1 The New Camera |
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6 | (14) |
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Benefits of the Digital Camera |
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8 | (6) |
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8 | (1) |
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9 | (1) |
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Quick Change Light Sensitivity |
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10 | (1) |
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11 | (1) |
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11 | (1) |
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More Connection to the Subject |
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12 | (1) |
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13 | (1) |
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Digital Camera Shopping Guide |
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14 | (2) |
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14 | (1) |
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Basic Point-and-Shoot Cameras |
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14 | (1) |
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Standard Point-and-Shoot Cameras |
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14 | (1) |
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Sophisticated Point-and-Shoot Cameras |
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14 | (1) |
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15 | (1) |
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15 | (1) |
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Check These Features Before Buying |
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16 | (4) |
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16 | (1) |
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Electronic Viewfinder (EVF) |
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16 | (1) |
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16 | (1) |
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16 | (1) |
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17 | (1) |
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17 | (1) |
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17 | (1) |
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18 | (1) |
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18 | (1) |
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18 | (1) |
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18 | (1) |
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18 | (1) |
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19 | (1) |
2 Camera Functions |
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20 | (16) |
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The Marvelous LCD Monitor |
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22 | (1) |
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Advantages of In-Camera Editing |
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23 | (1) |
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Exposure and Composition Check |
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23 | (1) |
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Improves Your Photography |
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23 | (1) |
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23 | (1) |
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23 | (1) |
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23 | (1) |
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24 | (2) |
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24 | (1) |
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24 | (1) |
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24 | (1) |
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Making Sense of Resolution |
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24 | (1) |
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24 | (2) |
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26 | (2) |
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TIFF (Tagged Image File Format) |
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26 | (1) |
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JPEG (Joint Photographic Experts Group) |
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26 | (1) |
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26 | (1) |
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26 | (2) |
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28 | (1) |
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28 | (1) |
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28 | (1) |
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28 | (1) |
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29 | (1) |
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29 | (1) |
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29 | (1) |
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29 | (1) |
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29 | (1) |
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29 | (1) |
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The White Balance Function |
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30 | (6) |
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30 | (1) |
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30 | (1) |
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30 | (1) |
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30 | (2) |
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White Balance Presets as a Creative Tool |
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32 | (2) |
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Custom or Manual White Balance |
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34 | (1) |
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35 | (1) |
3 Get the Most from Your Camera |
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36 | (26) |
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38 | (2) |
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38 | (1) |
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39 | (1) |
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39 | (1) |
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40 | (2) |
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40 | (1) |
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40 | (1) |
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41 | (1) |
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42 | (2) |
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Full Auto and Picture Control Modes |
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42 | (2) |
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42 | (1) |
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42 | (1) |
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43 | (1) |
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43 | (1) |
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Night Portrait or Slow-Sync Flash |
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43 | (1) |
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43 | (1) |
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User-Controlled Exposure Modes |
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44 | (1) |
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44 | (1) |
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Shutter-Priority Mode (S or Tv) |
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44 | (1) |
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Aperture-Priority Mode (A or Av) |
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44 | (1) |
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Automatic Exposure Bracketing (AEB) |
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44 | (1) |
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44 | (1) |
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44 | (1) |
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Using the LCD and Histogram |
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45 | (2) |
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How to Interpret What You See |
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46 | (1) |
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47 | (1) |
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47 | (1) |
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47 | (1) |
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47 | (1) |
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47 | (1) |
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48 | (1) |
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49 | (2) |
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Downloading from the Camera |
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49 | (1) |
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50 | (1) |
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Taking Your Card to a Lab |
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51 | (1) |
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51 | (1) |
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51 | (1) |
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51 | (1) |
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52 | (2) |
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53 | (1) |
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53 | (1) |
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54 | (3) |
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54 | (1) |
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55 | (1) |
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55 | (2) |
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55 | (1) |
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56 | (1) |
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57 | (1) |
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Controlling Depth of Field |
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57 | (1) |
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Maximizing Image Sharpness |
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58 | (2) |
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59 | (1) |
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60 | (2) |
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60 | (1) |
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Red-Eye Reduction Flash Settings |
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60 | (1) |
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61 | (1) |
4 The Ink Jet Printer |
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62 | (12) |
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How Ink Jet Printers Work' |
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64 | (1) |
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65 | (3) |
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65 | (1) |
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65 | (1) |
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65 | (1) |
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66 | (1) |
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66 | (1) |
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66 | (1) |
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66 | (1) |
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66 | (1) |
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67 | (1) |
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67 | (1) |
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67 | (1) |
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67 | (1) |
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68 | (2) |
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Key Steps for Using a Printer Driver with Windows |
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69 | (1) |
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Key Steps for Using a Printer Driver with Macintosh |
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69 | (1) |
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70 | (2) |
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70 | (1) |
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Checking Image Resolution |
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70 | (1) |
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71 | (1) |
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72 | (2) |
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72 | (1) |
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72 | (1) |
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72 | (1) |
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73 | (1) |
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73 | (1) |
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Banding or Splotchy Colors |
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73 | (1) |
5 Making Great Digital Prints |
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74 | (6) |
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Paper Weight and Thickness |
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76 | (1) |
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Other Characteristics to Keep in Mind |
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77 | (1) |
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77 | (1) |
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77 | (1) |
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77 | (1) |
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77 | (1) |
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78 | (1) |
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78 | (1) |
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79 | (1) |
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79 | (1) |
6 Preparing an Image for Printing |
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80 | (16) |
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Image-Processing Programs |
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82 | (1) |
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Black and White Are Important |
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82 | (2) |
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84 | (1) |
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84 | (2) |
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85 | (1) |
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86 | (1) |
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Color Balance and Variations |
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87 | (1) |
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Layers: New Possibilities of Control |
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87 | (1) |
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88 | (1) |
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88 | (1) |
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89 | (3) |
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Differences Between the Monitor and the Print |
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89 | (1) |
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90 | (1) |
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90 | (1) |
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91 | (1) |
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92 | (4) |
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92 | (1) |
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92 | (1) |
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93 | (1) |
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93 | (1) |
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Printing Multiple Photos on a Page |
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93 | (1) |
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94 | (1) |
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94 | (1) |
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94 | (1) |
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95 | (1) |
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95 | (1) |
Index |
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96 | |