Acknowledgements |
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9 | (1) |
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10 | (1) |
Introduction |
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11 | (24) |
Horace Walpole: A Brief Chronology |
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35 | (9) |
Publication History of The Castle of Otranto and The Mysterious Mother |
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44 | (6) |
Using the Edition |
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50 | (7) |
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The Castle of Otranto; A Gothic Story |
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57 | (110) |
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Preface to the First Edition |
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59 | (6) |
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Preface to the Second Edition |
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65 | (6) |
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Sonnet to the Right Honourable Lady Mary Coke |
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71 | (96) |
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The Mysterious Mother; A Tragedy |
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167 | (90) |
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Preface to the 1781 Edition |
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169 | (2) |
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Advertisement from the Publishers |
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171 | (86) |
Appendix A: Walpole's Correspondence and Strawberry Hill |
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257 | (31) |
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1. The Castle of Otranto in Walpole's Letters |
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257 | (10) |
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2. The Mysterious Mother in Walpole's Letters |
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267 | (13) |
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3. The Little Gothic Villa at Strawberry Hill |
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280 | (8) |
Appendix B: Responses and Reactions |
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288 | (18) |
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1. Three Early Reviews of The Castle of Otranto |
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288 | (5) |
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2. Notices of The Mysterious Mother |
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293 | (3) |
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3. Two Poems: Ann Yearsley's ``To the Honourable H---e W---e, on Reading The Castle of Otranto December, 1784'' and John Courtenay's ``Letter the Seventh, Naples, April 16, 1793'' |
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296 | (6) |
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4. Comments on The Castle of Otranto and The Mysterious Mother by Early Readers |
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302 | (4) |
Appendix C: Aesthetic and Intellectual Backgrounds |
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306 | (22) |
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1. The Graveyard Poets: Alexander Pope, Thomas Parnell, John Dyer, David Mallet, Edward Young, Robert Blair, Mark Akenside, William Collins, Thomas Warton the Younger, Thomas Gray |
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306 | (9) |
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2. From James Hervey's Meditations Among the Tombs |
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315 | (2) |
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3. From Bishop Richard Hurd's Letters on Chivalry and Romance |
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317 | (4) |
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4. From Edmund Burke's A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful |
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321 | (7) |
Appendix D: Sir Walter Scott's Introduction to the 1811 Edition of The Castle of Otranto |
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328 | (13) |
Glossary |
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341 | (10) |
Bibliography |
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351 | |