Acknowledgments |
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Introduction |
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1 | (6) |
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``Riddle'' (5th century B.C.) |
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7 | (1) |
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From Parzival (1197--1210) |
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8 | (49) |
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Arabian Nights and Italian Renaissance Novellas |
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From The Book of the Thousand Nights and One Night |
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57 | (12) |
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69 | (16) |
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85 | (12) |
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Giambattista Giraldi Cinzio |
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Love Poetry in Black and White |
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``The Beautiful Slave-Girl'' (1614) |
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97 | (2) |
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``A Negress Courts Cestus, a Man of a Different Colour'' (1633) |
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99 | (2) |
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``A Faire Nimph Scorning a Black Boy Courting Her'' (1658) |
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101 | (2) |
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``The Inversion'' (1657), ``One Enamour'd on a Black-moor'' (1657), ``A Black Nymph Scorning a Fair Boy Courting Her'' (1657) |
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103 | (4) |
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``To Mrs. Diana Cecyll'' (1665), ``The Brown Beauty'' (1665), ``Sonnet of Black Beauty'' (1665), ``Another Sonnet to Black It Self'' (1665) |
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107 | (3) |
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``In Laudem Æthiopissæ'' (1778) |
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110 | (5) |
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From Colonial Exoticism and the Noble Savage to Antislavery Writing |
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115 | (17) |
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From Oroonoko: A Tragedy in Five Acts (1696) |
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132 | (11) |
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``On a Young Lady's Weeping at Oroonooko'' (1732), ``To a Gentleman in Love with a Negro Woman'' (1732) |
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143 | (2) |
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Two Versions of the Story of Inkle and Yarico |
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145 | (7) |
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152 | (9) |
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Letter to James Tobin (1788) |
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161 | (6) |
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Black and White in Europe and the Americas, 1800--1870 |
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The Engagement in Santo Domingo (1811) |
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167 | (22) |
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189 | (19) |
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The Blackamoor of Peter the Great (1827--1828) |
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208 | (24) |
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232 | (8) |
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240 | (13) |
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From Beyond the Seas (1863--1864) |
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253 | (25) |
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``The Quadroon Girl'' (1842) |
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278 | (2) |
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Henry Wadsworth Longfellow |
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``The Runaway Slave at Pilgrim's Point'' (1848) |
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280 | (8) |
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Elizabeth Barrett Browning |
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``The Pilot's Story'' (1860) |
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288 | (4) |
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From Mulatto: An Original Romantic Drama in Five Acts (1840) |
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292 | (8) |
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The Octoroon; or, Life in Louisiana: A Play in Five Acts (1859) |
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300 | (37) |
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From Black and White: A Drama in Three Acts (1869) |
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337 | (13) |
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From Miscegenation: The Theory of the Blending of the Races, Applied to the American White Man and Negro (1863) |
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350 | (33) |
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383 | (38) |
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From ``The Pariah'' (1895) |
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421 | (3) |
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424 | (7) |
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``The Father of Desiree's Baby'' (1893) |
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431 | (5) |
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``Uncle Wellington's Wives'' (1899) |
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436 | (25) |
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Harlem Renaissance and Modernism |
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``The Mulatto to His Critics'' (1918) |
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461 | (1) |
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Joseph Seamon Cotter, Jr. |
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``The Octoroon'' (1922), ``Cosmopolite'' (1922), ``The Riddle'' (1925) |
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462 | (2) |
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From The Vengeance of the Gods (1922) |
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464 | (9) |
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473 | (3) |
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``Withered Skin of Berries'' (1923) |
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476 | (22) |
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498 | (6) |
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All God's Chillun Got Wings (1924) |
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504 | (26) |
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``Near White'' (1925), ``Two Who Crossed a Line'' (1925) |
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530 | (2) |
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``Cross'' (1925), ``Mulatto'' (1927), Mulatto: A Tragedy of the Deep South (1935) |
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532 | (27) |
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``The Mulatto'' (1925), ``Near-White'' (1932) |
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559 | (14) |
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573 | (4) |
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``Ballad of Pearl May Lee'' (1945) |
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577 | (6) |
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From the 1960s to the Present |
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583 | (11) |
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From Oxherding Tale (1982) |
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594 | (12) |
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From The Darker Face of the Earth (1994) |
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606 | (28) |
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634 | (19) |
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From The Secret Life of Fred Astaire (2001) |
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653 | (14) |
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Sources |
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667 | (6) |
Index |
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673 | (2) |
About the Editor |
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675 | |