1750 | (2) |
|
|
1752 | (8) |
|
[Criticism Itself an Art] |
|
|
1752 | (8) |
|
Preface to The Picture of Dorian Gray |
|
|
1760 | (1) |
|
The Importance of Being Earnest |
|
|
1761 | (44) |
|
|
1805 | (3) |
|
|
1808 | (48) |
|
|
1810 | (46) |
|
Francis Thompson (1859-1907) |
|
|
1856 | (5) |
|
|
1857 | (4) |
|
Mary Elizabeth Coleridge (1861-1907) |
|
|
1861 | (2) |
|
The Other Side of a Mirror |
|
|
1861 | (1) |
|
|
1862 | (1) |
|
Rudyard Kipling (1865-1936) |
|
|
1863 | (31) |
|
The Man Who Would Be King |
|
|
1865 | (23) |
|
|
1888 | (1) |
|
|
1889 | (1) |
|
|
1890 | (2) |
|
|
1892 | (1) |
|
|
1893 | (1) |
|
Ernest Dowson (1867-1900) |
|
|
1894 | (3) |
|
|
1894 | (1) |
|
|
1895 | (1) |
|
|
1895 | (2) |
The Twentieth Century |
|
1897 | (120) |
|
|
1897 | (17) |
|
|
1914 | (2) |
|
|
1916 | (36) |
|
|
1918 | (16) |
|
|
1934 | (1) |
|
|
1935 | (1) |
|
|
1935 | (1) |
|
|
1936 | (1) |
|
|
1936 | (1) |
|
|
1937 | (1) |
|
|
1937 | (1) |
|
|
1938 | (1) |
|
|
1939 | (3) |
|
|
1942 | (1) |
|
|
1943 | (1) |
|
|
1944 | (1) |
|
The Convergence of the Twain |
|
|
1945 | (1) |
|
Ah, Are You Digging on My Grave? |
|
|
1946 | (1) |
|
|
1947 | (1) |
|
|
1948 | (1) |
|
|
1949 | (1) |
|
|
1949 | (1) |
|
|
1950 | (1) |
|
In Time of ``The Breaking of Nations'' |
|
|
1951 | (1) |
|
|
1951 | (1) |
|
Joseph Conrad (1857-1924) |
|
|
1952 | (65) |
|
Preface to the Nigger of the ``Narcissus'' |
|
|
1954 | (3) |
|
|
1954 | (3) |
|
|
1957 | (60) |
THE RISE AND FALL OF EMPIRE |
|
2017 | (31) |
|
John Ruskin: From Lectures on Art |
|
|
2018 | (2) |
|
|
2019 | (1) |
|
The Political Significance of Imperialism |
|
|
2020 | (3) |
|
|
|
|
|
Easter 1916 Proclamation of an Irish Republic |
|
|
2023 | (2) |
|
|
|
|
|
[On the Treaty between Great Britian and Ireland] |
|
|
2025 | (2) |
|
|
|
|
|
|
2027 | (7) |
|
|
|
|
|
|
2034 | (1) |
|
|
|
|
|
From An Image of Africa: Racism in Conrad's Heart of Darkness |
|
|
2035 | (6) |
|
|
|
|
|
A. E. Housman (1859-1936) |
|
|
2041 | (7) |
|
|
2042 | (1) |
|
When I Was One-and-Twenty |
|
|
2042 | (1) |
|
To an Athlete Dying Young |
|
|
2042 | (1) |
|
|
2043 | (1) |
|
With Rue My Heart Is Laden |
|
|
2044 | (1) |
|
Terence, This Is Stupid Stuff |
|
|
2044 | (2) |
|
The Chestnut Casts His Flambeaux |
|
|
2046 | (1) |
|
Epitaph on an Army of Mercenaries |
|
|
2047 | (1) |
VOICES FROM WORLD WAR I |
|
2048 | (477) |
|
Rupert Brooke (1887-1915) |
|
|
2049 | (2) |
|
|
2050 | (1) |
|
Edward Thomas (1878-1917) |
|
|
2051 | (3) |
|
|
2051 | (1) |
|
|
2052 | (1) |
|
|
2052 | (1) |
|
|
2053 | (1) |
|
|
2053 | (1) |
|
|
2053 | (1) |
|
Siegfried Sassoon (1886-1967) |
|
|
2054 | (6) |
|
|
2055 | (1) |
|
|
2056 | (1) |
|
|
2056 | (1) |
|
|
2057 | (1) |
|
|
2057 | (1) |
|
On Passing the New Menin Gate |
|
|
2057 | (1) |
|
Memories of an Infantry Officer |
|
|
2058 | (2) |
|
[The Opening of the Battle of the Somme] |
|
|
2058 | (2) |
|
|
2060 | (1) |
|
|
2060 | (1) |
|
|
2061 | (1) |
|
Isaac Rosenberg (1890-1918) |
|
|
2061 | (5) |
|
Break of Day in the Trenches |
|
|
2062 | (1) |
|
|
2063 | (1) |
|
Returning, We Hear the Larks |
|
|
2063 | (1) |
|
|
2064 | (2) |
|
|
2066 | (8) |
|
|
2066 | (1) |
|
|
2067 | (1) |
|
|
2068 | (1) |
|
|
2069 | (1) |
|
|
2070 | (1) |
|
|
2071 | (1) |
|
|
2071 | (1) |
|
From Owen's Letters to His Mother |
|
|
2072 | (2) |
|
May Wedderburn Cannan (1893-1973) |
|
|
2074 | (4) |
|
|
2074 | (2) |
|
From Grey Ghosts and Voices |
|
|
2076 | (2) |
|
|
2078 | (7) |
|
|
2079 | (6) |
|
|
2079 | (2) |
|
From Part 7: The Five Unmistakeable Marks |
|
|
2081 | (4) |
|
William Butler Yeats (1865-1939) |
|
|
2085 | (46) |
|
|
2088 | (2) |
|
|
2090 | (1) |
|
Down by the Salley Gardens |
|
|
2091 | (1) |
|
|
2092 | (1) |
|
The Lake Isle of Innisfree |
|
|
2092 | (1) |
|
|
2093 | (1) |
|
|
2093 | (1) |
|
|
2094 | (1) |
|
The Man Who Dreamed of Faeryland |
|
|
2094 | (1) |
|
|
2095 | (1) |
|
The Folly of Being Comforted |
|
|
2096 | (1) |
|
|
2097 | (1) |
|
|
2098 | (1) |
|
The Fascination of What's Difficult |
|
|
2098 | (1) |
|
|
2099 | (1) |
|
|
2100 | (1) |
|
|
2100 | (1) |
|
|
2101 | (1) |
|
In Memory of Major Robert Gregory |
|
|
2102 | (2) |
|
|
2104 | (2) |
|
|
2106 | (1) |
|
|
2107 | (2) |
|
|
2109 | (1) |
|
|
2110 | (1) |
|
|
2111 | (2) |
|
A Dialogue of Self and Soul |
|
|
2113 | (2) |
|
|
2115 | (1) |
|
|
2115 | (1) |
|
Crazy Jane Talks with the Bishop |
|
|
2116 | (1) |
|
|
2117 | (1) |
|
|
2117 | (2) |
|
|
2119 | (1) |
|
The Circus Animals' Desertion |
|
|
2120 | (1) |
|
|
2121 | (3) |
|
Reveries over Childhood and Youth |
|
|
2124 | (3) |
|
|
2124 | (2) |
|
|
2126 | (1) |
|
The Trembling of the Veil |
|
|
2127 | (4) |
|
[London and Pre-Raphaelitism] |
|
|
2127 | (2) |
|
|
2129 | (1) |
|
[The Origin of The Lake Isle of Innisfree] |
|
|
2130 | (1) |
|
|
2130 | (1) |
|
E. M. Forster (1879-1970) |
|
|
2131 | (10) |
|
|
2133 | (8) |
|
|
2133 | (8) |
|
Virginia Woolf (1882-1941) |
|
|
2141 | (90) |
|
|
2143 | (5) |
|
|
2148 | (5) |
|
|
2153 | (61) |
|
|
2214 | (4) |
|
|
2218 | (8) |
|
[Moments of Being and Non-Being] |
|
|
2218 | (8) |
|
|
2226 | (5) |
|
|
2231 | (82) |
|
|
2236 | (4) |
|
|
2240 | (29) |
|
|
2269 | (40) |
|
|
2269 | (14) |
|
|
2283 | (26) |
|
|
2309 | (4) |
|
From Anna Livia Plurabelle |
|
|
2310 | (3) |
|
D. H. Lawrence (1885-1930) |
|
|
2313 | (47) |
|
|
2316 | (14) |
|
The Horse Dealer's Daughter |
|
|
2330 | (11) |
|
|
2341 | (5) |
|
|
2346 | (1) |
|
|
2347 | (1) |
|
|
2348 | (1) |
|
|
2349 | (2) |
|
|
2351 | (1) |
|
|
2352 | (2) |
|
|
2354 | (2) |
|
How Beastly the Bourgeois Is |
|
|
2356 | (1) |
|
|
2357 | (3) |
|
|
2360 | (48) |
|
The Love Song of J. Alfred Prufrock |
|
|
2364 | (3) |
|
Sweeney Among the Nightingales |
|
|
2367 | (1) |
|
|
2368 | (15) |
|
|
2383 | (3) |
|
|
2386 | (2) |
|
|
2388 | (1) |
|
|
2389 | (1) |
|
|
2389 | (6) |
|
Tradition and the Individual Talent |
|
|
2395 | (6) |
|
|
2401 | (7) |
|
Katherine Mansfield (1888-1923) |
|
|
2408 | (25) |
|
The Daughters of the Late Colonel |
|
|
2409 | (14) |
|
|
2423 | (10) |
|
Hugh MacDiarmid (1892-1978) |
|
|
2433 | (4) |
|
A Drunk Man Looks at the Thistle |
|
|
2435 | (1) |
|
|
2435 | (1) |
|
|
2435 | (1) |
|
|
2436 | (1) |
|
We Must Look at the Harebell |
|
|
2436 | (1) |
|
In the Children's Hospital |
|
|
2437 | (1) |
|
Another Epitaph on an Army of Mercenaries |
|
|
2437 | (1) |
|
|
2437 | (7) |
|
|
2438 | (4) |
|
On Not Shooting Sitting Birds |
|
|
2442 | (2) |
|
Robert Graves (1895-1985) |
|
|
2444 | (6) |
|
|
2445 | (1) |
|
|
2446 | (1) |
|
|
2446 | (1) |
|
The Reader Over My Shoulder |
|
|
2446 | (1) |
|
To Juan at the Winter Solstice |
|
|
2447 | (1) |
|
|
2448 | (1) |
|
|
2449 | (1) |
|
|
2450 | (1) |
|
|
2450 | (6) |
|
|
2451 | (1) |
|
|
2451 | (1) |
|
|
2452 | (1) |
|
|
2453 | (1) |
|
Thoughts About the Person from Porlock |
|
|
2453 | (2) |
|
|
2455 | (1) |
|
George Orwell (1903-1950) |
|
|
2456 | (15) |
|
|
2457 | (5) |
|
Politics and the English Language |
|
|
2462 | (9) |
|
Samuel Beckett (1906-1989) |
|
|
2471 | (29) |
|
|
2472 | (28) |
|
|
2500 | (13) |
|
|
2501 | (1) |
|
|
2502 | (1) |
|
|
2502 | (3) |
|
|
2505 | (1) |
|
|
2505 | (1) |
|
|
2506 | (2) |
|
|
2508 | (1) |
|
|
2509 | (2) |
|
|
2511 | (2) |
|
Louis MacNeice (1907-1963) |
|
|
2513 | (3) |
|
|
2513 | (1) |
|
The Sunlight on the Garden |
|
|
2514 | (1) |
|
|
2515 | (1) |
|
|
2515 | (1) |
|
|
2516 | (1) |
|
|
2516 | (9) |
|
The Force That Through the Green Fuse Drives the Flower |
|
|
2517 | (1) |
|
|
2518 | (1) |
|
|
2519 | (1) |
|
The Hunchback in the Park |
|
|
2520 | (1) |
|
|
2521 | (1) |
|
|
2522 | (2) |
|
Do Not Go Gentle into That Good Night |
|
|
2524 | (1) |
VOICES FROM WORLD WAR II |
|
2525 | (356) |
|
Edith Sitwell (1887-1964) |
|
|
2527 | (1) |
|
|
2527 | (1) |
|
|
2528 | (3) |
|
|
2529 | (2) |
|
|
2529 | (1) |
|
|
2530 | (1) |
|
Richard Hillary (1919-1943) |
|
|
2531 | (4) |
|
|
2532 | (3) |
|
Keith Douglas (1920-1944) |
|
|
2535 | (4) |
|
|
2536 | (1) |
|
|
2537 | (1) |
|
|
2537 | (1) |
|
|
2538 | (1) |
|
Charles Causley (b. 1917) |
|
|
2539 | (2) |
|
At the British War Cemetery, Bayeux |
|
|
2540 | (1) |
|
|
2540 | (1) |
|
|
2541 | (23) |
|
|
2542 | (22) |
|
Philip Larkin (1922-1985) |
|
|
2564 | (8) |
|
|
2565 | (1) |
|
|
2566 | (1) |
|
|
2567 | (1) |
|
|
2568 | (1) |
|
|
2568 | (1) |
|
|
2569 | (1) |
|
|
2570 | (1) |
|
|
2570 | (2) |
|
Nadine Gordimer (b. 1923) |
|
|
2572 | (4) |
|
The Moment before the Gun Went Off |
|
|
2573 | (3) |
|
|
2576 | (4) |
|
|
2576 | (1) |
|
|
2577 | (1) |
|
|
2577 | (1) |
|
|
2578 | (1) |
|
|
2579 | (1) |
|
|
2580 | (7) |
|
|
2580 | (1) |
|
Nights in the Gardens of Port of Spain |
|
|
2581 | (1) |
|
|
2582 | (1) |
|
|
2583 | (1) |
|
|
2583 | (1) |
|
|
2584 | (1) |
|
|
2585 | (2) |
|
|
2585 | (2) |
|
|
2587 | (7) |
|
|
2587 | (1) |
|
|
2588 | (1) |
|
|
2589 | (1) |
|
Examination at the Womb-Door |
|
|
2590 | (1) |
|
|
2590 | (1) |
|
|
2591 | (1) |
|
|
2592 | (2) |
|
|
2594 | (22) |
|
|
2594 | (22) |
|
|
2616 | (90) |
|
|
2617 | (89) |
|
|
2706 | (11) |
|
|
2707 | (10) |
|
|
2717 | (5) |
|
|
2717 | (1) |
|
Requiem for the Plantagenet Kings |
|
|
2718 | (1) |
|
|
2718 | (1) |
|
|
2719 | (2) |
|
6 (``The princes of Merica were badger and raven. Thrall'') |
|
|
2719 | (1) |
|
7 (``Gasholders, russet among fields, Milldams, marlpools'') |
|
|
2719 | (1) |
|
28 (``Processes of generation; deeds of settlement. The'') |
|
|
2720 | (1) |
|
30 (``And it seemed, while we waited, he began to walk'') |
|
|
2720 | (1) |
|
An Apology for the Revival of Christian Architecture in England |
|
|
2721 | (1) |
|
|
2721 | (1) |
|
|
2722 | (23) |
|
|
2722 | (23) |
|
|
2745 | (14) |
|
|
2746 | (13) |
|
|
2759 | (4) |
|
The Ex-Queen Among the Astronomers |
|
|
2759 | (1) |
|
|
2760 | (1) |
|
The Soho Hospital for Women |
|
|
2761 | (2) |
|
|
2763 | (5) |
|
|
2764 | (1) |
|
|
2764 | (1) |
|
|
2765 | (1) |
|
|
2766 | (1) |
|
|
2767 | (1) |
|
|
2767 | (1) |
|
|
2768 | (17) |
|
|
2768 | (17) |
|
|
2785 | (30) |
|
|
2786 | (29) |
|
|
2815 | (3) |
|
|
2816 | (2) |
|
|
2818 | (1) |
|
|
2818 | (11) |
|
|
2819 | (1) |
|
|
2820 | (1) |
|
|
2821 | (1) |
|
|
2822 | (3) |
|
|
2825 | (1) |
|
|
2825 | (2) |
|
12 (``Like a convalescent, I took the hand'') |
|
|
2825 | (2) |
|
|
2827 | (2) |
|
|
2829 | (5) |
|
From Waiting for the Barbarians |
|
|
2829 | (5) |
|
|
2834 | (4) |
|
That the Science of Cartography Is Limited |
|
|
2835 | (1) |
|
The Dolls Museum in Dublin |
|
|
2836 | (1) |
|
|
2837 | (1) |
|
|
2838 | (4) |
|
|
2839 | (1) |
|
A Martian Sends a Postcard Home |
|
|
2840 | (2) |
|
|
2842 | (11) |
|
|
2843 | (10) |
|
|
2853 | (3) |
|
|
2853 | (2) |
|
|
2855 | (1) |
|
|
2856 | (3) |
|
|
2856 | (2) |
|
|
2858 | (1) |
|
|
2859 | (22) |
|
|
2860 | (2) |
|
|
2860 | (2) |
|
|
2862 | (1) |
|
She dwelt among the untrodden ways |
|
|
2862 | (1) |
|
|
2863 | (1) |
|
|
2863 | (1) |
|
|
2863 | (1) |
|
|
2864 | (1) |
|
|
2864 | (3) |
|
|
2865 | (2) |
|
|
2867 | (2) |
|
|
2867 | (1) |
|
|
2868 | (1) |
|
|
2869 | (4) |
|
|
2869 | (3) |
|
|
2872 | (1) |
|
|
2873 | (1) |
|
Thou art indeed just, Lord |
|
|
2873 | (1) |
|
|
2873 | (6) |
|
|
2874 | (1) |
|
|
2875 | (2) |
|
|
2877 | (2) |
|
|
2879 | (2) |
|
|
2879 | (2) |
SELECTED BIBLIOGRAPHIES |
|
2881 | (35) |
|
Suggested General Readings |
|
|
2881 | (2) |
|
|
2883 | (8) |
|
|
2891 | (8) |
|
|
2899 | (17) |
GEOGRAPHIC NOMENCLATURE |
|
2916 | (1) |
MAP: London in the 19th and 20th Centuries |
|
2917 | (1) |
BRITISH MONEY |
|
2918 | (3) |
THE BRITISH BARONAGE |
|
2921 | (5) |
|
The Royal Lines of England and Great Britain |
|
|
2923 | (3) |
Religions in England |
|
2926 | (2) |
Poetic Forms and Literary Terminology |
|
2928 | (17) |
Permissions Acknowledgments |
|
2945 | (5) |
Index |
|
2950 | |