| Acknowledgements |
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20 | (5) |
| Introduction |
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25 | (10) |
| Preface to the Second Edition |
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35 | (234) |
| Index of Poets |
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269 | (2) |
| Index of Titles |
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271 | (4) |
| Index of First Lines |
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275 | |
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Travelling through the Dark |
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39 | (1) |
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39 | (1) |
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At Cove on the Crooked River |
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40 | (1) |
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41 | (1) |
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41 | (1) |
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42 | (1) |
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43 | (1) |
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44 | (1) |
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44 | (1) |
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45 | (1) |
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46 | (1) |
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46 | (1) |
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47 | (1) |
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48 | (1) |
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49 | (1) |
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Christmas Eve under Hooker's Statue |
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50 | (1) |
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51 | (1) |
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51 | (1) |
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52 | (1) |
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After the Surprising Conversions |
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53 | (2) |
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Memories of West Street and Lepke |
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55 | (1) |
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56 | (1) |
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57 | (1) |
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58 | (2) |
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A Poem Beginning with a Line by Pindar |
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60 | (9) |
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69 | (1) |
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A Day with the Foreign Legion |
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70 | (3) |
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On the Suicide of a Friend |
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73 | (1) |
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73 | (1) |
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74 | (1) |
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75 | (1) |
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The Statues in the Public Gardens |
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75 | (2) |
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77 | (1) |
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The View from an Attic Window |
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78 | (2) |
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80 | (1) |
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81 | (1) |
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`A World Without Objects is a Sensible Emptiness' |
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82 | (1) |
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83 | (1) |
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83 | (2) |
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85 | (1) |
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86 | (1) |
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87 | (1) |
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88 | (2) |
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Alceste in the Wilderness |
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90 | (1) |
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91 | (1) |
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92 | (1) |
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93 | (1) |
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`More Light! More Light!' |
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94 | (2) |
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96 | (1) |
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Hunting Civil War Relics at Nimblewill Creek |
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97 | (3) |
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100 | (1) |
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100 | (1) |
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101 | (1) |
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102 | (1) |
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102 | (1) |
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103 | (3) |
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A Map of the Western Part of the County of Essex in England |
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106 | (2) |
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108 | (2) |
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A Trip to Four or Five Towns |
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110 | (5) |
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115 | (1) |
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116 | (1) |
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117 | (1) |
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117 | (2) |
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Walt Whitman at Bear Mountain |
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119 | (1) |
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120 | (2) |
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My Father in the Night Commanding No |
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122 | (2) |
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124 | (1) |
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125 | (2) |
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127 | (1) |
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128 | (1) |
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129 | (1) |
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And When the Green Man Comes |
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130 | (1) |
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131 | (1) |
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131 | (1) |
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132 | (1) |
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133 | (1) |
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134 | (1) |
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On the Death of Friends in Childhood |
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135 | (1) |
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135 | (1) |
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136 | (1) |
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137 | (1) |
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On a Painting by Patient B of the Independence State Hospital for the Insane |
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137 | (2) |
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Where We Must Look for Help |
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139 | (1) |
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139 | (1) |
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140 | (1) |
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141 | (1) |
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Driving toward the Lac Qui Parle River |
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141 | (1) |
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Hunting Pheasants in a Cornfield |
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142 | (1) |
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143 | (1) |
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144 | (1) |
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The Possibility of New Poetry |
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144 | (1) |
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After the Industrial Revolution, All Things Happen at Once |
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145 | (1) |
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Sleet Storm on the Merritt Parkway |
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145 | (1) |
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146 | (1) |
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147 | (1) |
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147 | (1) |
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148 | (1) |
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148 | (1) |
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149 | (1) |
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150 | (2) |
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152 | (1) |
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153 | (2) |
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155 | (1) |
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155 | (1) |
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156 | (2) |
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158 | (2) |
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160 | (4) |
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164 | (2) |
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166 | (2) |
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168 | (1) |
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169 | (1) |
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170 | (1) |
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171 | (1) |
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A Supermarket in California |
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172 | (1) |
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Dream Record: June 8 1955 |
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173 | (1) |
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174 | (1) |
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175 | (1) |
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176 | (1) |
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First Party at Ken Keseys with Hell's Angels |
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177 | (1) |
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Lie Closed, My Lately Loved |
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178 | (1) |
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What Do You Do When It's Spring? |
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178 | (2) |
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Looking Both Ways Before Crossing |
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180 | (3) |
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183 | (1) |
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184 | (1) |
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185 | (2) |
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187 | (1) |
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The Picture of Little J. A. in a Prospect of Flowers |
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188 | (1) |
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189 | (1) |
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190 | (1) |
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190 | (2) |
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The Young Prince and the Young Princess |
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192 | (1) |
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from The Avenue Bearing the Initial of Christ into the New World |
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193 | (2) |
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Flower-herding Pictures on Mount Monadnock |
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195 | (3) |
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198 | (1) |
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199 | (1) |
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200 | (1) |
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Small Woman on Swallow Street |
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201 | (1) |
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Grandfather in the Old Men's Home |
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202 | (1) |
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203 | (1) |
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204 | (2) |
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A Gesture by a Lady with an Assumed Name |
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206 | (1) |
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At Thomas Hardy's Birthplace, 1953 |
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207 | (1) |
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208 | (1) |
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Confession to J. Edgar Hoover |
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209 | (1) |
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Lying in a Hammock at William Duffy's Farm in Pine Island, Minnesota |
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210 | (1) |
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Depressed by a Book of Bad Poetry, I Walk toward an Unused Pasture and Invite the Insects to Join Me |
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210 | (1) |
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211 | (1) |
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212 | (1) |
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213 | (1) |
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214 | (1) |
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215 | (2) |
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217 | (1) |
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217 | (1) |
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218 | (2) |
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220 | (1) |
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220 | (1) |
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221 | (1) |
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Nude Descending a Staircase |
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222 | (1) |
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222 | (1) |
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223 | (2) |
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In a Prominent Bar in Secaucus One Day |
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225 | (2) |
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227 | (1) |
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227 | (6) |
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Home on the Range, February 1962 |
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233 | (1) |
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On the Debt My Mother Owed to Sears Roebuck |
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234 | (1) |
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235 | (1) |
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Mourning Letter, March 29 1963 |
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236 | (1) |
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237 | (1) |
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237 | (1) |
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238 | (1) |
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239 | (1) |
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240 | (2) |
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242 | (2) |
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244 | (2) |
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246 | (1) |
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Hard Rock Returns to Prison from the Hospital for the Criminal Insane |
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247 | (1) |
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248 | (1) |
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249 | (2) |
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251 | (1) |
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252 | (1) |
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253 | (1) |
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254 | (1) |
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254 | (1) |
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255 | (1) |
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256 | (1) |
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Going to School in France or America |
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256 | (1) |
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257 | (2) |
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259 | (1) |
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260 | (1) |
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261 | (1) |
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261 | |