Preface |
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xiii | |
Acknowledgments |
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xvii | |
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1 | (10) |
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A Brief History of Editing |
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2 | (1) |
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3 | (1) |
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Why Final Cut Pro and DVD Studio Pro for DV? |
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4 | (2) |
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6 | (2) |
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6 | (1) |
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6 | (1) |
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6 | (1) |
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7 | (1) |
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Optional (but Highly Desired) Equipment |
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8 | (2) |
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9 | (1) |
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9 | (1) |
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9 | (1) |
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10 | (1) |
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Final Cut Pro Hardware And Software Setup |
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11 | (26) |
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Setting Up External Hardware from Scratch |
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12 | (3) |
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Preparing Your Computer for Work in FCP |
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15 | (3) |
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18 | (6) |
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24 | (8) |
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26 | (3) |
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29 | (1) |
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30 | (1) |
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31 | (1) |
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31 | (1) |
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31 | (1) |
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Getting the Project Established |
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32 | (2) |
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34 | (3) |
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37 | (22) |
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38 | (2) |
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38 | (1) |
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39 | (1) |
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Drop Frame and Non-Drop Frame |
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39 | (1) |
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40 | (1) |
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41 | (1) |
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41 | (1) |
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Effective Logging and Logging Practices |
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41 | (1) |
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Logging the Final Cut Pro Way |
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42 | (9) |
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44 | (1) |
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45 | (1) |
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45 | (6) |
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A Few Added Notes about Logging |
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51 | (1) |
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52 | (6) |
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58 | (1) |
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59 | (32) |
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Understanding FCP's Structure |
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60 | (2) |
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60 | (1) |
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61 | (1) |
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62 | (1) |
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62 | (1) |
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62 | (3) |
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Synchronizing China (or SyncChina) |
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65 | (24) |
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89 | (2) |
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91 | (36) |
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Multiple Tracks and Multiple Sequences |
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92 | (2) |
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94 | (1) |
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Getting Started with Multiple Tracks |
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95 | (12) |
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Multitracks and Keyframes7 |
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107 | (19) |
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126 | (1) |
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127 | (40) |
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Placing Sequences within Sequences |
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128 | (5) |
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133 | (10) |
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Clips and Sequence Effects |
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143 | (1) |
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144 | (9) |
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153 | (4) |
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Exploring Browser Effects |
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157 | (9) |
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166 | (1) |
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167 | (60) |
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Advanced Timeline Editing |
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168 | (1) |
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168 | (4) |
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172 | (9) |
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Slip Items (Slip Edits) and Slide Items (Slide Edits) |
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181 | (4) |
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185 | (14) |
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Goose's Control Center, or Keying |
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199 | (26) |
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225 | (2) |
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Interviews and Transitions |
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227 | (34) |
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Interviews, Photo Montages, and Audio Work |
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228 | (30) |
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258 | (3) |
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261 | (22) |
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Recording Timeline Playback |
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262 | (7) |
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269 | (4) |
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269 | (3) |
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272 | (1) |
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272 | (1) |
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273 | (1) |
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273 | (1) |
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273 | (1) |
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274 | (2) |
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274 | (2) |
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276 | (1) |
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Exporting as QuickTime Movies, Stills, Audio Files, or Image Sequences |
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277 | (3) |
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Exporting Final Cut Pro Movie... |
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280 | (1) |
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280 | (3) |
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283 | (24) |
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284 | (1) |
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A Brief History of the DVD Medium |
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284 | (1) |
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DVD Basics: Definitions and the DVD Format |
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284 | (6) |
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290 | (3) |
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291 | (2) |
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293 | (13) |
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Examples of DVD Menu Design |
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296 | (4) |
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Take Time to Look, Listen, and Learn from the Best in the Industry |
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300 | (6) |
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306 | (1) |
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306 | (1) |
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Preparing Files for DVD Studio Pro |
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307 | (12) |
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DVD Studio Pro Media Formats |
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308 | (2) |
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Preparing Video and Audio |
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309 | (1) |
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Exporting DVDSP-Ready Video Streams from FCP |
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310 | (6) |
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316 | (3) |
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Introduction to DVD Studio Pro |
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319 | (28) |
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Creating a Still Menu in Photoshop |
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321 | (10) |
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331 | (13) |
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344 | (3) |
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Motion Menus, Subtitles, And Other Advanced Features in DVDSP |
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347 | (18) |
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348 | (4) |
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Creating a Motion Menu with an Overlay Picture |
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352 | (7) |
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Outputting Your DVD Project |
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359 | (3) |
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362 | (3) |
Appendix A About the DVD |
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365 | (2) |
Appendix B The Matrox RTMac |
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367 | (4) |
Appendix C Notes On ``RT'' (Real-Time) Editing In FCP and OfflineRT |
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371 | (2) |
Appendix D Final Cut Pro and 3D Animation |
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373 | (2) |
Index |
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375 | |