"This remarkable book enhances Ariella Azoulay’s position as the most compelling theorist of photography writing today."
–Jonathan Crary, author of Scorched Earth

A groundbreaking work on the power of photography as a vehicle for civil protest

Understanding photography is more than a matter of assessing photographs, writes Ariella Azoulay. The photograph is merely one event in a sequence that constitutes photography and which always involves an actual or potential spectator in the relationship between the photographer and the individual portrayed. The shift in focus from product to practice, outlined in Civil Imagination, brings to light the way images can both reinforce and resist the oppressive reality foisted upon the people depicted.

Through photography, Civil Imagination seeks out relations of partnership, solidarity, and sharing that come into being at the expense of sovereign powers that threaten to destroy them. Azoulay argues that the “civil” must be distinguished from the “political” as the interest that citizens have in themselves, in others, in their shared forms of coexistence, as well as in the world they create and transform. Azoulay’s book sketches out a new horizon of civil living for citizens as well as subjects denied citizenship—inevitable partners in a reality they are invited to imagine anew and to reconstruct.

Beautifully produced with many illustrations, Civil Imagination is a provocative argument for photography as a civic practice capable of reclaiming civil power.

Ariela Azoulay teaches political thought and visual culture at Brown University. She is a curator and documentary film maker.

List of Figures

Introduction to the Second Edition
one What Is Photography?
two Rethinking the Political
three The Photograph as a Source of Civil Knowledge
four Civil Uses of Photography
five “He Is My Ancestor”—Not a Museum’s Asset
Epilogue: The Right Not to Be a Perpetrator

Notes
Bibliography
Index