| Top Ten Poetic Inspirations |
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| Introduction |
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1 | (14) |
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2 | (3) |
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5 | (2) |
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7 | (2) |
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9 | (3) |
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12 | (3) |
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15 | (14) |
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16 | (2) |
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18 | (3) |
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21 | (2) |
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23 | (1) |
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How to Beat Writer's Block |
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24 | (3) |
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27 | (2) |
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29 | (14) |
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30 | (3) |
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33 | (1) |
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Using Concrete Nouns and Verbs |
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34 | (1) |
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Active and Passive Voice Verbs |
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35 | (1) |
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36 | (1) |
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37 | (6) |
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43 | (10) |
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44 | (1) |
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45 | (1) |
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46 | (2) |
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48 | (1) |
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49 | (1) |
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50 | (3) |
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53 | (12) |
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54 | (2) |
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56 | (1) |
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57 | (2) |
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59 | (1) |
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60 | (1) |
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61 | (4) |
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65 | (14) |
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66 | (1) |
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66 | (3) |
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69 | (3) |
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72 | (2) |
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74 | (5) |
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79 | (18) |
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Narrative Poetry I: Epic and Ballad |
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80 | (3) |
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Narrative Poetry II: Drama and Monologue |
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83 | (3) |
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86 | (4) |
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90 | (2) |
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92 | (1) |
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93 | (4) |
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Sonnets, Odes, and Ghazals |
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97 | (16) |
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98 | (2) |
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100 | (5) |
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105 | (3) |
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108 | (1) |
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109 | (2) |
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111 | (2) |
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The Sestina, Pantoum, and Villanelle |
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113 | (14) |
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114 | (2) |
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116 | (1) |
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117 | (3) |
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120 | (1) |
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121 | (2) |
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123 | (2) |
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125 | (2) |
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127 | (14) |
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Inquiring Minds Want to Know |
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128 | (2) |
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130 | (1) |
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130 | (2) |
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132 | (3) |
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135 | (2) |
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137 | (2) |
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139 | (2) |
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Writing about Family and Friends |
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141 | (14) |
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142 | (2) |
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144 | (2) |
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146 | (1) |
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147 | (1) |
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148 | (2) |
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150 | (1) |
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151 | (4) |
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155 | (10) |
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156 | (1) |
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156 | (2) |
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Public and Private Places |
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158 | (2) |
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Public and Private Space Within Your Home |
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160 | (1) |
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161 | (2) |
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Remembering Your Birthplace |
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163 | (2) |
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Writing about Environment |
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165 | (12) |
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166 | (1) |
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167 | (2) |
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169 | (2) |
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171 | (2) |
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173 | (1) |
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174 | (3) |
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Writing about Work and Play |
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177 | (16) |
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178 | (2) |
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Textures of the Workplace |
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180 | (1) |
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Textures of Relationships |
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181 | (1) |
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182 | (3) |
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185 | (3) |
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188 | (5) |
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193 | (14) |
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194 | (2) |
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196 | (2) |
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198 | (1) |
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199 | (2) |
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201 | (2) |
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203 | (4) |
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207 | (14) |
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208 | (2) |
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210 | (3) |
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Hyperbole and Understatement |
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213 | (3) |
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216 | (1) |
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217 | (2) |
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219 | (2) |
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221 | (16) |
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222 | (3) |
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225 | (3) |
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Poems for the Little Ones |
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228 | (1) |
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229 | (2) |
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231 | (3) |
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234 | (3) |
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237 | (16) |
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Clause Patterns I: Nontransitive |
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238 | (1) |
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Clause Patterns II: Transitive |
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239 | (2) |
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Clause Patterns III: Independent and Dependent |
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241 | (1) |
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242 | (3) |
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245 | (2) |
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247 | (4) |
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251 | (2) |
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253 | (18) |
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The Perfect Mix of Members |
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254 | (1) |
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255 | (2) |
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257 | (2) |
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259 | (5) |
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264 | (3) |
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267 | (4) |
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271 | (16) |
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272 | (2) |
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274 | (4) |
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Formatting Your Manuscript |
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278 | (2) |
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280 | (2) |
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282 | (1) |
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Rejection: Accept It and Move On |
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283 | (1) |
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Acceptance: Enjoy It and Move On |
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284 | (3) |
| Appendix A Additional Resources for Poets |
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287 | (5) |
| Appendix B Glossary of Terms |
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292 | (3) |
| Appendix C Acknowledgments and Bibliography |
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295 | (2) |
| Index |
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