| PREFACE TO THE EIGHTH EDITION |
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xxxiii | |
| ACKNOWLEDGMENTS |
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xliii | |
| The Romantic Period (1785-1830) |
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1 | (22) |
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23 | (3) |
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ANNA LETITIA BARBAULD (1743-1825) |
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26 | (13) |
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27 | (1) |
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An Inventory of the Furniture in Dr. Priestley's Study |
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28 | (1) |
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A Summer Evening's Meditation |
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29 | (3) |
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Epistle to William Wilberforce, Esq. on the Rejection of the Bill for Abolishing the Slave Trade |
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32 | (3) |
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35 | (1) |
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To a Little Invisible Being Who Is Expected Soon to Become Visible |
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36 | (1) |
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37 | (2) |
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CHARLOTTE SMITH (1749-1806) |
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39 | (27) |
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40 | (26) |
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Written at the Close of Spring |
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40 | (1) |
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40 | (1) |
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40 | (1) |
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Written in the Church-Yard at Middleton in Sussex |
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41 | (1) |
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On Being Cautioned against Walking on an Headland Overlooking the Sea, Because It Was Frequented by a Lunatic |
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41 | (1) |
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42 | (1) |
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42 | (5) |
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47 | (19) |
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MARY ROBINSON (1757?-1800) |
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66 | (10) |
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68 | (1) |
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69 | (1) |
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70 | (1) |
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71 | (1) |
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72 | (2) |
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74 | (2) |
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WILLIAM BLAKE (1757-1827) |
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76 | (53) |
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79 | (1) |
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There Is No Natural Religion [a] |
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80 | (1) |
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There Is No Natural Religion [b] |
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80 | (1) |
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SONGS OF INNOCENCE AND OF EXPERIENCE |
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81 | (41) |
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81 | (6) |
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81 | (1) |
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82 | (1) |
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83 | (1) |
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84 | (1) |
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85 | (1) |
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85 | (1) |
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86 | (1) |
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86 | (1) |
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87 | (1) |
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87 | (10) |
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87 | (1) |
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88 | (1) |
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89 | (1) |
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90 | (1) |
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90 | (1) |
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90 | (1) |
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91 | (1) |
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91 | (1) |
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92 | (1) |
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93 | (1) |
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93 | (1) |
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94 | (1) |
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94 | (1) |
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95 | (1) |
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95 | (1) |
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96 | (1) |
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96 | (1) |
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97 | (1) |
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97 | (5) |
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Visions of the Daughters of Albion |
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102 | (8) |
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The Marriage of Heaven and Hell |
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110 | (11) |
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121 | (1) |
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122 | (1) |
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Mock on, Mock on, Voltaire, Rousseau |
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122 | (1) |
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Never pain to tell thy love |
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122 | (1) |
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123 | (1) |
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123 | (1) |
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From A Vision of the Last Judgment |
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124 | (2) |
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Two Letters on Sight and Vision |
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126 | (3) |
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129 | (19) |
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131 | (1) |
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132 | (3) |
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135 | (1) |
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136 | (1) |
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137 | (1) |
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138 | (1) |
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139 | (5) |
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Such a parcel of rogues in a nation |
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144 | (1) |
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Robert Bruce's March to Bannockburn |
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145 | (1) |
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145 | (1) |
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Song: For a' that and a' that |
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146 | (2) |
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THE REVOLUTION CONTROVERSY AND THE "SPIRIT OF THE AGE" |
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148 | (19) |
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RICHARD PRICE: From A Discourse on the Love of Our Country |
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149 | (3) |
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EDMUND BURKE: From Reflections on the Revolution in France |
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152 | (6) |
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MARY WOLLSTONECRAFT: From A Vindication of the Rights of Men |
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158 | (5) |
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THOMAS PAINE: From Rights of Man |
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163 | (4) |
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MARY WOLLSTONECRAFT (1759-1797) |
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167 | (45) |
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A Vindication of the Rights of Woman |
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170 | (25) |
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170 | (4) |
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Chap. 2. The Prevailing Opinion of a Sexual Character Discussed |
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174 | (15) |
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From Chap. 4. Observations on the State of Degradation... |
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189 | (6) |
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Letters Written during a Short Residence in Sweden, Norway, and Denmark |
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195 | (17) |
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196 | (1) |
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196 | (6) |
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202 | (2) |
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204 | (4) |
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208 | (4) |
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JOANNA BAILLIE (1762-1851) |
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212 | (14) |
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213 | (7) |
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A Mother to Her Waking Infant |
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220 | (1) |
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221 | (1) |
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Song: Woo'd and married and a' |
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222 | (1) |
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Address to a Steam Vessel |
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223 | (3) |
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MARIA EDGEWORTH (1768-1849) |
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226 | (17) |
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228 | (15) |
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WILLIAM WORDSWORTH (1770-1850) |
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243 | (146) |
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245 | (72) |
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245 | (3) |
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248 | (2) |
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Lines Written in Early Spring |
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250 | (1) |
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250 | (1) |
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251 | (1) |
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252 | (6) |
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Lines Composed a Few Miles above Tintern Abbey |
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258 | (4) |
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Preface to Lyrical Ballads (1802) |
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262 | (12) |
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[The Subject and Language of Poetry] |
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263 | (6) |
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269 | (4) |
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["Emotion Recollected in Tranquillity"] |
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273 | (1) |
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Strange fits of passion have I known |
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274 | (1) |
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She dwelt among the untrodden ways |
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275 | (1) |
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275 | (1) |
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A slumber did my spirit seal |
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276 | (1) |
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I travelled among unknown men |
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277 | (1) |
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277 | (2) |
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279 | (1) |
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280 | (12) |
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292 | (10) |
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Resolution and Independence |
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302 | (3) |
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I wandered lonely as a cloud |
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305 | (1) |
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306 | (1) |
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Ode: Intimations of Immortality |
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306 | (6) |
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312 | (2) |
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314 | (1) |
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315 | (2) |
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317 | (4) |
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Composed upon Westminster Bridge, September 3, 1802 |
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317 | (1) |
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It is a beauteous evening |
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317 | (1) |
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318 | (1) |
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318 | (1) |
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319 | (1) |
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The world is too much with us |
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319 | (1) |
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320 | (1) |
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320 | (1) |
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Steamboats, Viaducts, and Railways |
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320 | (1) |
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Extempore Effusion upon the Death of James Hogg |
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321 | (1) |
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The Prelude, or Growth of a Poet's Mind |
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322 | (67) |
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Book First. Introduction, Childhood, and School-time |
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324 | (14) |
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Book Second. School-time continued |
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338 | (10) |
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Book Third. Residence at Cambridge |
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348 | (4) |
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[Arrival at St. John's College. "The Glory of My Youth"] |
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348 | (4) |
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Book Fourth. Summer Vacation |
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352 | (5) |
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[The Walks with His Terrier. The Circuit of the Lake] |
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352 | (2) |
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[The Walk Home from the Dance. The Discharged Soldier] |
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354 | (3) |
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357 | (4) |
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357 | (2) |
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359 | (2) |
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361 | (1) |
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Book Sixth. Cambridge, and the Alps |
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361 | (3) |
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["Human Nature Seeming Born Again"] |
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361 | (1) |
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362 | (2) |
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Book Seventh. Residence in London |
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364 | (3) |
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[The Blind Beggar. Bartholomew Fair] |
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364 | (3) |
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Book Eighth. Retrospect, Love of Nature leading to Love of Man |
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367 | (1) |
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[The Shepherd in the Mist] |
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367 | (1) |
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Book Ninth. Residence in France |
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368 | (3) |
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[Paris and Orleans. Becomes a "Patriot"] |
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368 | (3) |
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Book Tenth. France continued |
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371 | (3) |
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[The Revolution: Paris and England] |
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371 | (2) |
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[The Reign of Terror. Nightmares] |
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373 | (1) |
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Book Eleventh. France, concluded |
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374 | (4) |
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[Retrospect: "Bliss Was It in That Dawn." Recourse to "Reason's Naked Self"] |
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374 | (4) |
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[Crisis, Breakdown, and Recovery] |
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378 | (1) |
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Book Twelfth. Imagination and Taste, how impaired and restored |
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378 | (3) |
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378 | (3) |
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Book Thirteenth. Subject concluded |
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381 | (4) |
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[Poetry of "Unassuming Things"] |
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381 | (1) |
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[Discovery of His Poetic Subject. Salisbury Plain. Sight of "a New World"] |
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382 | (3) |
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Book Fourteenth. Conclusion |
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385 | (26) |
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[The Vision on Mount Snowdon] |
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385 | (2) |
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[Conclusion: "The Mind of Man"] |
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387 | (2) |
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DOROTHY WORDSWORTH (1771-1855) |
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389 | (17) |
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From The Alfoxden Journal |
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390 | (2) |
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From The Grasmere Journals |
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392 | (10) |
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402 | (2) |
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404 | (2) |
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SIR WALTER SCOTT (1771-1832) |
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406 | (18) |
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The Lay of the Last Minstrel: Introduction |
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407 | (3) |
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410 | (1) |
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411 | (13) |
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411 | (13) |
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SAMUEL TAYLOR COLERIDGE (1772-1834) |
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424 | (67) |
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426 | (2) |
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This Lime-Tree Bower My Prison |
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428 | (2) |
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The Rime of the Ancient Mariner |
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430 | (16) |
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446 | (3) |
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449 | (15) |
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464 | (2) |
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466 | (3) |
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469 | (2) |
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471 | (2) |
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473 | (1) |
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474 | (11) |
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474 | (3) |
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[Mr. Wordsworth's earlier poems] |
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474 | (2) |
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[On fancy and imagination—the investigation of the distinction important to the fine arts] |
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476 | (1) |
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477 | (1) |
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[On the imagination, or esemplastic power] |
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477 | (1) |
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Chapter 14. Occasion of the Lyrical Ballads, and the objects originally proposed—preface to the second edition—the ensuing controversy, its causes and acrimony—philosophic definitions of a poem and poetry with scholia. |
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478 | (5) |
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483 | (2) |
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[Examination of the tenets peculiar to Mr. Wordsworth] |
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483 | (1) |
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[Rustic life (above all, low and rustic life) especially unfavorable to the formation of a human diction—the best parts of language the products of philosophers, not clowns or shepherds] |
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483 | (1) |
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[The language of Milton as much the language of real life, yea, incomparably more so than that of the cottager] |
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484 | (1) |
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485 | (3) |
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[Fancy and Imagination in Shakespeare's Poetry] |
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485 | (2) |
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[Mechanic vs. Organic Form] |
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487 | (1) |
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488 | (3) |
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488 | (2) |
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490 | (1) |
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491 | (23) |
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From On the Tragedies of Shakespeare, Considered with Reference to Their Fitness for Stage Representation |
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493 | (3) |
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Christ's Hospital Five-and-Thirty Years Ago |
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496 | (9) |
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Detached Thoughts on Books and Reading |
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505 | (5) |
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510 | (4) |
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514 | (23) |
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Love and Friendship: A Novel in a Series of Letters |
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515 | (20) |
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Plan of a Novel, According to Hints from Various Quarters |
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535 | (2) |
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WILLIAM HAZLITT (1778-1830) |
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537 | (17) |
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538 | (3) |
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My First Acquaintance with Poets |
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541 | (13) |
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THOMAS DE QUINCEY (1785-1859) |
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554 | (23) |
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Confessions of an English Opium-Eater |
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556 | (13) |
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556 | (3) |
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556 | (3) |
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Introduction to the Pains of Opium |
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559 | (1) |
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559 | (1) |
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560 | (12) |
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[Opium Reveries and Dreams] |
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560 | (9) |
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On the Knocking at the Gate in Macbeth |
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569 | (3) |
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572 | (5) |
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[The Literature of Knowledge and the Literature of Power] |
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572 | (5) |
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THE GOTHIC AND THE DEVELOPMENT OF A MASS READERSHIP |
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577 | (30) |
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HORACE WALPOLE: From The Castle of Otranto |
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579 | (3) |
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ANNA LETITIA AIKIN (later BARBAULD) and JOHN AIKIN: On the Pleasure Derived from Objects of Terror; with Sir Bertrand, a Fragment |
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582 | (5) |
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WILLIAM BECKFORD: From Vathek |
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587 | (5) |
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592 | (3) |
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From The Romance of the Forest |
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592 | (2) |
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From The Mysteries of Udolpho |
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594 | (1) |
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MATTHEW GREGORY LEWIS: From The Monk |
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595 | (5) |
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ANONYMOUS: Terrorist Novel Writing |
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600 | (2) |
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602 | (5) |
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From Review of The Monk by Matthew Lewis |
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602 | (4) |
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From Biographia Literaria |
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606 | (1) |
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GEORGE GORDON, LORD BYRON (1788-1824) |
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607 | (134) |
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Written after Swimming from Sestos to Abydos |
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611 | (1) |
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612 | (1) |
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They say that Hope is happiness |
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613 | (1) |
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613 | (1) |
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614 | (1) |
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614 | (2) |
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So, we'll go no more a roving |
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616 | (1) |
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CHILDE HAROLD'S PILGRIMAGE |
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617 | (52) |
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617 | (2) |
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617 | (2) |
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619 | (16) |
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["Once More Upon the Waters"] |
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619 | (3) |
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622 | (3) |
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625 | (3) |
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628 | (7) |
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635 | (34) |
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669 | (67) |
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670 | (1) |
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670 | (27) |
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670 | (27) |
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697 | (21) |
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697 | (7) |
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704 | (14) |
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718 | (7) |
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718 | (7) |
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725 | (9) |
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725 | (9) |
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Stanzas Written on the Road between Florence and Pisa |
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734 | (1) |
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January 22nd. Missolonghi |
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735 | (1) |
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736 | (5) |
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To Thomas Moore (Jan. 28, 1817) |
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736 | (2) |
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To Douglas Kinnaird (Oct. 26, 1819) |
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738 | (2) |
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To Percy Bysshe Shelley (Apr. 26, 1821) |
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740 | (1) |
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PERCY BYSSHE SHELLEY (1792-1822) |
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741 | (109) |
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744 | (1) |
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744 | (1) |
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Alastor; or, The Spirit of Solitude |
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745 | (17) |
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762 | (4) |
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Hymn to Intellectual Beauty |
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766 | (2) |
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768 | (1) |
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Stanzas Written in Dejection—December 1818, near Naples |
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769 | (1) |
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770 | (1) |
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771 | (1) |
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To Sidmouth and Castlereagh |
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771 | (1) |
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772 | (1) |
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772 | (3) |
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775 | (40) |
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775 | (4) |
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779 | (23) |
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802 | (1) |
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802 | (4) |
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806 | (3) |
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809 | (1) |
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809 | (2) |
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811 | (3) |
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814 | (1) |
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815 | (2) |
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817 | (2) |
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819 | (1) |
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To-[Music, when soft voices die] |
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820 | (1) |
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820 | (1) |
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821 | (1) |
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821 | (1) |
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822 | (14) |
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When the lamp is shattered |
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836 | (1) |
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To Jane (The keen stars were twinkling) |
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836 | (1) |
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837 | (13) |
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850 | (14) |
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851 | (2) |
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853 | (3) |
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856 | (1) |
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856 | (1) |
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857 | (1) |
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858 | (1) |
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859 | (1) |
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859 | (1) |
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860 | (1) |
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Song [I peeled bits o' straws] |
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860 | (1) |
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From Autobiographical Fragments |
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861 | (3) |
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FELICIA DOROTHEA HEMANS (1793-1835) |
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864 | (14) |
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865 | (2) |
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The Landing of the Pilgrim Fathers in New England |
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867 | (1) |
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868 | (2) |
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870 | (1) |
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871 | (1) |
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872 | (6) |
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878 | (77) |
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On First Looking into Chapman's Homer |
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880 | (1) |
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881 | (2) |
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881 | (2) |
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On Seeing the Elgin Marbles |
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|
883 | (1) |
|
Endymion: A Poetic Romance |
|
|
883 | (4) |
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|
883 | (1) |
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884 | (56) |
|
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|
884 | (1) |
|
[The "Pleasure Thermometer"] |
|
|
885 | (2) |
|
On Sitting Down to Read King Lear Once Again |
|
|
887 | (1) |
|
When I have fears that I may cease to be |
|
|
888 | (1) |
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|
888 | (1) |
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|
888 | (10) |
|
Why did I laugh tonight? No voice will tell |
|
|
898 | (1) |
|
Bright star, would I were stedfast as thou art |
|
|
898 | (1) |
|
La Belle Dame sans Merci: A Ballad |
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899 | (1) |
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900 | (1) |
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901 | (2) |
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903 | (2) |
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905 | (1) |
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906 | (2) |
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908 | (1) |
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909 | (16) |
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925 | (1) |
|
The Fall of Hyperion: A Dream |
|
|
926 | (13) |
|
This living hand, now warm and capable |
|
|
939 | (1) |
|
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|
940 | (15) |
|
To Benjamin Bailey (Nov. 22, 1817) |
|
|
940 | (2) |
|
To George and Thomas Keats (Dec. 21, 27 [N, 1817) |
|
|
942 | (1) |
|
To John Hamilton Reynolds (Feb. 3, 1818) |
|
|
943 | (1) |
|
To John Taylor (Feb. 27, 1818) |
|
|
944 | (1) |
|
To John Hamilton Reynolds (May 3, 1818) |
|
|
945 | (2) |
|
To Richard Woodhouse (Oct. 27, 1818) |
|
|
947 | (1) |
|
To George and Georgiana Keats (Feb. 14—May 3, 1819) |
|
|
948 | (4) |
|
To Fanny Brawne (July 25, 1819) |
|
|
952 | (1) |
|
To Percy Bysshe Shelley (Aug. 16, 1820) |
|
|
953 | (1) |
|
To Charles Brown (Nov. 30, 1820) |
|
|
954 | (1) |
|
MARY WOLLSTONECRAFT SHELLEY (1797-1851) |
|
|
955 | (15) |
|
The Last Man: Introduction |
|
|
958 | (3) |
|
|
|
961 | (9) |
|
LETITIA ELIZABETH LANDON (1802-1838) |
|
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970 | (9) |
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971 | (2) |
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973 | (3) |
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976 | (1) |
|
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|
977 | (2) |
| The Victorian Age (1830-1901) |
|
979 | (848) |
|
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|
979 | (21) |
|
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1000 | (2) |
|
THOMAS CARLYLE (1795-1881) |
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1002 | (31) |
|
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1006 | (18) |
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1006 | (5) |
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1011 | (6) |
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1017 | (7) |
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1024 | (9) |
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1024 | (5) |
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|
1029 | (4) |
|
JOHN HENRY CARDINAL NEWMAN (1801-1890) |
|
|
1033 | (10) |
|
|
|
1035 | (8) |
|
From Discourse 5. Knowledge Its Own End |
|
|
1035 | (1) |
|
From Discourse 7. Knowledge Viewed in Relation to Professional Skill |
|
|
1036 | (5) |
|
From Discourse 8. Knowledge Viewed in Relation to Religion |
|
|
1041 | (2) |
|
JOHN STUART MILL (1806-1873) |
|
|
1043 | (34) |
|
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1044 | (7) |
|
|
|
1051 | (9) |
|
From Chapter 3. Of Individuality as One of the Elements of Well-Being |
|
|
1051 | (9) |
|
|
|
1060 | (10) |
|
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|
1061 | (9) |
|
|
|
1070 | (7) |
|
From Chapter 5. A Crisis in My Mental History. One Stage Onward |
|
|
1070 | (7) |
|
ELIZABETH BARRETT BROWNING (1806-1861) |
|
|
1077 | (32) |
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1079 | (4) |
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1083 | (1) |
|
To George Sand: A Recognition |
|
|
1083 | (1) |
|
Sonnets from the Portuguese |
|
|
1084 | (1) |
|
21 ("Say over again, and yet once over again") |
|
|
1084 | (1) |
|
22 ("When our two souls stand up erect and strong") |
|
|
1084 | (1) |
|
32 ("The first time that the sun rose on thine oath") |
|
|
1084 | (1) |
|
43 ("How do I love thee? Let me count the ways") |
|
|
1085 | (1) |
|
The Runaway Slave at Pilgrim's Point |
|
|
1085 | (7) |
|
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|
1092 | (14) |
|
|
|
1092 | (5) |
|
[The Education of Aurora Leigh] |
|
|
1092 | (5) |
|
|
|
1097 | (1) |
|
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|
1097 | (3) |
|
[Aurora's Rejection of Romney] |
|
|
1100 | (4) |
|
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|
1104 | (31) |
|
[Poets and the Present Age] |
|
|
1104 | (2) |
|
|
|
1106 | (3) |
|
ALFRED, LORD TENNYSON (1809-1892) |
|
|
1109 | (103) |
|
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1112 | (2) |
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|
1114 | (5) |
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|
1119 | (4) |
|
|
|
1123 | (2) |
|
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|
1125 | (1) |
|
|
|
1126 | (1) |
|
The Epic [Morte d'Arthur] |
|
|
1127 | (2) |
|
|
|
1129 | (6) |
|
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|
1135 | (3) |
|
|
|
1135 | (1) |
|
Now Sleeps the Crimson Petal |
|
|
1136 | (1) |
|
["The woman's cause is man's"] |
|
|
1136 | (2) |
|
|
|
1138 | (50) |
|
The Charge of the Light Brigade |
|
|
1188 | (1) |
|
|
|
1189 | (22) |
|
|
|
1190 | (11) |
|
|
|
1201 | (10) |
|
|
|
1211 | (1) |
|
EDWARD FITZGERALD (1809-1883) |
|
|
1212 | (9) |
|
|
|
1213 | (8) |
|
ELIZABETH GASKELL (1810-1865) |
|
|
1221 | (15) |
|
|
|
1222 | (14) |
|
CHARLES DICKENS (1812-1870) |
|
|
1236 | (12) |
|
|
|
1239 | (9) |
|
ROBERT BROWNING (1812-1889) |
|
|
1248 | (63) |
|
|
|
1252 | (1) |
|
Soliloquy of the Spanish Cloister |
|
|
1253 | (2) |
|
|
|
1255 | (1) |
|
|
|
1256 | (1) |
|
How They Brought the Good News from Ghent to Aix |
|
|
1257 | (2) |
|
The Bishop Orders His Tomb at Saint Praxed's Church |
|
|
1259 | (3) |
|
|
|
1262 | (2) |
|
|
|
1264 | (2) |
|
"Childe Roland to the Dark Tower Came" |
|
|
1266 | (5) |
|
|
|
1271 | (9) |
|
|
|
1280 | (6) |
|
|
|
1286 | (3) |
|
An Epistle Containing the Strange Medical Experience of Karshish, the Arab Physician |
|
|
1289 | (7) |
|
|
|
1296 | (7) |
|
|
|
1303 | (2) |
|
|
|
1305 | (6) |
|
|
|
1311 | (6) |
|
I'm happiest when most away |
|
|
1311 | (1) |
|
|
|
1312 | (1) |
|
|
|
1313 | (1) |
|
|
|
1314 | (1) |
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|
|
1315 | (2) |
|
|
|
1317 | (1) |
|
|
|
1317 | (17) |
|
|
|
1320 | (4) |
|
[A Definition of Greatness in Art] |
|
|
1320 | (1) |
|
|
|
1321 | (1) |
|
From Of the Pathetic Fallacy |
|
|
1322 | (2) |
|
|
|
1324 | (10) |
|
[The Savageness of Gothic Architecture] |
|
|
1324 | (10) |
|
|
|
1334 | (16) |
|
Margaret Fuller and Mary Wollstonecraft |
|
|
1337 | (5) |
|
From Silly Novels by Lady Novelists |
|
|
1342 | (8) |
|
MATTHEW ARNOLD (1822-1888) |
|
|
1350 | (77) |
|
|
|
1354 | (1) |
|
|
|
1355 | (1) |
|
|
|
1356 | (2) |
|
|
|
1358 | (2) |
|
Lines Written in Kensington Gardens |
|
|
1360 | (1) |
|
|
|
1361 | (7) |
|
|
|
1368 | (1) |
|
Stanzas from the Grande Chartreuse |
|
|
1369 | (5) |
|
|
|
1374 | (10) |
|
From The Function of Criticism at the Present Time |
|
|
1384 | (14) |
|
|
|
1398 | (6) |
|
From Chapter 1. Sweetness and Light |
|
|
1398 | (1) |
|
From Chapter 2. Doing As One Likes |
|
|
1399 | (3) |
|
From Chapter 5. Porro Unum Est Necessarium |
|
|
1402 | (2) |
|
|
|
1404 | (11) |
|
|
|
1415 | (12) |
|
THOMAS HENRY HUXLEY (1825-1895) |
|
|
1427 | (13) |
|
|
|
1429 | (7) |
|
[The Values of Education in the Sciences] |
|
|
1429 | (7) |
|
Agnosticism and Christianity |
|
|
1436 | (4) |
|
|
|
1436 | (4) |
|
GEORGE MEREDITH (1828-1909) |
|
|
1440 | (2) |
|
|
|
1440 | (1) |
|
1 ("By this he knew she wept with waking eyes") |
|
|
1440 | (1) |
|
2 ("It ended, and the morrow brought the task") |
|
|
1440 | (1) |
|
17 ("At dinner, she is hostess, I am host") |
|
|
1441 | (1) |
|
49 ("He found her by the ocean's moaning verge") |
|
|
1441 | (1) |
|
50 ("Thus piteously Love closed what he begat") |
|
|
1441 | (1) |
|
DANTE GABRIEL ROSSETTI (1828-1882) |
|
|
1442 | (17) |
|
|
|
1443 | (4) |
|
|
|
1447 | (2) |
|
|
|
1449 | (8) |
|
|
|
1457 | (2) |
|
|
|
1457 | (1) |
|
|
|
1458 | (1) |
|
|
|
1458 | (1) |
|
|
|
1458 | (1) |
|
|
|
1459 | (1) |
|
CHRISTINA ROSSETTI (1830-1894) |
|
|
1459 | (22) |
|
Song ("She sat and sang alway") |
|
|
1460 | (1) |
|
Song ("When I am dead, my dearest") |
|
|
1461 | (1) |
|
|
|
1461 | (1) |
|
|
|
1462 | (1) |
|
|
|
1462 | (1) |
|
|
|
1462 | (1) |
|
|
|
1463 | (1) |
|
|
|
1463 | (1) |
|
|
|
1464 | (1) |
|
|
|
1464 | (1) |
|
|
|
1465 | (1) |
|
|
|
1466 | (12) |
|
|
|
1478 | (1) |
|
|
|
1479 | (1) |
|
|
|
1479 | (1) |
|
|
|
1480 | (1) |
|
|
|
1480 | (1) |
|
17 ("Something this foggy day, a something which") |
|
|
1480 | (1) |
|
|
|
1480 | (1) |
|
|
|
1481 | (1) |
|
WILLIAM MORRIS (1834-1896) |
|
|
1481 | (13) |
|
|
|
1483 | (8) |
|
|
|
1491 | (3) |
|
ALGERNON CHARLES SWINBURNE (1837-1909) |
|
|
1494 | (11) |
|
|
|
1496 | (3) |
|
|
|
1499 | (1) |
|
|
|
1500 | (5) |
|
|
|
1505 | (8) |
|
Studies in the History of the Renaissance |
|
|
1507 | (6) |
|
|
|
1507 | (3) |
|
|
|
1510 | (1) |
|
|
|
1511 | (2) |
|
GERARD MANLEY HOPKINS (1844-1889) |
|
|
1513 | (14) |
|
|
|
1516 | (1) |
|
|
|
1516 | (1) |
|
As Kingfishers Catch Fire |
|
|
1517 | (1) |
|
|
|
1517 | (1) |
|
|
|
1518 | (1) |
|
|
|
1518 | (1) |
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|
|
1519 | (1) |
|
|
|
1519 | (1) |
|
|
|
1520 | (1) |
|
|
|
1520 | (1) |
|
Spring and Fall: to a young child |
|
|
1521 | (1) |
|
|
|
1521 | (1) |
|
|
|
1522 | (1) |
|
I wake and feel the fell of dark, not day |
|
|
1522 | (1) |
|
That Nature Is a Heraclitean Fire |
|
|
1523 | (1) |
|
Thou art indeed just, Lord |
|
|
1524 | (1) |
|
|
|
1524 | (3) |
|
|
|
1527 | (11) |
|
|
|
1527 | (2) |
|
Limerick ("There was an Old Man who supposed") |
|
|
1528 | (1) |
|
|
|
1528 | (1) |
|
LEWIS CARROLL (1832-1898) |
|
|
1529 | (5) |
|
|
|
1530 | (1) |
|
[Humpty Dumpty's Explication of "Jabberwocky"] |
|
|
1530 | (2) |
|
|
|
1532 | (2) |
|
|
|
1534 | (4) |
|
When I, Good Friends, Was Called to the Bar |
|
|
1534 | (1) |
|
If You're Anxious for to Shine in the High Aesthetic Line |
|
|
1534 | (4) |
|
|
|
1538 | (97) |
|
|
|
1538 | (18) |
|
Charles Darwin: The Origin of Species |
|
|
1539 | (6) |
|
From Chapter 3. Struggle for Existence |
|
|
1539 | (2) |
|
From Chapter 15. Recapitulation and Conclusion |
|
|
1541 | (4) |
|
Charles Darwin: The Descent of Man |
|
|
1545 | (4) |
|
[Natural Selection and Sexual Selection] |
|
|
1546 | (3) |
|
Leonard Huxley: The Life and Letters of Thomas Henry Huxley |
|
|
1549 | (4) |
|
[The Huxley-Wilberforce Debate at Oxford] |
|
|
1550 | (3) |
|
Sir Edmund Gosse: From Father and Son |
|
|
1553 | (3) |
|
INDUSTRIALISM: PROGRESS OR DECLINE? |
|
|
1556 | (25) |
|
Thomas Babington Macaulay: A Review of Southey's Colloquies |
|
|
1557 | (6) |
|
|
|
1557 | (6) |
|
The Children's Employment Commission: From First Report of the Commissioners, Mines |
|
|
1563 | (2) |
|
[Child Mine-Worker in Yorkshire] |
|
|
1563 | (2) |
|
Friedrich Engels: From The Great Towns |
|
|
1565 | (7) |
|
Charles Kingsley: Alton Locke |
|
|
1572 | (1) |
|
|
|
1572 | (1) |
|
Charles Dickens: Hard Times |
|
|
1573 | (1) |
|
|
|
1573 | (1) |
|
|
|
1574 | (2) |
|
Henry Mayhew: London Labour and the London Poor |
|
|
1576 | (1) |
|
[Boy Inmate of the Casual Wards] |
|
|
1576 | (1) |
|
Annie Besant: The "White Slavery" of London Match Workers |
|
|
1577 | (2) |
|
Ada Nield Chew: A Living Wage for Factory Girls at Crewe |
|
|
1579 | (2) |
|
THE "WOMAN QUESTION": THE VICTORIAN DEBATE ABOUT GENDER |
|
|
1581 | (26) |
|
Sarah Stickney Ellis: The Women of England: Their Social Duties and Domestic Habits |
|
|
1583 | (2) |
|
|
|
1584 | (1) |
|
Coventry Patmore: The Angel in the House |
|
|
1585 | (2) |
|
|
|
1586 | (1) |
|
John Ruskin: From Of Queens' Gardens |
|
|
1587 | (2) |
|
Harriet Martineau: From Autobiography |
|
|
1589 | (3) |
|
Anonymous: The Great Social Evil |
|
|
1592 | (4) |
|
Dinah Maria Mulock: A Woman's Thoughts about Women |
|
|
1596 | (2) |
|
|
|
1596 | (2) |
|
Florence Nightingale: Cassandra |
|
|
1598 | (3) |
|
|
|
1598 | (3) |
|
Mona Caird: From Marriage |
|
|
1601 | (4) |
|
Walter Besant: The Queen's Reign |
|
|
1605 | (2) |
|
[The Transformation of Women's Status between 1837 and 1897] |
|
|
1605 | (2) |
|
EMPIRE AND NATIONAL IDENTITY |
|
|
1607 | (28) |
|
Thomas Babington Macaulay: Minute on Indian Education |
|
|
1610 | (2) |
|
William Howard Russell: My Diary in India, In the Year 1858-9 |
|
|
1612 | (3) |
|
Eliza Cook: The Englishman |
|
|
1615 | (1) |
|
Charles Mackay: Songs from "The Emigrants" |
|
|
1616 | (2) |
|
Anonymous: [Proclamation of an Irish Republic] |
|
|
1618 | (1) |
|
Matthew Arnold: From On the Study of Celtic Literature |
|
|
1619 | (2) |
|
James Anthony Froude: From The English in the West Indies |
|
|
1621 | (3) |
|
John Jacob Thomas: Froudacity |
|
|
1624 | (1) |
|
|
|
1624 | (1) |
|
Alfred, Lord Tennyson: Opening of the Indian and Colonial Exhibition by the Queen |
|
|
1625 | (2) |
|
T.N. Mukharji: A Visit to Europe |
|
|
1627 | (3) |
|
[The Indian and Colonial Exhibition] |
|
|
1627 | (3) |
|
Joseph Chamberlain: From The True Conception of Empire |
|
|
1630 | (2) |
|
J.A. Hobson: Imperialism: A Study |
|
|
1632 | (5) |
|
[The Political Significance of Imperialism] |
|
|
1632 | (3) |
|
|
|
1635 | (192) |
|
MICHAEL FIELD (Katherine Bradley: 1846-1914; and Edith Cooper: 1862-1913) |
|
|
1637 | (4) |
|
[Maids, not to you my mind doth change] |
|
|
1638 | (1) |
|
|
|
1639 | (1) |
|
|
|
1639 | (1) |
|
[It was deep April, and the morn] |
|
|
1639 | (1) |
|
|
|
1640 | (1) |
|
|
|
1640 | (1) |
|
|
|
1641 | (1) |
|
WILLIAM ERNEST HENLEY (1849-1903) |
|
|
1641 | (2) |
|
|
|
1642 | (1) |
|
|
|
1642 | (1) |
|
ROBERT LOUIS STEVENSON (1850-1894) |
|
|
1643 | (43) |
|
The Strange Case of Dr. Jekyll and Mr. Hyde |
|
|
1645 | (41) |
|
|
|
1686 | (57) |
|
|
|
1687 | (1) |
|
|
|
1688 | (1) |
|
|
|
1689 | (8) |
|
[Criticism Itself an Art] |
|
|
1689 | (8) |
|
Preface to The Picture of Dorian Gray |
|
|
1697 | (1) |
|
The Importance of Being Earnest |
|
|
1698 | (42) |
|
|
|
1740 | (3) |
|
|
|
1743 | (47) |
|
|
|
1746 | (44) |
|
MARY ELIZABETH COLERIDGE (1861-1907) |
|
|
1790 | (3) |
|
The Other Side of a Mirror |
|
|
1791 | (1) |
|
|
|
1792 | (1) |
|
RUDYARD KIPLING (1865-1936) |
|
|
1793 | (30) |
|
The Man Who Would Be King |
|
|
1794 | (24) |
|
|
|
1818 | (1) |
|
|
|
1819 | (1) |
|
|
|
1820 | (1) |
|
|
|
1821 | (1) |
|
|
|
1822 | (1) |
|
ERNEST DOWSON (1867-1900) |
|
|
1823 | (28) |
|
|
|
1824 | (1) |
|
|
|
1825 | (2) |
| The Twentieth Century and After |
|
1827 | (127) |
|
|
|
1827 | (21) |
|
|
|
1848 | (3) |
|
|
|
1851 | (34) |
|
|
|
1852 | (16) |
|
|
|
1868 | (1) |
|
|
|
1869 | (1) |
|
|
|
1869 | (1) |
|
|
|
1870 | (1) |
|
|
|
1870 | (1) |
|
|
|
1871 | (1) |
|
|
|
1872 | (1) |
|
|
|
1872 | (3) |
|
|
|
1875 | (1) |
|
|
|
1876 | (1) |
|
|
|
1877 | (1) |
|
The Convergence of the Twain |
|
|
1878 | (1) |
|
Ah, Are You Digging on My Grave? |
|
|
1879 | (1) |
|
|
|
1880 | (1) |
|
|
|
1881 | (1) |
|
|
|
1882 | (1) |
|
|
|
1882 | (1) |
|
|
|
1883 | (1) |
|
In Time of The Breaking of Nations' |
|
|
1884 | (1) |
|
|
|
1884 | (1) |
|
JOSEPH CONRAD (1857-1924) |
|
|
1885 | (63) |
|
Preface to The Nigger of the "Narcissus" |
|
|
1887 | (3) |
|
|
|
1887 | (3) |
|
|
|
1890 | (58) |
|
|
|
1948 | (6) |
|
|
|
1948 | (1) |
|
When I Was One-and-Twenty |
|
|
1949 | (1) |
|
To an Athlete Dying Young |
|
|
1949 | (1) |
|
Terence, This Is Stupid Stuff |
|
|
1950 | (2) |
|
The Chestnut Casts His Flambeaux |
|
|
1952 | (1) |
|
Epitaph on an Army of Mercenaries |
|
|
1953 | (1) |
| VOICES FROM WORLD WAR I |
|
1954 | |
|
RUPERT BROOKE (1887-1915) |
|
|
1955 | (1) |
|
|
|
1955 | (1) |
|
EDWARD THOMAS (1878-1917) |
|
|
1956 | (4) |
|
|
|
1956 | (1) |
|
|
|
1957 | (1) |
|
|
|
1957 | (1) |
|
|
|
1958 | (1) |
|
|
|
1958 | (1) |
|
|
|
1959 | (1) |
|
SIEGFRIED SASSOON (1886-1967) |
|
|
1960 | (5) |
|
|
|
1960 | (1) |
|
|
|
1961 | (1) |
|
|
|
1961 | (1) |
|
|
|
1962 | (1) |
|
|
|
1962 | (1) |
|
On Passing the New Menin Gate |
|
|
1963 | (1) |
|
Memoirs of an Infantry Officer |
|
|
1963 | (1) |
|
[The Opening of the Battle of the Somme] |
|
|
1963 | (2) |
|
|
|
1965 | (1) |
|
|
|
1965 | (1) |
|
|
|
1966 | (1) |
|
ISAAC ROSENBERG (1890-1918) |
|
|
1966 | (5) |
|
Break of Day in the Trenches |
|
|
1967 | (1) |
|
|
|
1967 | (1) |
|
Returning, We Hear the Larks |
|
|
1968 | (1) |
|
|
|
1969 | (2) |
|
|
|
1971 | (10) |
|
|
|
1971 | (1) |
|
|
|
1972 | (1) |
|
|
|
1973 | (1) |
|
|
|
1974 | (1) |
|
|
|
1975 | (1) |
|
|
|
1976 | (1) |
|
|
|
1976 | (1) |
|
|
|
1977 | (2) |
|
From Owen's Letters to His Mother |
|
|
1979 | (1) |
|
|
|
1980 | (1) |
|
MAY WEDDERBURN CANNAN (1893-1973) |
|
|
1981 | (3) |
|
|
|
1981 | (2) |
|
From Grey Ghosts and Voices |
|
|
1983 | (1) |
|
ROBERT GRAVES (1895-1985) |
|
|
1984 | (5) |
|
|
|
1985 | (2) |
|
[The Attack on High Wood] |
|
|
1985 | (2) |
|
|
|
1987 | (1) |
|
|
|
1988 | (1) |
|
|
|
1989 | (7) |
|
|
|
1990 | (6) |
|
|
|
1990 | (2) |
|
From Part 7: The Five Unmistakeable Marks |
|
|
1992 | (4) |
|
|
|
1996 | (23) |
|
T.E. HULME: From Romanticism and Classicism (w. 1911-12) |
|
|
1998 | (5) |
|
F.S. FLINT AND EZRA POUND: Imagisme; A Few Don'ts by an Imagiste (1913) |
|
|
2003 | (4) |
|
|
|
2007 | (2) |
|
|
|
2008 | (1) |
|
Ezra Pound: In a Station of the Metro |
|
|
2008 | (1) |
|
|
|
2009 | (1) |
|
|
|
2009 | (1) |
|
|
|
2009 | (1) |
|
|
|
2009 | (6) |
|
|
|
2010 | (2) |
|
|
|
2012 | (3) |
|
MINA LOY: Feminist Manifesto (w. 1914) |
|
|
2015 | (4) |
|
WILLIAM BUTLER YEATS (1865-1939) |
|
|
2019 | (39) |
|
|
|
2022 | (2) |
|
Down by the Salley Gardens |
|
|
2024 | (1) |
|
|
|
2024 | (1) |
|
The Lake Isle of Innisfree |
|
|
2025 | (1) |
|
|
|
2025 | (1) |
|
|
|
2026 | (1) |
|
|
|
2026 | (1) |
|
The Man Who Dreamed of Faeryland |
|
|
2026 | (2) |
|
|
|
2028 | (1) |
|
|
|
2029 | (1) |
|
The Fascination of What's Difficult |
|
|
2029 | (1) |
|
|
|
2029 | (1) |
|
|
|
2030 | (1) |
|
|
|
2031 | (2) |
|
|
|
2033 | (1) |
|
In Memory of Major Robert Gregory |
|
|
2034 | (2) |
|
|
|
2036 | (1) |
|
|
|
2037 | (2) |
|
|
|
2039 | (7) |
|
|
|
2046 | |
|
|
|
2041 | (1) |
|
A Dialogue of Self and Soul |
|
|
2042 | (2) |
|
|
|
2044 | (1) |
|
Crazy Jane Talks with the Bishop |
|
|
2045 | (1) |
|
|
|
2046 | (1) |
|
|
|
2047 | (3) |
|
|
|
2050 | (1) |
|
The Circus Animals' Desertion |
|
|
2051 | (2) |
|
From Introduction [A General Introduction for My Work] |
|
|
2053 | (5) |
|
|
|
2058 | (22) |
|
|
|
2059 | (21) |
|
VIRGINIA WOOLF (1882-1941) |
|
|
2080 | (83) |
|
|
|
2082 | (5) |
|
|
|
2087 | (5) |
|
|
|
2092 | (60) |
|
|
|
2152 | (3) |
|
|
|
2155 | (8) |
|
[Moments of Being and Non-Being] |
|
|
2155 | (8) |
|
|
|
2163 | (80) |
|
|
|
2168 | (4) |
|
|
|
2172 | (28) |
|
|
|
2200 | (39) |
|
|
|
2200 | (13) |
|
|
|
2213 | (26) |
|
|
|
2239 | (4) |
|
From Anna Livia Plurabelle |
|
|
2239 | (4) |
|
D.H. LAWRENCE (1885-1930) |
|
|
2243 | (43) |
|
|
|
2245 | (13) |
|
The Horse Dealer's Daughter |
|
|
2258 | (11) |
|
|
|
2269 | (4) |
|
|
|
2273 | (2) |
|
|
|
2275 | (1) |
|
|
|
2275 | (3) |
|
|
|
2278 | (1) |
|
|
|
2278 | (2) |
|
|
|
2280 | (2) |
|
How Beastly the Bourgeois Is |
|
|
2282 | (1) |
|
|
|
2283 | (3) |
|
|
|
2286 | (46) |
|
The Love Song of J. Alfred Prufrock |
|
|
2289 | (4) |
|
Sweeney among the Nightingales |
|
|
2293 | (2) |
|
|
|
2295 | (14) |
|
|
|
2309 | (3) |
|
|
|
2312 | (1) |
|
|
|
2312 | (7) |
|
|
|
2313 | (6) |
|
Tradition and the Individual Talent |
|
|
2319 | (6) |
|
|
|
2325 | (7) |
|
KATHERINE MANSFIELD (1888-1923) |
|
|
2332 | (24) |
|
The Daughters of the Late Colonel |
|
|
2333 | (13) |
|
|
|
2346 | (10) |
|
|
|
2356 | (16) |
|
The Day They Burned the Books |
|
|
2357 | (4) |
|
|
|
2361 | (11) |
|
|
|
2372 | (6) |
|
|
|
2373 | (1) |
|
|
|
2374 | (1) |
|
|
|
2374 | (1) |
|
Thoughts About the Person from Porlock |
|
|
2375 | (2) |
|
|
|
2377 | (1) |
|
GEORGE ORWELL (1903-1950) |
|
|
2378 | (15) |
|
|
|
2379 | (5) |
|
Politics and the English Language |
|
|
2384 | (9) |
|
SAMUEL BECKETT (1906-1989) |
|
|
2393 | (28) |
|
|
|
2394 | (27) |
|
|
|
2421 | (20) |
|
|
|
2422 | (1) |
|
|
|
2422 | (1) |
|
|
|
2423 | (1) |
|
|
|
2424 | (3) |
|
As I Walked Out One Evening |
|
|
2427 | (1) |
|
|
|
2428 | (1) |
|
|
|
2429 | (2) |
|
|
|
2431 | (1) |
|
|
|
2432 | (3) |
|
|
|
2435 | (2) |
|
|
|
2437 | (1) |
|
[Poetry as Memorable Speech] |
|
|
2438 | (3) |
|
LOUIS MACNEICE (1907-1963) |
|
|
2441 | (3) |
|
|
|
2442 | (1) |
|
The Sunlight on the Garden |
|
|
2442 | (1) |
|
|
|
2443 | (1) |
|
|
|
2444 | (1) |
|
|
|
2444 | (17) |
|
The Force That Through the Green Fuse Drives the Flower |
|
|
2445 | (1) |
|
The Hunchback in the Park |
|
|
2446 | (1) |
|
|
|
2447 | (1) |
|
|
|
2448 | (2) |
|
Do Not Go Gentle into That Good Night |
|
|
2450 | (1) |
|
|
|
2451 | (10) |
|
EDITH SITWELL (1887-1964) |
|
|
2452 | (2) |
|
|
|
2453 | (1) |
|
|
|
2454 | (2) |
|
|
|
2455 | (1) |
|
|
|
2455 | (1) |
|
KEITH DOUGLAS (1920-1944) |
|
|
2456 | (3) |
|
|
|
2456 | (1) |
|
|
|
2457 | (1) |
|
|
|
2458 | (1) |
|
CHARLES CAUSLEY (1917-2003) |
|
|
2459 | (4) |
|
At the British War Cemetery, Bayeux |
|
|
2459 | (1) |
|
|
|
2460 | (1) |
|
|
|
2461 | (82) |
|
|
|
2463 | (1) |
|
|
|
2463 | (1) |
|
|
|
2464 | (1) |
|
HUGH MAcDIARMID (1892-1978) |
|
|
2464 | (5) |
|
[The Splendid Variety of Languages and Dialects] |
|
|
2465 | (1) |
|
A Drunk Man Looks at the Thistle |
|
|
2466 | (1) |
|
1. Farewell to Dostoevski |
|
|
2466 | (1) |
|
2. Yet Ha'e I Silence Left |
|
|
2467 | (1) |
|
|
|
2467 | (1) |
|
We Must Look at the Harebell |
|
|
2467 | (1) |
|
Another Epitaph on an Army of Mercenaries |
|
|
2468 | (1) |
|
|
|
2469 | (6) |
|
|
|
2469 | (1) |
|
|
|
2470 | (2) |
|
|
|
2472 | (1) |
|
|
|
2473 | (2) |
|
|
|
2475 | (48) |
|
|
|
2477 | (46) |
|
KAMAU BRATHWAITE (b. 1930) |
|
|
2523 | (6) |
|
|
|
2523 | (4) |
|
|
|
2527 | (2) |
|
|
|
2529 | (1) |
|
|
|
2529 | (1) |
|
|
|
2530 | (5) |
|
|
|
2531 | (1) |
|
|
|
2531 | (1) |
|
|
|
2532 | (1) |
|
|
|
2533 | (1) |
|
|
|
2534 | (1) |
|
|
|
2534 | (1) |
|
NGUGI WA THIONG'O (b. 1938) |
|
|
2535 | (4) |
|
|
|
2535 | (4) |
|
From The Language of African Literature |
|
|
2535 | (4) |
|
|
|
2539 | (3) |
|
[English Is an Indian Literary Language] |
|
|
2540 | (2) |
|
|
|
2542 | (1) |
|
|
|
2542 | (1) |
|
|
|
2543 | (22) |
|
|
|
2544 | (21) |
|
PHILIP LARKIN (1922-1985) |
|
|
2565 | (9) |
|
|
|
2566 | (2) |
|
|
|
2568 | (1) |
|
|
|
2569 | (1) |
|
|
|
2569 | (1) |
|
|
|
2570 | (1) |
|
|
|
2571 | (1) |
|
|
|
2571 | (1) |
|
|
|
2572 | (1) |
|
|
|
2572 | (1) |
|
|
|
2573 | (1) |
|
NADINE GORDIMER (b. 1923) |
|
|
2574 | (4) |
|
The Moment before the Gun Went Off |
|
|
2575 | (3) |
|
A.K. RAMANUJAN (1929-1993) |
|
|
2578 | (4) |
|
|
|
2579 | (1) |
|
|
|
2579 | (2) |
|
|
|
2581 | (1) |
|
|
|
2582 | (4) |
|
|
|
2583 | (1) |
|
|
|
2583 | (1) |
|
|
|
2584 | (1) |
|
|
|
2585 | (1) |
|
|
|
2585 | (1) |
|
|
|
2586 | (8) |
|
|
|
2587 | (1) |
|
|
|
2588 | (2) |
|
|
|
2588 | (2) |
|
The Season of Phastasmal Peace |
|
|
2590 | (1) |
|
|
|
2591 | (3) |
|
1.3.3 [" Mais qui ça qui rivait-'ous, Philoctete?'"] |
|
|
2591 | (1) |
|
6.49.1-2 ["She bathed him in the brew of the root. The basin"] |
|
|
2592 | (2) |
|
|
|
2594 | (7) |
|
|
|
2594 | (1) |
|
|
|
2595 | (1) |
|
|
|
2595 | (2) |
|
|
|
2597 | (1) |
|
|
|
2598 | (1) |
|
|
|
2599 | (1) |
|
|
|
2599 | (2) |
|
|
|
2601 | (21) |
|
|
|
2601 | (21) |
|
|
|
2622 | (92) |
|
|
|
2624 | (85) |
|
From An Image of Africa: Racism in Conrad's Heart of Darkness |
|
|
2709 | (5) |
|
|
|
2714 | (11) |
|
|
|
2715 | (10) |
|
|
|
2725 | (4) |
|
|
|
2725 | (1) |
|
Requiem for the Plantagenet Kings |
|
|
2726 | (1) |
|
|
|
2726 | (1) |
|
|
|
2727 | (1) |
|
6 ("The princes of Mercia were badger and raven. Thrall") |
|
|
2727 | (1) |
|
7 ("Gasholders, russet among fields. Milldams, marlpools") |
|
|
2727 | (1) |
|
28 ("Processes of generation; deeds of settlement. The") |
|
|
2728 | (1) |
|
30 ("And it seemed, while we waited, he began to walk to-") |
|
|
2728 | (1) |
|
An Apology for the Revival of Christian Architecture in England |
|
|
2728 | (1) |
|
|
|
2728 | (1) |
|
|
|
2729 | (23) |
|
|
|
2730 | (22) |
|
|
|
2752 | (68) |
|
|
|
2753 | (67) |
|
|
|
2820 | (2) |
|
|
|
2821 | (1) |
|
|
|
2821 | (1) |
|
|
|
2822 | (1) |
|
|
|
2822 | (16) |
|
|
|
2824 | (1) |
|
|
|
2825 | (1) |
|
|
|
2825 | (1) |
|
|
|
2826 | (2) |
|
|
|
2828 | (2) |
|
|
|
2830 | (1) |
|
|
|
2831 | (2) |
|
12 ("Like a convalescent, I took the hand") |
|
|
2831 | (2) |
|
|
|
2833 | (3) |
|
|
|
2836 | (2) |
|
|
|
2838 | (10) |
|
From Waiting for the Barbarians |
|
|
2839 | (9) |
|
|
|
2848 | (4) |
|
|
|
2848 | (1) |
|
That the Science of Cartography Is Limited |
|
|
2849 | (1) |
|
The Dolls Museum in Dublin |
|
|
2850 | (1) |
|
|
|
2851 | (1) |
|
|
|
2852 | (11) |
|
|
|
2854 | (9) |
|
|
|
2863 | (5) |
|
|
|
2864 | (1) |
|
|
|
2864 | (4) |
|
|
|
2868 | (1) |
|
|
|
2868 | (5) |
|
|
|
2869 | (1) |
|
|
|
2870 | (1) |
|
|
|
2871 | (1) |
|
|
|
2872 | (1) |
|
CAROL ANN DUFFY (b. 1955) |
|
|
2873 | |
|
|
|
2874 | (1) |
|
|
|
2875 | (1) |
|
|
|
2876 | (3118284) |
|
|
|
A1 | |
|
|
|
A2 | |
|
|
|
A2 | |
|
|
|
A4 | |
|
She dwelt among the untrodden ways |
|
|
A4 | |
|
|
|
A5 | |
|
|
|
A5 | |
|
|
|
A5 | |
|
|
|
A6 | |
|
|
|
A7 | |
|
|
|
A7 | |
|
|
|
A9 | |
|
|
|
A9 | |
|
|
|
A10 | |
|
|
|
A11 | |
|
|
|
A11 | |
|
|
|
A14 | |
|
Elizabeth Barrett Browning |
|
|
A15 | |
|
The Runaway Slave at Pilgrim's Point |
|
|
A15 | |
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A18 | |
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Thou art indeed just, Lord |
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A19 | |
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A19 | |
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A19 | |
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A21 | |
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A23 | |
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A23 | |
| SELECTED BIBLIOGRAPHIES |
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A25 | |
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Suggested General Readings |
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A25 | |
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A28 | |
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A36 | |
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The Twentieth Century and After |
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A45 | |
| APPENDIXES |
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A74 | |
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A74 | |
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A96 | |
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Map: London in the 19th and 20th Centuries |
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A98 | |
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A99 | |
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A104 | |
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The Royal Lines of England and Great Britain |
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A106 | |
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A109 | |
| Permissions Acknowledgments |
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A113 | |
| Index |
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A119 | |
Other versions by this Author